Um homem injustamente condenado deve tentar sobreviver a uma execução pública que é apresentada como se fosse um programa de jogos.Um homem injustamente condenado deve tentar sobreviver a uma execução pública que é apresentada como se fosse um programa de jogos.Um homem injustamente condenado deve tentar sobreviver a uma execução pública que é apresentada como se fosse um programa de jogos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Erland van Lidth
- Dynamo
- (as Erland Van Lidth)
Sven-Ole Thorsen
- Sven
- (as Sven Thorsen)
Edward Bunker
- Lenny
- (as Eddie Bunker)
Anthony Pena
- Valdez
- (as Anthony Penya)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Reviewers say 'The Running Man' is an action-packed, satirical film exploring reality TV and media manipulation. It highlights dangers of media control and societal obsession with violence. Schwarzenegger's performance and one-liners are praised, though some critique his acting. The dystopian setting and prophetic elements are appreciated, but the film is criticized for prioritizing action over story, clunky dialogue, and unrealistic plot points. Despite flaws, it's seen as entertaining and a cult classic.
Avaliações em destaque
The Running Man is a cult classic, a film that didn't do so well when it was originally release, but more popular now. The Running Man has a premise that was later used by Battle Royale and The Hunger Games and easily stands along other dystopias from films of the era like Escape From New York and Robocop. It was violent, cheesy and had lots of Arnie one-liners. The Running Man was meant to be a satire about game shows but it's satire is more prescient now with the world of reality TV, 24 hour TV, and deep fakes.
Of all Arnold's mid-'80s movies who would have thought that most relevant today would be The Running Man. A chilling and surprisingly realistic tale of reality TV gone mad. It may have been far-fetched back then but not so now. Not when you think about it. Currently, Reality TV shows are either scraping the bottom of the barrel or desperate to raise the bar. If the next one isn't more controversial as the last, it's a dud. How long will it be before we really do see shows like The Running Man? How long before we have 'court-appointed theatrical attorneys' or the entertainment division of the Justice Department? There is so much satire and intelligence in this movie that may have been missed back in 1987 that is desperate to be seen again considering the current state of TV shows.
The biggest message of all is 'You are being lied to'. It's no secret that the Government and the media work in cahoots. And the masses believe what the media tells them to believe. It's a very scary state of affairs and unless more accurate representations of the truth emerge we may easily accept a brutal show like the Running Man in the near future. It's no secret that Reality TV is not very realistic. It's edited and reshaped before being aired and it's only what the networks want you to see. Usually it's far from the real truth.
Although rather different than Stephen King's book (the ending is completely changed) the script does conform to the typical Arnie formula. Yes, he does have numerous and very corny one-liners and he does say 'I'll be back' (which he never REALLY said that often anyway, when you think about it) in the most ironic situation yet but he's still a zillion times better in the role then Christopher Reeve or Dolph Lundgren would have been (these two were considered BEFORE Arnie believe it or not).
The director is none other than Dave Starsky himself (Paul Michael Glaser). It may not be artistic but it is still strong enough to generate excitement and his use of neon and flourescent colors gives each individual set a pretty cool look. Andrew Davis (not a director I particularly like) was attached before Glaser, though no matter who directs, the film is still marred by a very heavy 80's feel.
First of all, Harold Faltermeyer's score (remember him?) is incredibly dated and robs the action scenes of any timeless integrity. And the fashion sense of the movie is far too excessive to be convincingly set in the future. Apart from the dated feel, the only other thing that bugs me is the poorly staged shoot-out that passes as the climax.
This new DVD is a zillion times better than the original release. Gone is the horrid letterbox picture. In its place is a brand new hi-definition 1.85:1 anamorphic transfer. The colors sparkle and literally pop from the screen. The new Dolby 5.1 EX and DTS ES soundtrack are also amazing. There constant use of the surround channels to great effect and the bass is strong and powerful. Definitely one of the best re-masters I've seen so far. Two intriguing documentaries, a trailer and a 'Meet the Stalkers' gimmick are included in this 2-disc set that comes in a rather neat slip case.
The biggest message of all is 'You are being lied to'. It's no secret that the Government and the media work in cahoots. And the masses believe what the media tells them to believe. It's a very scary state of affairs and unless more accurate representations of the truth emerge we may easily accept a brutal show like the Running Man in the near future. It's no secret that Reality TV is not very realistic. It's edited and reshaped before being aired and it's only what the networks want you to see. Usually it's far from the real truth.
Although rather different than Stephen King's book (the ending is completely changed) the script does conform to the typical Arnie formula. Yes, he does have numerous and very corny one-liners and he does say 'I'll be back' (which he never REALLY said that often anyway, when you think about it) in the most ironic situation yet but he's still a zillion times better in the role then Christopher Reeve or Dolph Lundgren would have been (these two were considered BEFORE Arnie believe it or not).
The director is none other than Dave Starsky himself (Paul Michael Glaser). It may not be artistic but it is still strong enough to generate excitement and his use of neon and flourescent colors gives each individual set a pretty cool look. Andrew Davis (not a director I particularly like) was attached before Glaser, though no matter who directs, the film is still marred by a very heavy 80's feel.
First of all, Harold Faltermeyer's score (remember him?) is incredibly dated and robs the action scenes of any timeless integrity. And the fashion sense of the movie is far too excessive to be convincingly set in the future. Apart from the dated feel, the only other thing that bugs me is the poorly staged shoot-out that passes as the climax.
