Adicionar um enredo no seu idiomaAn Australian woman's car breaks down in the countryside. Seeking help, she's transported to 1944, witnessing a murder. Back in her car, time resumes normally, but unable to persuade others,... Ler tudoAn Australian woman's car breaks down in the countryside. Seeking help, she's transported to 1944, witnessing a murder. Back in her car, time resumes normally, but unable to persuade others, she probes the crime herself.An Australian woman's car breaks down in the countryside. Seeking help, she's transported to 1944, witnessing a murder. Back in her car, time resumes normally, but unable to persuade others, she probes the crime herself.
Keith Scott
- Radio announcer
- (narração)
Avaliações em destaque
Or so says the leading man in the film at one point. Sadly, he's wrong. This might have made a middling 30 minute episode of some TV series like 'Tales from the Darkside,' but doesn't cut it as a full length film. Other reviewers say the ending was the best thing about this but if you'd seen or read a number of horror/mystery films/stories, you can pretty much guess what's going to happen.
Still, it's OK in it's own way if your expectations are set suitably low and the idea itself is reasonable. A murder in the past continues into the present.
They didn't push the boat out with the special effects though, the journey into the past of the 1940's is portrayed by the radio playing old songs and war news, a newspaper will a war headline and a vehicle from the period. Well...that would convince anyone they'd gone through a time warp....er....perhaps not.
Still, it's OK in it's own way if your expectations are set suitably low and the idea itself is reasonable. A murder in the past continues into the present.
They didn't push the boat out with the special effects though, the journey into the past of the 1940's is portrayed by the radio playing old songs and war news, a newspaper will a war headline and a vehicle from the period. Well...that would convince anyone they'd gone through a time warp....er....perhaps not.
"Frenchman's Farm" is actually more a mystery than horror.The plot centres around mysterious ghost seen on Frenchman's Farm.Two students try to discover a treasure buried somewhere near the Farm.The film is very well-made,the script is really original and interesting,the acting is fine.There are several truly creepy scenes-the scare factor is rather high and the film doesn't rely on gore.So if you like old-fashioned horror and good mystery check out this forgotten chiller from Australia.Recommended!
Oh boy is this BAD. 'Frenchman's Farm" is an Australian supposed supernatural, suspense thriller. What it really is, is one long boring history lesson. To make matters worse the Australian dialects are difficult to deal with. Two young law students investigate a forty year old murder, revealed through a time warp. Their investigation consists of interminable walking around a farm, a graveyard, and other countryside attractions, trying to piece together what happened. After 86 minutes of watching this nonsense, you the viewer will rightfully conclude that you have just witnessed a poorly acted, poorly scripted, poorly edited, BAD film. - MERK
A supernatural slice of '80s Ozploitation, Frenchman's Farm is a bit Twilight Zone and a bit Scooby Doo, combining a time-twisting tale of murder with a young couple's hunt for some long-lost Napoleonic gold, the horde of treasure protected by a malevolent ghost. Sadly, as intriguing as that sounds, the film is too convoluted for its own good, the confusing plot suffering from too many twists and loose ends to be wholly satisfying.
The film opens as law student Jackie Grenville (Tracey Tainsh) encounters a time warp that whisks her back to 1944, where she witnesses an old unsolved murder. Returning to the present day, Jackie investigates the crime, with help from her boyfriend Barry Norden (David Reyne), and uncovers a centuries-old mystery...
The acting is decent enough and director Ron Way delivers some effectively creepy moments, but likeable performances and spooky atmosphere only go so far, and as the film progresses, it become more and more unfathomable and consequently less engaging. The sub-plot about prisoners of war sharing the secret of the gold is poorly developed, while other elements remain a total mystery: the initial temporal displacement, the police computer glitching, the smell of lavender, the crypt vandalism and the importance of the tomb 'key'.
4/10 - not unwatchable, but had the potential to be a whole lot better.
The film opens as law student Jackie Grenville (Tracey Tainsh) encounters a time warp that whisks her back to 1944, where she witnesses an old unsolved murder. Returning to the present day, Jackie investigates the crime, with help from her boyfriend Barry Norden (David Reyne), and uncovers a centuries-old mystery...
The acting is decent enough and director Ron Way delivers some effectively creepy moments, but likeable performances and spooky atmosphere only go so far, and as the film progresses, it become more and more unfathomable and consequently less engaging. The sub-plot about prisoners of war sharing the secret of the gold is poorly developed, while other elements remain a total mystery: the initial temporal displacement, the police computer glitching, the smell of lavender, the crypt vandalism and the importance of the tomb 'key'.
