AVALIAÇÃO DA IMDb
5,8/10
63 mil
SUA AVALIAÇÃO
O caminhoneiro Lincoln Hawk está determinado a reconquistar seu filho e triunfar nos campeonatos mundiais de luta.O caminhoneiro Lincoln Hawk está determinado a reconquistar seu filho e triunfar nos campeonatos mundiais de luta.O caminhoneiro Lincoln Hawk está determinado a reconquistar seu filho e triunfar nos campeonatos mundiais de luta.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 3 indicações no total
Allan Graf
- Collins
- (as Alan Graf)
Avaliações em destaque
Over the Top is pure Sylvester Stallone: the blue collar man with the heart of gold fighting his way through a world that dismisses him as a loser but he wins at the end with the help of someone who really understands and loves him. Same as the Rocky series, same as the Rambo series.
But I can't help it, I really like Sly. He certainly is no Shakespeare actor but there is that deep honesty he represents in all his flicks and it works. When he first walks into that military school building to fetch his son after cleaning his truck and trying to make himself look his "Sunday best" - I can't help it: it is just great.
Yes it is strange to see a well educated kid (by a military school) being transformed into a "regular guy" by his own father. But in this film that is only a metaphor. The real meaning is: it's the heart that counts, not the social position. Now that's a message which can't be dismissed as junk that easily.
I love the portraits and short interviews of the arm wrestling contestants. Brilliant.
Probably the best scene is when the (always wonderful) Robert Loggia finally accepts the fact that his grandson loves his dad. The "villain" hasn't been beaten. No even better: he has been convinced and transformed.
Over the Top works on two levels: as popcorn entertainment: "Blue collar hero beats the odds" and as good old fashioned, almost Frank Capra- like cinema: "good will always win in the end".
Bottom line: as with many a Sly flick (any film Sylvester Stallone agrees to participate in or where he actually did the writing, directing etc.)we have to work our way through a popcorn flick to find a deeper meaning. And I say it is there in Over the Top hitting it dead center.
So I'm a Sylvester Stallone fan. Now call me names, I can take it.
But I can't help it, I really like Sly. He certainly is no Shakespeare actor but there is that deep honesty he represents in all his flicks and it works. When he first walks into that military school building to fetch his son after cleaning his truck and trying to make himself look his "Sunday best" - I can't help it: it is just great.
Yes it is strange to see a well educated kid (by a military school) being transformed into a "regular guy" by his own father. But in this film that is only a metaphor. The real meaning is: it's the heart that counts, not the social position. Now that's a message which can't be dismissed as junk that easily.
I love the portraits and short interviews of the arm wrestling contestants. Brilliant.
Probably the best scene is when the (always wonderful) Robert Loggia finally accepts the fact that his grandson loves his dad. The "villain" hasn't been beaten. No even better: he has been convinced and transformed.
Over the Top works on two levels: as popcorn entertainment: "Blue collar hero beats the odds" and as good old fashioned, almost Frank Capra- like cinema: "good will always win in the end".
Bottom line: as with many a Sly flick (any film Sylvester Stallone agrees to participate in or where he actually did the writing, directing etc.)we have to work our way through a popcorn flick to find a deeper meaning. And I say it is there in Over the Top hitting it dead center.
So I'm a Sylvester Stallone fan. Now call me names, I can take it.
It's hard to dislike Over The Top. Sure, it can get corny, old-fashioned, far-fetched (the gate-crashing scene, fun and unbelievable.) The movie sorta plays like a cross between Highway to Heaven and THe A-Team. But somehow, you find yourself watching despite whatever 'good judgment' you think you might have regarding the cinema. You get swept up in the film's good vibes. You care about what happens to Hawke and his son. Most of the credit for this has to go to Sylvester Stallone. He plays the part of a truck driver coping with the new experience of getting to know his twelve-year-old son for the first time quite well. You care because you sense how much HE cares. it is conveyed by a sure delivery from Stallone. His character never seems too slight or well, too Over the top. There is a bond that slowly forms between him and his son. And the movie has a great "training" montage complete with great song that will remind you of what was so good about the Rocky films. David Mendenhall agreeably plays the part of Mike with the combination of distrust, arrogance and vulnerability you would expect from someone his age who went thru what he did.. No, he's not Haley Joel Osmont. We won't leave the movie shaking our heads at his incredible,precocious talent. That doesn't mean he didn't acquit himself nicely in the film. Robert Loggia's role could have been fleshed out a little more. He seems to much like a comic-strip villain. The film could have delved more into his reasons for hating Hawke. that part could have been beefed up a bit.
