Kautokeino-opprøret

I'm not a critic and I do not write reviews to be 'helpful' for others. "It's important that I'm sayin' the right sayin'. It's less important that you hear." Words taken from the character "Nell" in "Idioglossia", a stage play that later was adapted by Alicia Christian "Jodie" Foster, as producer and as actress.

So here are some glimpses, I hope they will be not very 'off topic' Addiction, social rules, the Word of the Lord and the ones who have to decide either to deliver it as a gift or to promulgate it as a verdict, the different quadrants of law and emotions - this film deals with a lot of things that often seem to be mostly clarified in our world. I think they aren't. So this movie is not only a view to history.

I was very surprised by the bishop. A tall, beautiful, young man, Nikolaj Coaster-Waldau. I would give an extra star for casting him.

When there is a border in a nation, when two or more ethnicities live there then life seems to become more demure, rough, brittle. Anni-Kristiina Juuso (Elen Skum) had played Anni in "Kukushka" some years ago, a movie that shows how difference makes us rich and gives power and health. But for this we need to have individual contact. We're simply lost without this.

I'm an European, I've been to Sápmi and to Kosovo. I can feel how fragile we are. I'm happy that there is peace in the north, and share this world with the Sami people who live in four countries.

At the end you can hear Mari Boine: "And so the spring river opened up again / And so we let ourselves drift with the flood..." Have I went too far away from the movie?

Ever since Nils Gaup directed Veiviseren (Norwegian title. It is called "Ofelas" in samish, "Pathfinder" in English) one have awaited more of the ice cold and heart warming stuff from the filmmaker with samish (a Lappland people in Northern Scandinavia) relations.

Well, here he's back again many years after having his film Oscar-nominated. This is a different film. A true story of the Norwegian authorities suppressing the Samish minority in the most Northern part of Norway.

The film is beautifully and realistically filmed, and the acting is flawless. And Gaup has not fallen into any trap of making the story any other than it is.

It's got some of the very same feeling as "Ofelas", though set in another time. The Swedish and Danish stars playing the priests and bishops are just as you would expect them to be. Not at all understanding of the Samish peoples daily life in the hash and cold winter of Finnmark.

Nils Gaup has told that he has had plans on making this film for 20 years. Well, here it is. It'll be a price winning movie, surely. Finally another masterpiece from his hand. Enjoy the ever so sad true story! Another great Norwegian movie. There's been quite a movie revolution in Norway the latter years. What a dream come true!

What a great film! A simple story told in a powerful way. This IS what a film suppose to do. I don't know much about the Lapp/Sami people or their struggles in the past(I regret that) but you can substitute any ethnic/minority group and get a feel of the injustice that's being portrayed. Violence is almost always the product of social injustice. This is a universal stuggle between oppressed and opressor; be it a church, a state or corporation. Greed is a fire that burns all, at the end. Ars Gratia Artis "Art for the sake of Art" seems to be the motto of most films nowadays. Not this one. No offense to the artists involved in telling this story. Recommended. 10/10

Why 9? Well it takes a lot to watch a film spoken in Sammi with Norwegian subtitles - when you don't speak either language - and come out of the cinema saying "Now that was a good film".

It's based on a true story set in the North of Norway 143 years ago of a Swedish store owner and his desire to supply alcohol to a growing number of Sammi men versus a Sammi wife and her desire to keep the men off the liquor.

It is a great tale and the acting is top drawer. The final scenes are especially poignant.

The irony of a Govt, Church and Business community intent on ensuring the supply of alcohol to a Sammi tribe struggling to cope with the concept of capitalism in a country that today preaches the exact opposite will not be lost on you.

Watch it. You will not regret it.

I don't want to be reductive, but let's face it, you're reading this review to decide if this movie is one you want to watch. I don't want to tell you what happens, because I wouldn't want to deprive you of seeing the story unfold for yourself. So no spoilers. I will say that the themes in this movie are universal, particularly the individual's struggle against injustice from those in power.

I suspect every culture has a noted hero who struggled against oppressive authority (e.g., William Wallace, Rob Roy, Pan Singh Tomar, Tadas Blinda, and Ned Kelly). Here, the hero and victim is humble Elen Skum, a simple rural woman who wished to worship in her own way and to protect her family from the scourge of alcohol. While not as exciting a tale as many of her fellow rebels', it is all the more poignant for its simplicity. Elen, a simple, rural mother and wife, stakes it all to save her family. She, and her family and friends, are too innocent to understand the forces arrayed against them, but they are a hard people tempered by an unforgiving climate. Each sides' refusal to give ground ultimately lead to tragic consequences.

Story aside, the acting is amazing. While there were a couple of editing hiccups early in the film, the sparse beauty of the country and the surprisingly good performances(particularly from Ms. Jusso) more than make up for any such quibbles. I really enjoyed the insight into this Nordic culture, and would encourage anyone looking for a thoughtful movie dealing with the theme of oppression to give it a shot.