Atração Fatal

A married man (Michael Douglas)'s one night stand comes back to haunt him when that lover (Glenn Close) begins to stalk him and his family.

Apparently when this film came out it had some feminist backlash because it appears to show a career woman as psychotic, while the stay-at-home wife is good and subservient. That is one way to read it, but it would be putting meaning in there that probably was never intended.

This is quite simply someone with mental issues going after another person. It has a bit of a morality tale in there, scaring men off of cheating. But there is not much in it about gender. It simple works better as a psychotic woman rather than a man, because a psychotic man with a knife is pretty mundane.

"Fatal Attraction" is one of those famous things that got people talking during every free moment – and also one that's sure to be spoiled if you're like me and wait 30 years to see it.

Plot-wise, I know that to expect; but it still surprised me in some ways. Like the character of Alex Forrest. She doesn't have very much depth and it reduced to a stock schizo, but you wouldn't know it from Glenn Close's performance. Alex's (let's call them) antics have an unpredictability to them. Even when they're outlandish, they still work towards terrorizing Michael Douglas. She just keeps closing in, man. I don't think I'm really spoiling anything by saying Douglas eventually comes clean to his wife (Anne Archer) about the affair and that look of abject devastation on her face is horrible.

If the writing ever fails you (and it gets iffy) the acting won't. This can be a real nail- biter at times, and that's because the performances elevate the trashy script.

7/10

You don't hear much about this film anymore, but in its day, this was the most-talked about movie of the year. It was a 'favorite topic of conversation about the office water cooler' for a number of weeks. At the time, it was a shocker. Nowaways.....who knows? As we become more and more desensitized to violence, sex and profanity, it takes a lot more to shock us.

Still, this movie had memorable moments that have stayed with us who first saw it at the theater 20 years ago. Most of those memorable scenes, if not all of them, involve Glenn Close's character, "Alex Forrest." Man, this is a woman who would not be denied what she wanted: in this case, married man Michael Douglas.

No sense going into all the details. Everyone knows them by now, anyway. Looking back, I think the film was a good lesson for men (or women) thinking about cheating on their spouses and assuming nothing bad will happen as a result. Men may commit more crimes, but that old adage about a "woman scorned" certainly is demonstrated here in spades! Douglas' character, "Dan Gallagher," certainly can attest to that, but he is anything but a sympathetic character. Both actors do a superb job in here, but kudos also to the rest of the Gallagher family, played by Anne Archer (wife "Beth") and Ellen Hamilton Latzen (daughter "Ellen.")

Also, the cinematography shouldn't be overlooked. The widescreen DVD certainly brought out how nicely this film was shot and directed. This two-hour film keeps your attention all the way. The only thing I would change is the language, toning it down a bit. Otherwise, it's a classic thriller and one of the most famous films in the '80s.

Let me start by saying that this was a very decent movie. Michael Douglas at his best doing the roles he does best. And not only him but the rest of the crew as well.

To me, the best part of this movie is actually the very believable plot. This is a situation that could happen to anyone, and to a different extent has happened to people I know. Furthermore, both the script and all the actors make the movie all the more believable. It is true that the movie deflates itself towards the end, but overall it is a great movie, and even a warning movie for the ones attempting to do what is done there.

The movie gets 8 points on my list because of the less-believable ending, and also because Glenn Close, while doing a perfect part in the acting, should take the part of the wife, and the wife (Anne Archer) should take the part of Glenn Close. This said, even as it is the movie should not be unbelievable. I have seen worse, and you will know what I mean when you actually watch the movie yourself.

One thing that cracked me up were the negative comments on this website. It seems that they were mostly written by women with chip in their shoulders. They do not criticize the movie, but the "fatal attraction". They criticize the fact that men would do this or that, or that a man would prefer X over Y...basically making quite clear that something touched them at a personal level and they did not like it. I guess truth hurts.

If you haven't watch this movie, do it. It is well written, incredibly well acted, and as much as you will have to forgive the last 5 minutes, it is overall a great movie.

So here we have it, the granddaddy of the psycho-thriller genre and in all respects a more subtle and realistic film than you'd expect from a genre that later descended into cheesy madness and inanity. By the time these run of films had finished – and there are still some B-movies coming out, here and there – we'd had psychotic babysitters, mothers, fathers, children, nurses, co-workers, you name it. But FATAL ATTRACTION is the one that kicked them all off in a wave of popularity, even if there were precedents in the likes of Eastwood's PLAY MISTY FOR ME and the slasher genre. It's a simple story of the archetypal happy family and what happens when the father and husband has an affair with an unhinged woman.

Michael Douglas is on top form as the slightly sleazy family guy who can't resist shacking up with loopy Glenn Close when his wife (Anne Archer) is away. Douglas later found a home in this type of film, menaced by more adulteresses (Sharon Stone) and even his own boss (Demi Moore). Here, though, he's fresher faced and more realistic, with the script making no bones of his adultery and the way he betrays both his wife and child by having an affair while they're away. Glenn Close is frightening in the role that made her name, but I have to say she doesn't cut it as an object of desire – with that hairstyle she looks like a maniac from the outset! The realism of the plot excludes the kind of murderous rampage sequences that later popularised the genre, and it's all the more chilling for it – the suicide attempt scene is far more disturbing than watching a madwoman running amok with a kitchen knife. Then, of course, there's that scene involving the favourite family pet that's rightly gone down in history as one of the most memorable of all time, and a now-familiar shock climax to polish things off. I did find the film somewhat subdued in places where it could have been more thrilling, but that's because it plays it as a character drama for the most part, more interested in getting to grips with Close's psychosis than bumping off a string of inconsequential types.