A Festa de Babette

"Babette's Feast" proves that not all film theories and formulas are true 100% of the time. Here's a story where there is no life-or-death conflict, no raging anger, no violent outbursts. Nothing blowed up real good, and there is nothing resembling a chase scene. The conflict is about the ways in which people can be nice to each other. Their personal differences of passion or conviction are not as important as the ways in which they can connect with each other.

How shockingly refreshing.

There is an undercurrent to this film that gives it the feel of a Garrison Keillor monologue, in that it is built around people's personal foibles and quirks.

Even more refreshing is how "Babette's Feast" manages to be nice without becoming cloying, saccharine, facile, superficial or insincere. People's personal passions are portrayed not only from their own perspective, but from the perspective of the people they affect, with more realism than you usually get in film, yet also with sincere and infectious optimism.

If you don't come away from "Babette's Feast" smiling and feeling better, then you must have been distracted from giving it your full attention. This is one of those very rare films that you can recommend to everyone you know. It is truly in a class by itself. Like Mary Poppins, "Practically perfect in every way."

Utterly charming and subtly stunning.

Stephane Audran is the eponymous heroine of this beautifully measured study of a small Danish community towards the end of the last century. Two beautiful and musically talented sisters give-up their own prospects of happiness and marriage in order to look-after their ageing father. One day, a French woman, Babette, comes to work for them. After some years she wins the lottery and is determined to do something for the sisters who have taken her in. Her solution is to prepare an exquisite and sumptuous feast, which changes the lives of all those invited. This is a film about human and cultural interaction, reflected in the changing language of the dialogue from Danish to French, and especially between the dutiful sobriety of Protestant northern Europe and the sensuousness of the Catholic south. It is also about human needs, and how warmth and kindness can be expressed and stimulated through the cultivation of the senses. A profoundly uplifting film.

Flawlessly directed, written, performed, and filmed, this quiet and unpretentious Danish film is an example of cinema at its best, and if a person exists who can watch BABETTE'S FEAST without being touched at a very fundamental level, they are a person I do not care to know.

The story is quite simple. In the 1800s, two elderly maiden ladies (Birgitte Federspiel and Bodil Kjer) reside in remote Jutland, where they have sacrificed their lives, romantic possibilities, and personal happiness in order to continue their long-dead father's religious ministry to the small flock he served. One of the women's youthful admirers sends to them a Frenchwoman, Babette (Stéphane Audran), whose husband and son have been killed in France and who has fled her homeland lest she meet the same fate. Although they do not really require her services, the sisters engage her as maid and cook--and as the years pass her cleverness and tireless efforts on their behalf enables the aging congregation to remain together and the sisters to live in more comfort than they had imagined; indeed, the entire village admires and depends upon her.

One day, however, Babette receives a letter: she has won a lottery and is now, by village standards, a wealthy woman. Knowing that her new wealth will mean her return to France, the sisters grant her wish that she be allowed to prepare a truly French meal for them and the members of their tiny congregation. The meal and the evening it is served is indeed a night to remember--but not for reasons that might be expected, for Babette's feast proves to be food for both body and soul, and is ultimately her gift of love to the women who took her in and the villagers who have been so kind to her.

The film is extraordinary in every way, meticulous in detail yet not overpowering in its presentation of them. As the film progresses, we come to love the characters in both their simple devotion to God and their all-too-human frailties, and the scenes in which Babette prepares her feast and in which the meal is consumed are powerful, beautiful, and incredibly memorable. There have been several films that have used food as a metaphor for love, but none approach the simple artistry and beauty of BABETTE'S FEAST, which reminds us of all the good things about humanity and which proves food for both body and soul. Highly, highly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

It has started quietly. If your are looking for an action-packed movie this is absolutely not the right choice. All characters are slowly depicted on the scene. Stroke after stroke on the scene canvas. None can take away his hands to the priest and so the sisters lifespan devotion can only remain into the village. Philippa and Martina know their destiny, belong only to the village. So when you understand that, you are on the movie scene, in the village that becomes the whole known world in that time. When, no technology can let you imagine anything else than the campaign, the village, the sea. You feel the rhythm of that ancient village's life. Watching the movie in a cold snowy late afternoon can cause you to approach this evening dinner with some sumptuous expectations ...

The final sentence that give a title to Babette's sacrifice far from Paris: An artist is never poor.

Superb photography. Many situations depict portraits and landscapes as they were styled on canvas there, in Jutland, in 18th century.

This movie is almost unknown, but it is very good. In a lonely Danish town, two old sisters live remembering a far youths, when, due to a strict puritan education, they had to reject happiness. Lonely, then, the live in a dignified austerity, until Babette, who flies from Paris, frightened by the horror of the war, arrives. In few time, she will be able to turn the goodness and love she received when she arrived. A good lottery prize lets her organize a great banquet, following the best rules of French gastronomy. All neighbourhoods are invited (all fanatically puritans). They accept, but they pact to not show any trace of pleasure or enjoyment, as it would be a sin. However, the seductive force of the delicious meal they eat, that they become seduced by the sensuality of French gastronomy. The banquet end in a very felt, though quietly, happiness. The love between humans has awaken. The miracle of rise the human kindness due to the pleasure of the sense has begun. The movie is surprisingly good, but it is not for all tastes. During most of the movie, nothing happens, all is so quiet and so peaceful, that during many minutes, you can only see the life of the inhabitants of the town. But, as the movie develops, it becomes more precious, when Babette wins the lottery prize (after 30min movie), the show begins. The author is able, with a perfect directing, to show us how Babette prepares the banquet, how she mixes all the ingredients with the most wonderful one (Love), all told in a quiet delicious way, with a perfect knowledge of photography and acting. Then, as the banquet goes by, the quality in showing us how the mood of all eaters changes due to the meal, only with first shots, with impressively filmed scenes one after another is simply astonishing. In addition, the tact with the colours and the photography is also superb, almost every scene of the movie is like a picture, so work is involved there. If you are able to admire good cinema and are able to realize that sometimes the way on telling you something rather than what is told is more important, this is your movie. If you happen to like good meals and just love the good gastronomy, probably, you'll feel amused, as most feelings of the movie will be familiar to you. An Oscar totally deserved. The only problem is its slowness at setting up the story, but, I can forgive it (I hope everyone too)