AVALIAÇÃO DA IMDb
5,2/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.An artist, framed for the murder of a woman, is drawn into a web of corruption, blackmail and deceit.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 indicações no total
Don Keith Opper
- Buddy
- (as Don Opper)
John Currie Slade
- Junkie
- (as Jon C. Slade)
Avaliações em destaque
Plenty of twists and turns, and some excellent visuals, but it really needed good music to bring it all together. You have Adam Ant and you don't have a good sound track... tragic.
A very strong cast, well acted, with a good script, and really enjoyable. I should have like to see more Virginia Madsen and more of that snappy 1960 Buick.
A very strong cast, well acted, with a good script, and really enjoyable. I should have like to see more Virginia Madsen and more of that snappy 1960 Buick.
Whatever they thought of this movie when it came out is simply snow blindness to the fact that it carries the very best qualities of noir mysteries of the 40's and 50's. Trailing in the same path that made many movies of this genre infamous,the leading character's effort to untangle the web of double-cross, lies and deceit surrounding him, and redeem himself, is no less engaging than in any of those films, and the plot doesn't have a single point of silliness or implausibility that often marred Hollywood products of the 80's, or any other decade for that matter. Slam Dance uses the neon and metallic backlit of the Los Angeles skies to underscore the desperation surrounding the inhabitants of this Lost story who often mix pleasure with deviancy, loneliness with crime and love with murder.
The dance of chaotic moves is a metaphor for Drood's life, and resistance to be pushed over, until he finds a purpose and is brought back after the purgatory of redemption to the memory of the woman that loved him and the family that centers his world. It certainly didn't appeal to the superficial audiences back in the day, saturated by ridiculous plots and one dimensional characters. Slam Dance doesn't have any of these, it's the "Touch of Evil" of it's time. Don't read empty reviews and be sure to give it a look, you won't be disappointed.
The dance of chaotic moves is a metaphor for Drood's life, and resistance to be pushed over, until he finds a purpose and is brought back after the purgatory of redemption to the memory of the woman that loved him and the family that centers his world. It certainly didn't appeal to the superficial audiences back in the day, saturated by ridiculous plots and one dimensional characters. Slam Dance doesn't have any of these, it's the "Touch of Evil" of it's time. Don't read empty reviews and be sure to give it a look, you won't be disappointed.
Terrific cast including Tom Hulce, Mary Elizabeth Mastrantonio, Virginia Madsen, Harry Dean Stanton, Millie Perkins and rock star Adam Ant is wasted in this lackluster wrong man/blackmail drama (its title apparently picked out of a hat). Hulce, looking like something that got caught in the clothes dryer, plays a Los Angeles cartoonist whose affair with a murdered girl involves him a scandal that sucks him into a whirlpool of danger. Early effort from director Wayne Wang (who later helmed "The Joy Luck Club" and "Maid in Manhattan") is all sleek '80s style and posturing with zero substance. NO STARS from ****
Hulce is a great actor who eventually fell off the face of the earth after an Oscar worthy performance in Amadeus. Wasted talent on this dud. Boring movie.
Ready for a wild ride into the underworld?
Murder, sex, Mafia, cops, love and marriage ... Slamdance has it all!
C.C. Drood* is a cartoonist but his life is anything but a comic strip. When an affair with a mystery woman he meets at a friend's club leads to murder and his implication, life turns upside down for Drood. Just wanting to reunite with his wife and their daughter, Drood has to solve a mystery that even the cops can't figure out. And life begins to imitate art ... the art of being treacherous!
==========> *TOM HULCE is C.C. Drood. Tom, again, brings us a complete character ... as real as life. Drood has a funny side, a serious side, a vulnerable side and a loyal side. He shows us the chaos of being caught in a lie and the struggle of trying to straighten it out. Drood is a great role and is done to perfection by Hulce!
Murder, sex, Mafia, cops, love and marriage ... Slamdance has it all!
C.C. Drood* is a cartoonist but his life is anything but a comic strip. When an affair with a mystery woman he meets at a friend's club leads to murder and his implication, life turns upside down for Drood. Just wanting to reunite with his wife and their daughter, Drood has to solve a mystery that even the cops can't figure out. And life begins to imitate art ... the art of being treacherous!
==========> *TOM HULCE is C.C. Drood. Tom, again, brings us a complete character ... as real as life. Drood has a funny side, a serious side, a vulnerable side and a loyal side. He shows us the chaos of being caught in a lie and the struggle of trying to straighten it out. Drood is a great role and is done to perfection by Hulce!
Você sabia?
- CuriosidadesWayne Wang tried to get his name off the picture after creative interference from the producers.
- Citações
Helen Drood: How do you do it?
Drood: Do what?
Helen Drood: You walk in and everything falls apart.
Drood: Helen, I just got hit in the nuts with a fucking rubber chicken!
- ConexõesFeatured in Tim Scott: High Hopes (1987)
- Trilhas sonorasBing Can't Walk
Written by Stan Ridgway
Performed by Stan Ridgway and Mitchell Froom
Produced by Mitchell Froom
Published by Mondo Spartacus/Illegal Songs
Principais escolhas
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- How long is Slam Dance?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Slamdance
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 406.881
- Fim de semana de estreia nos EUA e Canadá
- US$ 125.349
- 4 de out. de 1987
- Faturamento bruto mundial
- US$ 406.881
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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