A Semente do Mal

Where to begin?

First, you have little or no coherent plot (it was only due to this site I found out about the spore thing), a mad scientist who isn't so much mad as decrepit, special effects that aren't and seemingly random characters who stumble into the dire mess with little or no regard for coherency.

As a final warning to people, consider this cautionary tale: On the British video release, it says on the back cover "The scenes depicted on this sleeve may be an artist's impression & may not necessarily represent actual scenes from the film". Hurm. Presumably this is so they can't get sued by the thousands of raging customers demanding a real film.

How do you make a bad movie even worse? Apparently you hire Ted Newsom, give him a camcorder and put him under the not-so-watchful eye of producer Fred Olen Ray. Here we have the very fun Grade-Z classic EVIL SPAWN (1986) by director Kenneth J. Hall reedited and with new and pointless inserts shot on tape. The new scenes feature Jay Richardson and Suzanne Ager as cops sitting in a car talking, eating doughnuts and fighting an awful hand-puppet monster, Gordon Mitchell sitting at a desk on the phone and Richard Harrison turning into an pathetic rubbery monster and ripping Melissa Moore's top off. Scenes from the original film easily provide the most entertaining moments in this version, so you might as well seek it out. Forrest J. Ackerman is seen briefly in the old and the new footage.

EVIL SPAWN (original version): 5 out of 10

New footage contained on THE ALIEN WITHIN: 1 out of 10

EVIL SPAWN (1987) *1/2 (Out of 4*'s) Director: Kenneth J. Hall. Bobbie Bresee, Drew Godderis, John Terrence, Donna Shock, John Carradine.

An underground woman scientist offers a has-been actress a drug that promises to restore her youth. After second guessing the idea and finally taking it, she gets sick and turns into a beast at night and begins killing whoever is nearby!

Shamelessly makes you feel sorry for the lead character. The acting is shy and somewhat overdone. The neat special effects look much better on the back of the video box than they do during the movie.

Not oscar material, but all movies like these are great for parties!

The original EVIL SPAWN was completed and released in the halcyon days of video, when just about anything that was made could find its way onto product hungry rental shelves and turn a profit for all involved. It is an okay low budget horror item. The revised and revamped ALIEN WITHIN inserts new footage with venerable genre stalwarts Richard Harrison and Gordon Mitchell, and twists the storyline in a different direction. The revised ALIEN WITHIN will be of interest to fans of these veteran actors and Fred Olen Ray. I believe Ray was involved with the original film, and ended up with the rights after some litigation, and elected to make the revisions with new footage. ALIEN WITHIN showed on TV and came out on video from a small outfit, MNTX, which also released Brett McCormick's MACON COUNTY WAR (with Dan Haggerty). I prefer the new version, but that's just my opinion.

My review was written in September 1987 after watching the movie on Camp video cassette.

"Evil Spawn", previously titled "Alive by Night" and "Deadly Sting", is a tolerable, poverty row variation on Roger Corman's 1959 Susan Cabot-starrer "The Wasp Woman". Topliner Bobbie Bresee provides enough flesh and ham acting to please camp followers (pic appropriately is released by Camp Video, from Fred Olen Ray's new AIP production banner.

In a script far too overloaded with in-jokes on the world of low-budget filmmaking, Bresee toplines as Lynn Roman, a fading superstar actress who jumps at the chance to look younger via a formula given her by unscrupulous scientist Evelyn Avery (played by Donna Shock, a pseudonym for Dawn Wildsmith). Side effects turn her, werewolf-style, into an insect-like monster.

Though some of the monsters on view are rubbery, pic's gore is impressive and combines with enough nudity to keep the hardcore horror fans alert, however, pic's jokes are unfunny and storyline is a drag. Besides Bresee, a cult figure from "Mausoleum", Wildsmith, from "Surf Nazis Must Die", is an elegant villainess. John Carradine appears in one scene of "generic footage", a lengthy dialog opposite Wildsmith in which both thesps speak entirely in euphemisms, suitable for splicing into any thriller film.