Hellraiser - Renascido do Inferno

Hellraiser was a bloody good film but part of me wishes I hadn't seen it because it made the hairs on the back of my neck stand up. I remember renting it out on video along with A Nightmare On Elm Street back in the late 1980's. I thought Freddy Krueggar was bad but those cenobites scared the you know what out of me.

The acting is good throughout the film and praise must go to everyone. The characters were very interesting characters from the humans right up to the cenobites.

There was a lot of gore in this movie and it was quite sick at times-not a film to watch if you're eating.

The storyline of the film is a very intriguing one and very original indeed.

But those cenobites didn't half scare me particularly when that pinhead said, "We will tear your soul apart!" Then again, that is what a good horror is all about-scaring the you know what out of it's audience.

If you're looking for a quality horror movie of the 80's then check this one out. Just don't be surprised if it sends you hair grey.

This is certainly Clive Barker's Masterpiece. His 1987 film, "Hellraiser" is a really good example of how a late 80's horror film can work.

Nearing the 90's, horror films started to go down hill. In 1991 and 1996, we got two really good thriller horrors, being "SCREAM" and "Silence of the Lambs". This film however, was the last of it's kind to give us some good late 80's slasher craze which was still born and still very fresh with horror freaks.

I won't go into the plot because I believe everyone should have seen Hellraiser by now, if not, well GO SEE IT! All I can say is that the concepts of the box is terrific. A new way to kill a slashing demon is always a terrific and creative concept and it works really well in this one. I also love the soundtrack suite which is haunting beautiful and dramatic in parts. The actors are superb and their characters are believable.

Doug Bradley as Pinhead is the best and he knows how to give us a creepy killer which cannot be stopped. I dunno why in "Revelations" they got a different actor to play him. Doug is Pinhead, end of story.

I also like the way the death scenes and plot are shown. The director takes it a little step at a time while as most directors just go full on with the violence and exploit everything. Clive actually took his time to tell the story and that's what made most of the ending sequences and starting deaths so intense. It all left us to the core suspense.

Also, the 1987 film is the only Hellraiser film I have really liked. I've also seen part 3, 4 and 6. 3 was OK, 4 was dodgy and 6 sucked. The thing about the first film was that it had a dramatic fantasy to it, while being realistic, people were dying for real. The other Hellraiser films I have seen since then haven't really had the same impact but instead really try to rehash and be as shocking, doesn't work at all!?

My verdict on this 87 classic is a 7.5/10.

P.S: I just hope they can get this right in the remake next year.

You can't be a horror fan and not be familiar with Clive Barker's "Hellraiser" movies. And as a horror fan chances are that you will enjoy them - the first few movies at the very least.

The core of the story of the "Hellraiser" franchise revolves around a mysterious artifact - an intricate puzzle box - which is said to be able to grant people what they desire the most. But it comes with a price, a terrible, terrible price. And it is guarded by the vile Cenobites.

The warped mind of Clive Barker really came up with something wonderfully morbid and disturbing when "Hellraiser" was first unleashed upon the world. Especially the Cenobites, they are grotesque but interesting at the same time.

In the first movie Larry and his wife Julia moves into Larry's old family house. The very same house where his brother Frank tried to unlock the puzzle box and was sent to Hell. An accident causes Larry's blood to be spilled on the floor, bringing back Frank from the dead. But in his flayed and fleshless state of being, Frank needs the blood and flesh of the living in order to regenerate his own body. But no one escapes Hell that easily.

For a 1987 movie, I will say that the effects still hold their own today, having withstood the test of time. Especially the rebirth of Frank and his transformation back to fully human. And the Cenobites, lets not forget the Cenobites; they were just amazing.

With this now classic horror movie the World saw the likes of Doug Bradley like never before and he instantly became a horror legend, just as Pinhead became a horror icon.

I grew up with these horror movies along with other horror franchises, and I love them even today and make frequent visits back to them. If you are not familiar with "Hellraiser", shame on you. Then I would strongly recommend that you sit down and watch it, perhaps even do a movie marathon of the series.

In a decade of cheap, exploitive slashers, we finally get this one. Relief.

