A Era do Rádio

This movie starts with two burglars answering the phone during a break-in. They win the radio contest and the next day, the homeowners are shocked by the arrival of the winnings after finding their home robbed. Woody Allen narrates this nostalgic recollection of vignettes during his childhood. Joe (Seth Green) lives in Rockaway Beach with his parents Tess (Julie Kavner) and Martin (Michael Tucker) as well as an extended family. His imagination and his memories deliver stories about the people in his life and the radio they listen to. There is the War of the Worlds broadcast. Joe's favorite character is the Masked Avenger. There are also stories about the radio peronalities and aspiring actress cigarette-girl Sally White (Mia Farrow).

Woody delivers a loving tribute to the concept of radio through the eyes of childhood. This has a large cast with wide ranging vignettes. It's imaginative, touching, and fun. The characters are specific and compelling. There is a terrific veneer of memory. Through all the surreal and the real, there is the love of family and radio that transcends the screen onto the audience.

Woody Allen fondly recalls that age before TV when radio was the nucleus around which family life revolved (and evolved). It's an affectionate (and, for Allen, atypically nostalgic) period piece, sketching with disarming humor the memories, anecdotes, and fantasies of an East Coast childhood in the 1930s and 1940s, narrated by the director himself and set against a collection of once-popular radio songs and programs. Television could never trigger such glowing memories, because TV numbs the imagination while the invisibility of the radio voice tends to enhance it. Allen includes plenty of jokes to that effect: the heroic Masked Avenger turns out, off microphone, to be the portly Wallace Shawn; the nonsense song Mairsie Doates recalls a neighbor brandishing a meat cleaver on a downtown rampage. The comedy is never more than feather-light, demanding nothing from its audience except uncomplicated laughter, but this is one filmmaker who has always been more effective on a smaller scale.

If you are looking for the normal amount of big laughs from a Woody Allen film, then you will be disappointed here. It's not that kind of film.

I was anything but disappointed, but I knew what the film was all about before I saw it. Actually, what drew me to it was that I had read where this was a wonderful visual film, filled with rich colors and great set designs. It did not let me down. This is a great visual tribute to the 1940s, to be exact from 1938 to 1944. A real treat for the eyes.

The story centers around a Jewish family in Queens and the importance that radio shows had in that day-and-age. Also profiled in here are some of those radio performers.

It does have laughs but not as many as the normal Allen movie because the idea of this is simply to be a nostalgic piece, mainly Allen's tribute to his own family days of growing up, what it was like around his house.

It was interesting to see Seth Green playing Woody as a youngster with flaming red hair. The most interesting person, however, was Diane Wiest who played a man-chasing sister-in-law. The film gives you a real flavor of the period, of New York and of a Jewish family.

Overall, it's simply a nice film....and gorgeous to look at. Sometimes I think some of Allen's work is overrated but, boy, here is one that is definitely underrated.

Radio Days (1987) was written and directed by Woody Allen. The movie is set during the "golden years of radio," when radio programs, listened to at home, were an important aspect of American entertainment.

The film is narrated by Woody Allen, and is a nostalgic--and possibly autobiographical--look at the childhood of a young boy growing up in Rockaway, Queens. Allen grew up in Brooklyn, but the culture and customs of lower-middle class Jews in Rockaway would have been similar to those that Allen probably witnessed in Brooklyn.

The movie is set in the late 1930's and early 1940's. Surprisingly, World War II doesn't hold a prominent place in the film. Although the war was thousands of miles away, no aspect of life in the U.S. was untouched by it. Allen chose to concentrate on other matters--failed hopes, unfulfilled romances, and family bickering.

Despite these negative aspects of day-to-day life, the film projects a cheery, upbeat attitude. After all, it was a time when someone who looked like Wallace Shawm could star as radio's "Masked Avenger." Woody's subdued narrative lets us know that he loved those around him and was loved by them in turn.

Life wasn't perfect, but it could have been worse, and who knew what good things the future might bring.

We saw Radio Days on DVD. It probably would work somewhat better on the large screen, but it's worth seeking out and seeing in any format.

In my opinion, Radio Days is right up there with Annie Hall though it's different in that it's following several people's lives. Woody doesn't act in this, but his narration is excellent.

He takes the wonderful old songs and commercials from that time and weaves them into the story. I was completely captivated.

It's not a "laugh a minute" type film, but it also gets you thinking. Nevertheless, it has some hilarious scenes. Check out the Jewish fasting holiday scene. I've watched it at least 6 times and I still laugh. Also the scene with Mia Farrow's character was superb. One of my favorite lines is when she tells a top radio producer in her high-pitched nasal voice, "Jeez. We can't keep meeting like this. In the backs of cars, movie theaters and stalled elevators. You're gonna lose your respect for me!" I love this film.