Halloween - A Noite do Terror

I was 20 back in 1978, and saw this on opening weekend. I knew nothing of it, and after growing up on the old Hammer films, followed by a period of almost nothing, this was quite a nice surprise. It really worked! Had me checking the back seat in cars, gave me a sinking feeling when I lost my keys, etc. The low death toll and relative lack of blood, as compared to subsequent slasher films, has me really admiring how effectively it created the atmosphere & suspense that kept me on edge, and made me jump at the right places. I certainly don't jump any more at it, but I do have fun remembering what it was like watching it when the now-cliches were fresh & new. I laugh at the 'horror' flicks of the 30s & 40s, but when they were new, I bet they were something. And I bet in another 20 years, today's toddlers will find Scream/IKWYDLS, et al, to be tame and passe too, at least compared to what they'll (& I'll) be watching then!

I'm surprised at the number of people half my age who wish they could've been around to see this film when it was brand new!

Looking back, Halloween probably scared me more when it was new, than other horror movies have,when they were new. Horror films are indebted to Halloween for breaking some new ground, and I can't wait for the next horror film that will do something on a similar scale.

The best slasher ever made, and arguably one of the best horror movies ever made. John Carpenter is a genius. Amazing direction, an atmosphere built upon suspense and terror, effective use of first person pov shots. Immensely influential this movie birthed the best slasher villain, the best final girl, and the best soundtrack/theme. Above average acting and great performances from Jaime lee Curtis and Donald Pleasence (RIP). Although Texas Chainsaw and Black Christmas came before, this was the blueprint that sent the 80's into a slasher frenzy.

I just love the nostalgia of watching this movie over 40 years after its release. It's super creepy and, if we're being honest, it's also ridiculously cheesy and moronic, but this is one of the most famous horror movies of all time! When that music hits, it's just so iconic. I can't bring myself to rate it less than an 8. It's Halloween, man!

Halloween(1978)stars a very young Jamie Lee Curtis, the late Donald Pleasance, and, among others, P.J. Soles(the cap-brat from Carrie). The story centers around the demented/catatonic-schizophrenic Michael Myers and the brutal, cold-blooded murder of his oldest sister in 1963(done by him). Now it is fifteen years later and Michael has escaped the sanitarium and is headed for Haddonfield, Illinois, home of Laurie Strode(Curtis), his sister who was adopted shortly after the 1963 murder. Laurie has no idea about her past and wanders around with her friends, seemingly free of worry, and unaware that her every step is under careful watch from hiding eyes.

In the long run I am at a loss for words. Everything is here. And it's even terrifying...and a slasher movie, what a combination. Slasher movies, to me, usually aren't scary. But Halloween is. Seriously, if you haven't seen it yet you are really missing out. It's a rare achievement in film history and is one of the best horror movies ever made. It's a perfect 10/10 all the way!!!

Possibly the most influential of all slasher films, John Carpenter's Halloween is the reason why this particular subgenre of horror even exists in the first place. Although it wasn't the first of its kind, it certainly was the game-changer for almost every other slasher flick that followed this low-budget indie horror only ended up imitating the formula that this classic originated.

Set in Haddonfield, Illinois, the story of Halloween begins on the titular night in 1963 where we witness the 6-years old Michael Myers stabbing his older sister to death with a kitchen knife. The plot then jumps 15 years in the span of which Myers remained silent in a mental hospital he was confined to, only to escape from the facility and returns to his hometown to kill some more.

Co-written & directed by John Carpenter, whose innate ability to churn out quality pictures from mere scraps of filmmaking elements has earned him a place amongst world cinema's most influential filmmakers, Halloween is one of the finest works of his career that presents the director in complete control of his craft, and the way he sets the pace & eerie tone from the beginning is a delight to watch.

Carpenter creates an uncanny mood during the title sequence only which has nothing but a jack-o-lantern on the black screen, accompanied by the now iconic score, and follows it up with an expertly shot prologue which instantly brings the audience into the story. The script is equally impressive for the character of Michael Myers is handled with extreme care, and the writers leave no stone unturned to show him as an unstoppable force of evil.

The technical aspects are skilfully executed, and every dollar of its low budget is efficiently used in service of the story. Setting the plot in a suburban location turns the very openness of the area into a playground of mayhem. Cinematography is inventive for the camera stalks our characters at all times, benefits from some ingenious placements, and is further uplifted by clever lighting while Editing makes sure that the suspenseful ambiance is kept alive from start to finish.

But the biggest contributor, in my opinion, is John Carpenter's minimal, synthesised score for it elevates the tension to a whole different level and greatly amplifies the desired effect of its disquieting camera-work & editing. Whenever its main theme surfaces on the screen, there's an uneasiness felt in those moments & whispers of an ominous presence dominate those sequences. It's one of Carpenter's most notable musical pieces & is a major reason behind this film's success.

Coming to the acting department, Halloween features a budget-friendly cast in Jamie Lee Curtis, Donald Pleasence, P.J. Soles, Nancy Loomis & Nick Castle. The film marks Curtis' acting debut and she does a neat job as Laurie; a high-school student who's continuously stalked by Myers throughout the movie. Pleasence is in as Myers' psychiatrist and the only person who knows what this homicidal maniac is capable of. And Soles & Loomis do a fine job as Laurie's friends who are also pursued by Myers.

But it's the character of Michael Myers and how he's portrayed in this film that establishes him as one of the greatest antagonists in cinema history. Using nothing but a cheap mask that conveys no emotions, keeping him mute throughout the story & giving him an almost mythic strength that renders him invincible, Carpenter presents Myers as a devil incarnate who kills without empathy, and intelligently uses his presence in the film to build a sinister aura, not to mention the very aspects of this character has gone on to inspire many more villains.

On an overall scale, Halloween remains one of the genre-defining films of the 1970s whose narrative structure has been adopted as a blueprint for slasher films ever since and its vast influence on cinema & pop culture cannot be downplayed. There were a couple of moments that bothered me but for the most part, this is a thrilling, entertaining & satisfying ride from Carpenter that is every bit worthy of its legendary status. A lesson in horror filmmaking that downplays the elements of gore & graphic violence to show the lasting effect a consistently maintained tense ambiance can have on the viewers, Halloween is the very definition of a slasher film.