Instead of some maniac ripped from Halloween, we get a simple wooden box. Simple, or so Frank thought.

What results is a cinematic masterpiece, a great mix of gore and violence, as well as a great musical score and some nice drama. The acting is fine, but there are imperfections. One common complaint: The characters are not pleasant enough we can latch onto them. Maybe that's because these seem more realistic than the characters we CAN latch onto. Just a thought, don't jump on this.

What really gets me, though, is the people calling it down, saying it's not quality entertainment. Come on guys, if it was SUPPOSED to be Shakespeare, it would not advertise as being able to "tear your soul apart."

The presence of the cenobites was originally intended not to carry the story but to emphasize it. As usual, the sequaes ignored it. Hey, merchandizing.

This is the only one of the series that depends on the story more than the demons. We hardly ever see the infamous Pinhead at all.

all in all, this was a fun movie. No Shakespeare, but it's not supposed to be. Just dramatic, gory, groundbreaking horror, delivered to us excellently by Mr. Barker.

Despite appreciating horror very much (with a lot of classic ones out there, such as 'Halloween', 'Nightmare on Elm Street', 'The Texas Chainsaw Massacre', 'Night of the Living Dead' and 'The Exorcist', plus the best of Hammer House of Horror), even if not my favourite genre, it took me a while to get round to watching the 'Hellraiser' franchise. Due to having so much to watch and review, and the list keeps getting longer and longer.

This is the film that started the franchise off, and not only is it by far the best of the 'Hellraiser' films it also for me, and quite a few others it seems, is one of the stronger horror films of the 80s, though not quite of all time. What is meant by being by far the best of the 'Hellraiser' films is that it is the only one to be above very good, the nine sequels were very variable (leaning towards the disappointing) and the latter films particularly are suggestive of the franchise having run its course.

'Hellraiser' is notable for being the directing debut of celebrated and extremely talented author Clive Barker. His books have always been hugely compelling, with intelligent exploring of ambitious themes, vivid attention to detail and characterisation, meticulous atmosphere and distinctive chills and sense of dread, his popularity is more than well deserved. He also adapts his source material 'The Hellbound Heart', a terrific book and even better than this already very good film, and all those qualities are lifted off the pages onto the screen. It is also notable for introducing us to Pinhead, who would justifiably become a horror icon.

By all means 'Hellraiser' is not a perfect film. The ending is schlocky and at odds with the rest of the film, which was up to then very disturbing and remarkably intelligent and the ending felt like it belonged somewhere else.

Also felt that Barker's direction did occasionally show his inexperience, namely in some unfocused and not always necessary close-ups.

Most of the time though he does a great job, capturing the spirit and atmosphere of the book with ease and the momentum is never lost. 'Hellraiser' is genuinely scary with plenty of chills, unnerving dread, nail-biting suspense and a hair-raising sense of claustrophobic tension. It is very graphic but not in a cheap way, going over the top with the shock value and not pointlessly so, traps that it could easily have fallen into and ones fallen into so many times in horror. Personally thought the Cebonites were used well, they are still terrifying and using them as catalysts rather than focusing too much on them (mentioned already very well) added to the mysteriousness, they look good too.

It's not just scary though. 'Hellraiser' has truly inventive storytelling stemming from a unique premise back then and seldom equalled now. It also has some abitious themes like pain and desperation that are handled intelligently, giving the film some emotional power and surprising dimension not always found in horror, it is just so wonderful to find a film with a great concept seen recently that lives up to it and exceeds it even. Just want to say this is not trying to knock the genre at all, in case it's sounding that way. 'Hellraiser' holds up well on the visual front, some eerie camera work and lighting, the effects are far from amateurish and the make-up manages to be some of the most effective of the 80s.

The script is thoughtful with Barker's prose all over it and the characters show his attention to detailed characterisation, nobody is bland or annoying. The music doesn't seem to have pleased everybody, for me it was haunting and didn't dimish the atmosphere at all. Was surprised too by how good the acting was, have seen some terrible acting in horrors recently so this was refreshing. What a staggeringly frightening performance from Doug Bradley and Clare Higgins is particularly good of the rest of the cast.

Summing, very good with many great elements. 8/10 Bethany Cox