Coração Satânico

P.I Harry Angel has a new case, to find a man called Johnny Favourite, only it isn't a straight forward missing person's case. Prefect, grounded, Alan's Parker's voodoo-laden, hard-boiled film is the ultimate mystery film.

This is without a doubt Mickey Rourke's finest role. The supporting cast deliver some of the most interesting and story driven performances which include Robert De Niro, Lisa Bonet and Charlotte Rampling to name a few.

You can feel 1955's New Orleans warm rain, hear the jazz, taste the grit of 1950's Brooklyn, Michael Seresin's cinematography is amazing. The films realism captures the time wholly, Trevor Jones mystery music builds up the tension as murders increase and Harry Angel is drawn into eventful dangerous meetings. The dialogue is flawless and the ending has a mind-blowing twist that has been imitated but never surpassed. The Johnny Favourite theme tune will linger with you long after the end credits.

A timeless, eerie and realistic atmospheric classic. Perfect.

I'm not in the least surprised that other reviewers either love this or hate it to bits - I also bet that it's the younger users to whom the nature of the visual narrative of the film - the way it's all told to us, the viewer - may seem a bit dated. And to a point, they're right - "Angel Heart" is totally an eighties film, a film of the decade in which the movie world was discovering a new visual language in video and playfully indulged in experimenting with its new toy. It was literally speaking to a generation straight out of MTV classrooms and workshops and is in that sense very similar to stuff like "Betty Blue". And true enough, there is a lot to remark on what can today be seen as a slightly poseur-ish "one too many revolving fans, angularly lit staircases and heartbeat sounds in the soundtrack" kind of thing. However, "Angel Heart" does carry a tremendous amount of energy thanks to its imagery, which will stick to the viewer's mind in exactly the same way a sweaty shirt sticks to the body in sticky weather. Besides, the impeccably drawn cast led by Rourke does a truly remarkable job - that's beyond question - the sets are great, production design and cinematography are very evocative, the soundtrack is memorable and the story is one of the crucial ones. I personally love it.

Give it a go by all means.

Such an impressive movie, if like me you're a fan of noir, or neo noir, then you will absolutely love this movie.

The first thing you will be struck by is the appearance of the film, it is a visual masterpiece, the attention to detail is flawless, you could actually turn the colour off, and imagine this being made in 1955.

Secondly, the atmosphere, smoke filled rooms, the clothes, music, accents, just awesome to behold, they got the tone spot on.

It's a great story, it takes a few moments for you to know what's happening, and get the direction, but you will.

Finally the acting, Rourke is at his absolute best, one of the best films I've seen him in, he is tremendous, it's so nice to see him in his handsome pre surgery years. De Niro, what can you say, he's just incredible.

Captivating, 9/10.

And I can't believe I never threw my two cents in about this one. When I first saw Angel Heart, I thought it was going to be your regular old mystery. Like a Mamet or Spillane yarn about a down on his luck private investigator drawn into a web of lies and deceit… Oh yeah, it IS like that… and then some. I was completely drawn into this movie. I found it perfectly paced. And just like other movies of this type, could not see the end coming at all. However from the beginning it felt like something was kind of different about THIS yarn. I couldn't quite put my finger on it. Kind of like the feeling you get as your walking out of the house and you just know you forgot something but you can't remember what. It was like that, a ‘nagging at the back of your brain' feeling. And then, oh boy! When all is revealed you wish you would have just left without what ever it was you were missing, ‘cause what you find is oh-so frightening. What a terribly wonderful story and what great direction. I can't think of anybody better that De Niro for the roll he played. If you own it: watch in again. If you haven't seen it, you must.

I do not go much for that Parker kind of stuff("Midnight express" ,albeit technically breathtaking was a little racist,"Shoot the moon" was a big bore,and you've got to be into Pink Floyd to appreciate such a work as "the wall")"Angel Heart " is a different matter,because it deals with the horror and fantasy genre.Against all odds,for someone who had never tackled this difficult genre,Parker succeeded magnificently.The screenplay is first-rate,with a strong story,with an ending you'll never guess (and I will not reveal it of course!)Including drugs,voodoo,sabbath ,intense love scenes,featuring a wonderful cast:Rourke,who had never been better (and never would)and a frighteningly deadpan DeNiro cast as Louis Cipher,this movie takes us along in a meandering,labyrinthine investigation in which private detective Rourke will find so dreadful things he won't escape unharmed. The supporting cast is excellent:Charlotte Rampling stays only a few minutes on the screen ,and yet,we remember her and her tea.The same goes for the junkie doctor.I'd tone it for one thing:the elevator scene might have been borrowed from an old French movie,"Huis clos",directed by Jacqueline Audry,from Jean-Paul Sartre's play(1956).