Adicionar um enredo no seu idiomaA lone cop struggles to protect a female photographer from a gang of psychopathic bikers.A lone cop struggles to protect a female photographer from a gang of psychopathic bikers.A lone cop struggles to protect a female photographer from a gang of psychopathic bikers.
Bruno Bilotta
- Bandit Leader
- (as Karl Landgren)
Gaetano Russo
- Alan
- (as Ronald Russo)
Giovanni Cianfriglia
- Guardsman at Hospital
- (não creditado)
Angelo Ragusa
- Bandit
- (não creditado)
Avaliações em destaque
I love B movies and I enjoyed Black Cobra. I wanted something to watch one rainy afternoon (I noticed that another reviewer watched it like that too) and so I gave this a look and I'm glad I did. Black Cobra is low low budget flick that provided enjoyable escapism for 90 minutes and kept me entertained. This is the type of film that you really have to accept on it's own terms or just leave alone. Ripping it apart would be easy but all the things that one could criticize are the exact same things that make Black Cobra the entertaining low budget flick that it is. One last thing: I agree with the other reviews that say the music in this flick sounds like it should be from a zombie movie. The Hammer should fight zombies in Black Cobra 4. I HOPE SOMEBODY READS THIS AND MAKES IT HAPPEN.
12-01-2005 I just finished watching "Black Cobra" for the second time. The first time I watched it was four years ago when a friend had taped it off the air on a blank video cassette. I only saw the last half of the movie then...but I really liked it.
While it is clearly not in the genre of Eastwood's "Magnum Force" or "Dirty Harry" and probably is not as good as either Willis' "Die Hard" or Gibson's "Lethal Weapon", the film is still pretty good. The writing is not great but the "street action" carries the film well. Marian Cobretti and Martin Riggs could have learned some useful things. Mr. Williamson is good. Like Cobretti and Riggs, our Fred has "style".
I happen to like Fred Williamson, the actor. I liked him in "Joshua" and paid fulI price for the video cassette. In my mind, you don't get a lot better than " The Snake scene" in "Joshua" or the final "You're yella" scene with Karl Malden, in "Nevada Smith". Both are great movies. Williamson is good. I'd like to see more of his work...in conjunction with good screen play writing.
While it is clearly not in the genre of Eastwood's "Magnum Force" or "Dirty Harry" and probably is not as good as either Willis' "Die Hard" or Gibson's "Lethal Weapon", the film is still pretty good. The writing is not great but the "street action" carries the film well. Marian Cobretti and Martin Riggs could have learned some useful things. Mr. Williamson is good. Like Cobretti and Riggs, our Fred has "style".
I happen to like Fred Williamson, the actor. I liked him in "Joshua" and paid fulI price for the video cassette. In my mind, you don't get a lot better than " The Snake scene" in "Joshua" or the final "You're yella" scene with Karl Malden, in "Nevada Smith". Both are great movies. Williamson is good. I'd like to see more of his work...in conjunction with good screen play writing.
The ever watchable Fred 'The Hammer' Williamson headlines in this action outing that owes more than just a little to the Sylvester Stallone hit Cobra.
The plot for instance is directly stolen - erm, I mean borrowed from the aforementioned Hollywood flick and involves a group of disillusioned social misfits led by Karl Landgren (Apocalypse Mercenaries/Demons 2) who are terrorising the city with their decidedly antisocial behaviour. During one attack however, a sexy female photographer (the lovely Eva Grimaldi) manages to snap a few shots of our naughty boy in the act as it were. She manages to escape with her life but subsequently finds herself on the receiving end of the gangs unwanted attention as they desperately hunt her down in order to reclaim the evidence she has of them (oh and to kill her of course!)
Where is our main man the Hammer during all this? Well, as it turns out he is given the assignment to protect our damsel in distress. Needless to say - any film with Fred Williamson in it always features a fair quota of ass kicking and this is no exception, although it has to be said that the action isn't handled with nearly as much enthusiasm by the director as it could and indeed should have which is a real shame.
Nonetheless, the film remains at least enjoyable throughout and doesn't outstay it's welcome with it's relatively short running time.
Followed by three sequels (although the final one barely features Williamson in it!)
The plot for instance is directly stolen - erm, I mean borrowed from the aforementioned Hollywood flick and involves a group of disillusioned social misfits led by Karl Landgren (Apocalypse Mercenaries/Demons 2) who are terrorising the city with their decidedly antisocial behaviour. During one attack however, a sexy female photographer (the lovely Eva Grimaldi) manages to snap a few shots of our naughty boy in the act as it were. She manages to escape with her life but subsequently finds herself on the receiving end of the gangs unwanted attention as they desperately hunt her down in order to reclaim the evidence she has of them (oh and to kill her of course!)
Where is our main man the Hammer during all this? Well, as it turns out he is given the assignment to protect our damsel in distress. Needless to say - any film with Fred Williamson in it always features a fair quota of ass kicking and this is no exception, although it has to be said that the action isn't handled with nearly as much enthusiasm by the director as it could and indeed should have which is a real shame.
Nonetheless, the film remains at least enjoyable throughout and doesn't outstay it's welcome with it's relatively short running time.
Followed by three sequels (although the final one barely features Williamson in it!)
Cobra Nero(aka Black Cobra)has average music more suited to Italian zombie flicks than an action film and more than it's share of bad acting,dumb bad guys and sweaty close ups yet it has some well shot action sequences while Mr Williamson is on screen and some well done gore effects.The climax is a bit longwinded but it still left me wanting to watch more.Luckily there have been a couple of sequels since so we can all look forward to seeing Fred Williamson playing Malone again.
When I popped "The Black Cobra" into the DVD player, I was in the mood for some undemanding, mindless entertainment, nothing more. Unfortunately, this film cannot even fulfill those expectations. It is overwhelmingly cheap - much of it appears to be set in and around abandoned warehouses - and almost completely uninspired. I bought the entire "Black Cobra Collection" online for 3 English pounds, which means a pound a film, but if the other two entries are of the same quality, and if the other two transfers are of the same quality (well-below-VHS-level picture, often inaudible audio), then maybe the buyers should be getting payed instead! Fred Williamson is always cool, even when he's sleepwalking (which he largely is here) and dubbed (which I also think he is here), and Eva Grimaldi is as beautiful as ever, but this is not the finest hour for either of them. (*)
Você sabia?
- CuriosidadesThis is a remake of the Sylvester Stallone action movie, Cobra.
- Erros de gravaçãoThe lead biker's hands were empty when he got into the camper for his joyride. No way he could have had the sawed-off shotgun with him that he fired when he got out.
- Citações
[first lines]
Detective Robert Malone: [on the police radio] Yeah, what is it?
- Versões alternativasThe 1988 UK video was cut by 1 min 14 secs by the BBFC to remove shots of throwing stars and to edit the beating of a man in a tunnel, a man being dragged behind a motorbike and shots of neck wounds. The DVD features the same cut print.
- ConexõesFeatured in O Que Você Queer: No llores por mí (2021)
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- How long is Cobra nero?Fornecido pela Alexa
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By what name was Black Cobra (1987) officially released in India in English?
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