Fugindo da Morte

Violent motion picture about a brutal army of warriors invading Scandinavia . This is the first and classic version well directed by Nils Gaup in 1988, winning several prizes. Circa the year 1000 AD warlike people, the so-called "tjudes," roam in a strange land , in northern Scandinavia . There a boy , Aigin : Mikkel Gaup , living with his native family , is hunting . But merciless, ambitious and cruel barbarians suddenly appear and they are cruelly murdered . The starring observes the massacre from a distance and he manages to flee these murderers and reaches a village with other Natives whose inhabitants are worried if he has been able to hide his leads. Afraid of the violent savage warriors , they decide to flee to the coast . Meanwhile , the protagonist falls in love with a charming Native. The young stays alone to revenge his families killers but he gets captured by the invading people . Unfortunately , they get him before he can do anything and force him to lead them to the other natives , threatening to kill a friend , when Aigin sees this he dashes forward, and says he will guide them . He guides them and agrees to lead to the hiding place of his fellow villagers but he has a scheme to destroy the cutthroats barbarians before reach the camp.

It's the first version based on ancient folk-tale from Lapland, this classy adaptation is an exciting picture plenty of action, thrills, chills, roller-coaster ride, violence and breathtaking fights . The plot is plain and simple , some violent stranger warriors capture a young man and they want him to guide them to the coast, and start torturing him , then , things go wrong . As the intelligent starring , Mikkel Gaup , will fight for his freedom and his people as well as he'll take off a nasty villain , performed by Helgi Skúlason who doesn't say a word the entire film . The brutal invaders dresssed in black pelts deliver the goods, their appearance is spectacular and creepy . Furthermore , the astonishing killings are gruesome executed and grisly graphic. The atmospheric photography by Erling Andersen with a sort of never-ending dawn is truly awesome. It's a kind of light mingled in a moody and foggy atmosphere. Stirring and evocative musical score by three Scandinavian composers . Stunning and gripping realization by Nils Gaup . He was born in 1955 in Kautokeino, Norway. Gaup is a director and actor, who has made a few but acceptable films , being especially known for Pathfinder (1987), , Misery harbour (1989) , Above Water (1993) , North star (1996) , Journey to the Christmas Star (2012) and The last King (2017) . Gaup turned down offers to direct No without my daughter (1991) with Sally Field, RoboCop (1987) and many others. He began to direct Waterworld (1995), but he thought the budget was blown up and the project too difficult to handle.

It had a remake titled ¨Pathfinder¨ in 2007 by Marcus Nispel. It stars Karl Urban, Clancy Brown, and special mention to Russell Means , he was born Lakota Sioux, a good actor Native American, he along with Graham Greene, Rodney A Grant, Tantoo cardinal, Eric Schweitz and Wes Studi appear in all movies about Indian themes and it deals with a viking child raised by Native Americans, to take on the invaders Vikings .

Pure brilliance this is!

Living very close to the land and culture that's described in the film I really enjoyed this film. The way everything's been explained and displayed in the film is very satisfying. And I might add that it's not required to have an interest in the culture to watch this movie. That is to say that the movie works on every level! Gaup delivers a very strong and entertaining movie. I only wish it can have a broader audience, because it deserves it. I have no problem recommending this film to anyone with a slight interest in movies!

One of the many beauties of this film is the exquisite simplicity. Filming, acting, directing, costuming - all have been distilled to their essence so that the viewer is never distracted from the superb story. I watch this film several times a year (and have given it as gifts to friends) and no longer bother to read the sub-titles, so clear has the story become to me. We lost a great deal when we stopped sitting around fires telling stories to one another; this film can give some of that back to us.

This is the best film ever to come out of Norway. Mythical realism on its best. I've seen it several times and it only gets better. The unpolished brutality and savage behavior in this film can only be matched by Fargo (96). Beautifully set on Finnmarksvidda, the northern most part of Norway -Way north of the arctic circle, it shows the way of the life a thousand years ago. The silent winter morning is of course interrupted. Savages from an eastern land comes to plunder and rape the same people. Less than ten minutes into the film the heros family has been brutally slayed and are being deposed of as he returns home from hunting. The Washington Post calls it Die Hard on snow, without a barefoot Bruce Willis as the american stereotyped hero, instead it's realistic - I agree.

Anyone in the business of storytelling should begin with a good story, which is precisely what Norwegian director Nils Gaup did for his Oscar nominated debut feature, adapting a thousand year old Scandinavian legend about a young boy who rescues a small community of fellow Laplanders from a horde of ruthless invaders. The setting may be exotic (the film was shot almost entirely above the Arctic Circle) but the basic mythic outline can be (and likely has been) translated anywhere, from the American West to "…a long time ago, in a galaxy far, far away". Certain elements are by now so familiar they might almost be clichés: the young hero, orphaned by an evil enemy (the Tchudes, dressed all in black and speaking a harsh, guttural language); his refuge with a likewise threatened nearby tribe, who see him as their savior; the medicine man who will guide him to wisdom; and so forth. Gaup knows enough not to embellish an already proved formula, and as a result his film offers brisk, uncomplicated entertainment, with action scenes as thrilling as anything coming out of Hollywood these days. But now that the legend is on film, will future generations of Lapp children learn it from their elders by simply renting a DVD?