4/10 - not unwatchable, but had the potential to be a whole lot better.
This aussie flick starts off good,i liked the tale of it,it was well thought of,and the scenes were done fairly well.The girl finds herself in the past,40 years in the past,she witnesses a murded,a guy got wrongfully accused,she goes back to investigate with scepticle boyfriend,blah blah blah yada yada yada.What im trying to say is the film gets boring,they just walk around talking to people,asking things,touching things,bringing back flashbacks,at times many scenes were irrelivant,and the film wasnt scary,the only scary thing was the frenchmans face...VERY freaky! The film goes downhill,they talk too much,not enought relevant material,they do a little treasure digging,its just all too much to be good..UNTIL the great ending,watch it for its ending,a perfect twist to a bad movie.
OVERALL I GIVE FRENCHMANS FARM (4 out of 10)
GOOD POINTS OF FILM:Good Start,Few Twists,Good Ending.
BAD POINTS OF FILM:Irrelevant Scenes,Boring,Lacks in horror Genre.
OVERALL I GIVE FRENCHMANS FARM (4 out of 10)
GOOD POINTS OF FILM:Good Start,Few Twists,Good Ending.
BAD POINTS OF FILM:Irrelevant Scenes,Boring,Lacks in horror Genre.
Você sabia?
- CuriosidadesThis film is considered an "Ozploitation" (Australian exploitation) picture.
- Versões alternativas--Spolier-- The ending of the VHS then diverges considerably from the DVD version. Dolan is shown the crucifix-shaped crypt pin by Mainsbridge, has his suspicions and heads back to the crypt. The computer spits out the leap year date, and Dolan's name, and then the ghost lops off his head. Dolan's quivering hand lets the pin drop in the crypt, and a hand picks it up. Mainsbridge turns up to discuss matters with the caretaker Morris, and Morris explains to Mainsbridge that the vicar was a friend of Joe Hatcher's at the German prison camp. He was there when Joe Hatcher died. Mainsbridge drives away, and we cut to the vicar walking across the muddy soil. The box of treasure materialises in the hole, and the vicar tosses the medallion back in the hole, then stands up to tell the ghost "It's alright now ...you can rest in peace... our secret is safe ..." The vicar holds up the Napoleonic medal, but clearly the ghost isn't placated, as the vicar's mouth opens in a shriek, and the image freezes, and as we move in on the vicar's frozen face of fear, we hear Jackie's line again, "Do you believe in ghosts?" and we hear his reply "I do believe there are times when unhappy souls try to contact us, and who knows, God moves in mysterious ways." The ghost then moves in a mysterious way with its mattock, and lops the head off the vicar. The image of the ghost's shrieking, baleful figure freezes, and as a computer clatters, Mainsbridge's name and the date of his execution by ghost is printed on the screen over the ghost's face ... ...Mainsbridge...2921988 ... The end titles roll over the ghost's face, and eventually there's an iris in over the ghost's face which, after the roller finishes, leaves just his two eyes staring out from the black screen. DVD Ending: The DVD version ruins this ending in a way that's completely inexplicable, as well as being inferior. Dolan's death is deleted. Mainsbridge turns up to talk to the caretaker Morris and they discuss the same things. Mainsbridge drives away, and we cut to the vicar walking down to the site of the treasure hunt. We see the ghost loom over him, and the vicar talks about resting in peace, and their secret being safe, and then the computer punches out a number in white on black screen ... in plot terms and resonance, a now meaningless and disconnected number ... ...2921988 ... ...pops up (there is no clue it might apply to Mainsbridge, nor do we hear Jackie's lines). Cut back to the ghost landing the mattock with a cry, but with no sign of the vicar. Loud music sting, freeze frame of the ghost, and end titles roll over a period-sounding piece of music, which turns to other themes as the roller unfurls ... with the iris disappearing before the end credits finish, and no two eyes left staring out from the black. Instead the music briefly plays out over black after the end titles have finished.
- Trilhas sonorasStay With Me
Performed by Cats Under Pressure
Written by Simon Hussey and David Reyne
Published by Restaurant Music/Rondor Music Aust. PL
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Detalhes
- Tempo de duração1 hora 40 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Frenchman's Farm (1987) officially released in Canada in English?
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