This new DVD is a zillion times better than the original release. Gone is the horrid letterbox picture. In its place is a brand new hi-definition 1.85:1 anamorphic transfer. The colors sparkle and literally pop from the screen. The new Dolby 5.1 EX and DTS ES soundtrack are also amazing. There constant use of the surround channels to great effect and the bass is strong and powerful. Definitely one of the best re-masters I've seen so far. Two intriguing documentaries, a trailer and a 'Meet the Stalkers' gimmick are included in this 2-disc set that comes in a rather neat slip case.
Released just as Arnold Schwarzenegger was achieving megastar status, this film about stardom is a wry pun on his career and the media business around him. Films like these are not meant to be analysed, they are meant to be enjoyed, and THE RUNNING MAN certainly manages to do that.
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
After a shaky start involving the worst title sequence in the history of cinema (although it's good to see the Sinclair Spectrum finally get global use!), director Paul Michael Glaser presents an eye-popping glimpse at the television of tomorrow. This witty slice of sociological irony would have admittedly been slicker in the hands of regular Paul Verhoeven, but Glaser keeps the action flowing throughout, and presents us with some bizarrely fascinating villains as well as the usual action frolics. One query, though, is over the level of violence. Oddly enough there doesn't really seem to be enough. In a program where the broad concept is horrifically barbaric, Glaser seems reluctant to horrify us beyond the disappointing "see the blood spattering from the violence that's just off camera" and those awful rubber corpses! I do not wish to appear to be encouraging unnecessary violence, but in a comic-book film where 'gore is its core', not including it almost makes you feel that it is trying to take itself too seriously, and therefore makes it even more horrific. Perhaps this delicate subject is better explained by Paul Verhoeven in his excellent commentary to ROBOCOP (DVD Criterion Collection).
But the performances in THE RUNNING MAN are suitably solid, from the powerful Schwarzenegger to the sleazy game show host. Any fan of the 80s action genre will love this, so sit back and prepare for SHOWTIME!!!!!!
Running man is an absolute classic Schwarzenegger film. If you're looking for a smart political sci-fi drama don't worry about catching this one. If you're looking for a dumb political sci-fi action flic oh boy you're in for a treat. In true Schwarzenegger fashion this film is full of cheesy one liners and almost nonstop action. The story is compelling while still keeping things on the lighter side. It still seems like we're only one more bad election from this being our reality. The same people who scrutinize action movies like this are the same people who watch children's movies and criticize them for being "too childish". It's campy, it's corny and i absolutely love it.
Like other reviews already said, The Running Man hits many very actual notes - especially in the '20s we're living in. The use of deep fakes, the reality tv formats, the manipulation that was predicted for 2019 is all there nowadays. But what if this novel by the brilliant Stephen King would've been adapted again? So no blockbuster entertainment but how it was intended by King? That means no Schwarzenegger as the main character was a weak loser type. No 'game arena' but running in the actual world. Formats like this are already there, a new movie adaptation would be awesome right? This film shows the potentional and needs to be told again. But then true to the original idea. I'd love to see that.
Stephen King Movies Ranked by IMDb Rating
Stephen King Movies Ranked by IMDb Rating
See how IMDb users rank the feature films based on the work of Stephen King.
Você sabia?
- CuriosidadesWhen Rob Cohen purchased the rights to the Richard Bachman novel "The Running Man," he had no idea that Bachman was actually a pseudonym for Stephen King.
- Erros de gravaçãoWhen Killian is at the entrance to the control room, the gate opens before Sven has finished entering the security code.
- Citações
Ben Richards: Killian, here is Subzero! Now, plain zero!
- Cenas durante ou pós-créditosAnnouncer's voiceover: "The Running Man has been brought to you by: Breakaway Paramilitary Uniforms, Orthopure Pure Procreation Pills, and Cadre Cola - it hits the spot. Promotional considerations paid for by Kelton Flame Throwers, Wainwright Electrical Launchers, and Hammond & Gage Chain Saws. Damon Killian's wardrobe by Chez Antoine, 19th-century craftsmanship for the 21st-century man. Cadre trooper and studio guard's sidearms provided by Colchester, the pistol of patriots. Remember, tickets for the ICS studio tour are always available for class A citizens in good standing. If you'd like to be a contestant on The Running Man, send a self-addressed, stamped envelope to ICS Talent Hunt, care of your local affiliate, and then go out and do something really despicable! I'm Phil Hilton. Good night and take care!"
- Versões alternativasAn edited version was produced for network TV broadcast in which extreme violence was removed, and certain dialogue was redubbed by the original actors (eg. an expletive Barbera Lux uses at the end of the movie was changed to "Bullsquat").
- Trilhas sonorasRunning Away with You
Music & Lyrics by Harold Faltermeyer and John Parr
Published by Kilauea Music U.S. Publishing, Taft/Barish Music, Bogus Global Music, Inc.
Performed by John Parr
Courtesy of Atlantic Records
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El sobreviviente
- Locações de filme
- Sony Pictures Plaza, 10000 Washington Blvd, Culver City, Califórnia, EUA(Killian arrives at the TV Centre in a red car)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 27.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.122.105
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.117.465
- 15 de nov. de 1987
- Faturamento bruto mundial
- US$ 38.123.906
- Tempo de duração
- 1 h 41 min(101 min)
- Cor
- Proporção
- 1.85 : 1
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