Jogo de Emoções

Wealthy psychiatrist Lindsay Crouse has just published her first novel and is feeling down about her profession feeling that it's hopeless to help her patients. A young gambling junkie client asks her to help him pay off his debts if he truly wants to help him get better. Here she gets involved with Joe Mantegna. To reveal any more of the plot would spoil one hell of a fun movie and 'House of Games' may very well be the best con movie I've seen. David Mamet wrote and directed this gem that's full of snappy dialogue, great one-liners, and enough twists to keep you guessing til the end. Crouse is perfect as the uptight psychiatrist needing a change and Mantegna tops her as the devilishly sly con-man. And with the exception of a coincidence in the last quarter of the movie, the film is in utter control of it's audience; and we are loving the con.

*** out of ****

`The United States of Kiss My Ass'

House of Games is the directional debut from playwright David Mamet and it is an effective and at times surprising psychological thriller. It stars Lindsay Crouse as best-selling psychiatrist, Margaret Ford, who decides to confront the gambler who has driven one of her patients to contemplate suicide. In doing so she leaves the safety and comfort of her somewhat ordinary life behind and travels `downtown' to visit the lowlife place, House of Games.

The gambler Mike (played excellently by Joe Mantegna) turns out to be somewhat sharp and shifty. He offers Crouse's character a deal, if she is willing to sit with him at a game, a big money game in the backroom, he'll cancel the patients debts. The card game ensues and soon the psychiatrist and the gambler are seen to be in a familiar line of work (gaining the trust of others) and a fascinating relationship begins. What makes House of Games interesting and an essential view for any film fan is the constant guessing of who is in control, is it the psychiatrist or the con-man or is it the well-known man of great bluffs David Mamet.

In House of Games the direction is dull and most of the times flat and uninspiring, however in every David Mamet film it is the story which is central to the whole proceedings, not the direction. In House of Games this shines through in part thanks to the superb performances from the two leads (showy and distracting) but mainly as is the case with much of Mamet's work, it is the dialogue, which grips you and slowly draws you into the film. No one in the House of Games says what they mean and conversations become battlegrounds and war of words. Everyone bluffs and double bluffs, which is reminiscent of a poker games natural order. This is a running theme throughout the film and is used to great effect at the right moments to create vast amounts of tension. House of Games can also be viewed as a `class-war' division movie. With Lindsay Crouse we have the middle-class, well-to-do educated psychiatrist and Joe Mantegna is the complete opposite, the working class of America earning a living by `honest' crime.

The film seduces the viewer much like Crouse is seduced by Mantegna and the end result is ultimately a very satisfying piece of American cinema. And the final of the film is definitely something for all to see and watch out for, it's stunning.

An extremely enjoyable film experience that is worth repeated viewings. 9/10

I knew nothing about this movie when I saw it on tv many years ago and had never seen 'The Sting' before seeing this. It's best to enjoy these type of movies without any prior knowledge, because if you knew anything about it before hand, you could work out the plot after 10 minutes. A movie that seems a straight forward thriller, but actually deals more with the desire to explore one's darker side. Mamet maybe made some of the plot twists seem a tad to obvious and doesn't quite manage to shake of a 'tv' approach, but that doesn't matter because Joe Mantegna gives a superb performance that lifts the other cast members above tv standard.

One of David Mamet's better movie efforts (like Untouchables, Spanish Prisoner and Glengarry Glen Ross), it's best knowing nothing about this movie before seeing it.

8/10.

I've viewed this film four times and at each viewing my interest was piqued a little more and I appreciated the film a little more. Granted the stylized approach is a little off-putting at first, but on repeated viewings, it becomes appropriate in the context of the film. Lindsay Crouse,(Mamet's wife at the time), plays a psychiatrist who methodically approaches her treatment of her patients, is a very closed person, and seemingly unfulfilled; hence, her interest and eventual immersion into the activities happening in the House of Games. Her almost robotic reading of the lines seems to fit her screen personality. She is at first curious and then becomes obsessed with Joe Mantegna and his way of life. As we will see, she plays right into his hands, and so do we. I won't go into detail about the story and it's strengths since it has been said better in previous reviews on this board. But the big con is on us, the viewers......we think we know what is happening...in fact we think we know several times. WRONG!! The ending will blow you away and if you figured it out, you need to be working the con game. This is a strange, almost erotic movie that will fascinate you, even though it might take a couple a viewings to fully appreciate it.

If your idea of a thriller is car chases, explosions, and dozens of people being mowed down by gunfire, then "House of Games" is definitely not the movie for you. If you like and appreciate psychological drama and suspense, then, by all means, see it.

"House of Games" tells the story of an esteemed psychologist and writer, Dr. Margaret Ford (Lindsay Crouse), who tries to help a patient and gets involved in the shadowy world of con men led by the charismatic Mike (Joe Mantegna). To say anything more about the plot would ruin the suspense. Frankly, I find it hard to believe anyone who says they saw the twists coming. Just like a clever con artist, this movie draws you into its web and lulls your vigilance.

The story is taut and well-crafted, the dialogue smart and laconic, the acting uniformly good (Mantegna is superbly charismatic). Some have complained that Dr. Ford is not a very sympathetic character, and wondered why Mamet would make Lindsay Crouse look so physically unattractive. But Dr. Ford is supposed to be cold and aloof; moreover, her homeliness is in a way essential to the plot (at one point, I believe that an injury to her sexual self-esteem is a key part of her motivation ... I'll say no more).

"House of Games" is a dark look at the underside of human nature that concludes on a note of discomforting ambiguity. It will hold your attention every second while you are watching, and stay with you for a long time afterwards.