I enjoyed the Arm-wrestling backdrop. It was a refreshing change for movies of that era that boasted big stars like Stallone. Usually, movies that were sport-specific other than the trad football, baseball, or boxing stories tended to use people who were less known (Gotcha, Gleaning the Cube)
A good film. warm, funny, exciting. The better face of the Eighties cinema.
I enjoyed the Arm-wrestling backdrop. It was a refreshing change for movies of that era that boasted big stars like Stallone. Usually, movies that were sport-specific other than the trad football, baseball, or boxing stories tended to use people who were less known (Gotcha, Gleaning the Cube)
A good film. warm, funny, exciting. The better face of the Eighties cinema.
This movie really touched base with me. I grew up not knowing my father, so I really felt for "Michael Cutler", played by David Mendenhall. This was the first thing I remembered seeing David in and I became a big fan of his thru this movie. I identified with his character so much.
If only there would have been a sequel to this movie. (+:
If only there would have been a sequel to this movie. (+:
7jehn
I recently remembered seeing this film when I was much younger and liking it. When I checked it out on IMDb, I was quite disturbed. Why in the world would I like this weird, arm wrestling movie with Sylvester Stallone? So I rented it again to see why I had liked it as a kid or to see if I had been delirious when I first saw it. The strange thing is, even though it is not at all my type of movie, I still really enjoyed it. I've heard that the kid is a bad actor and all, but I really don't think he is. Maybe I'm still delirious, but I thought the movie was pretty darn heart warming.
This film is all about the thrill of seeing Stallone reveal his more 'sensitive' side. Not to mention the great scenes where he works out the rippling biceps of his 'wrestling arm' using an ingenious hand-weight pulley system in the cab of his truck. Sure it's cheesy, but this film does what any good 80s movie should. The part where he turns his cap backwards before a wrestling match is a highlight, symbolising some kind of metamorphosis from sensitive dad to macho man. What a great flick!
Você sabia?
- CuriosidadesYears later, Sylvester Stallone explained why he agreed to appear in this movie. "Menahem Golan kept offering me more and more money, until I finally thought, 'What the hell - no one will see it!'"
- Erros de gravaçãoWhen Bull punches Hawk in the nose during their final arm wrestling match, it should've disqualified him immediately.
- Citações
Lincoln Hawk: The world meets nobody halfway. When you want something, you gotta take it.
- Cenas durante ou pós-créditosAn odd prop, specifically a "bucking bicycle" was used in the film. This bicycle was built by Terry Teene, writer and singer of the early 60's monster parody song, "Curse of the Hearse".
- Versões alternativasThe Tubi print plasters the 1987 Warner Bros. logo with the 2001 MGM logo.
- Trilhas sonorasIn This Country
Performed by Robin Zander
Music by Giorgio Moroder
Lyrics by Tom Whitlock
Produced by Giorgio Moroder
Arranged by Anthony Marinelli (uncredited)
Courtesy of Epic Records
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Sylvester Stallone's Most Iconic Roles
Sylvester Stallone's Most Iconic Roles
We're celebrating the iconic Sylvester Stallone with a look back at some of his most indelible film performances, from Rocky and Rambo, to Joe in the new superhero movie Samaritan.
- How long is Over the Top?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 16.057.580
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.149.200
- 16 de fev. de 1987
- Faturamento bruto mundial
- US$ 16.057.930
- Tempo de duração1 hora 33 minutos
- Cor
- Proporção
- 2.35 : 1
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By what name was Falcão, o Campeão dos Campeões (1987) officially released in India in English?
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