Miss Marple: 4.50 from Paddington

I am not in the habit of writing reviews but the reviewer who took exception to Jill Meager provoked me to rebut his comment. She was the "Highlight" of this episode and the reason I viewed it several times. Being extremely attractive, charming and projecting intelligence are clearly reasons enough for any red-blooded male to crawl on all "fours" for Her.

I confess that I only started watching this series just recently even though I was aware of it for many years. This was partly out of prejudice on my part. I wrongly assumed it would be something very staid; people making exits and entrances between long patches of dialogue.

I was "all wet." This is one of the most memorable Series I have seen.

John Fedinatz, New York, NY

Many actresses in the twilight of their careers have taken on the role of Miss Marple, including Margaret Rutherford, Helen Hayes and the seemingly immortal Angela Landsbury. However, I believe the one actress whose claim to being closest to Christie's original vision was Joan Hickson. Joan Hickson in the 1980's literally was Miss Marple, not unlike Vivian Leigh who was Scarlett O'Hara. These two actresses were nearly born to play these roles, and whenever I read a Marple mystery, I imagine the likes of Hickson. Marple was probably Christie's most interesting creation, simmultaneously polite and sweet yet irritating and needling. She was always helping out on cases where Scotland Yard felt it was none of her business, which makes her quite an enigma. The little old spinster with the mind of an Einstein, Marple is the female equivalent of Sherlock Holmes.

These BBC productions are still some of the best adaptations of the Miss Marple cases written by Agatha Christie. Some viewers have criticized them for being rather plodding and slow. Ever read a Christie novel? These books were written deliberately in a rather slow and detailed manner because they were meant as literary puzzles. Christie's novels were not so much about insight into the human condition, such as in the work of P.D. James. Rather, Christie's books were specifically designed to offer the reader all the facts of the case, and the reader could try to solve the puzzle before the solution is revealed at the end.

"4:50 from Paddington" involves a friend of Miss Marple, Mrs McGillicuddy, who is traveling on a train from Paddington. At one point, her train passes another going the other direction. For a split second, she sees a murder being committed on the other train before it disappears. McGillicuddy just happens to be on her way to Miss Marple's hometown, St. Mary Mead. Mrs McGillicuddy visits Miss Marple and describes what she saw. While there have been no reports of any murder, Miss Marple believes her, begins to investigate, and pieces together the case.

One of the best Joan Hickson performances, and one of the better Miss Marple mysteries in general. If you've not seen Hickson as Marple, you have yet to see Miss Jane Marple in the flesh. I also have to give honorable mention to the sweet music which opens and closes these Marple mysteries. The oboe melody seems to be a perfect musical portrayal of one of the most memorable characters in the Mystery genre.

I really like the book, it is very clever and the characters are memorable, and as far as the Geraldine McEwan while not perfect by all means was one of the better ones, at least in my opinion. This version is superior though, and is very well done not only as an adaptation but on its own merits. I will say my only real problem with this film was the pacing. While not as sluggish as They Do it With Mirrors, for me this is one of the slower moving Hickson-Marple adaptations. However, so much compensates. 4:50 From Paddington is rather slow and perhaps a tad too long as well, but it still has the clever story and memorable characters. As usual, the production values are wonderful, and the music is very atmospheric here. The dialogue is well written, the story is easy to follow and I loved the build-up to the finding of the body which was genuinely creepy. The direction is solid and the cast is excellent. Miss Marple doesn't have as much to do here, but Joan Hickson still plays her marvellously, and I was very impressed with Joanna David. Overall, while not a favourite I do recommend 4:50 From Paddington. 8/10 Bethany Cox

A great rendition of a classic tale. Naturally, the Margaret Rutherford version is fabulous in its own way, but this version offers viewers colorful landscapes and colorful characterizations to go along with the totally old-fashioned old-school formality of the characters. Much of the acting is subtle and unforced, as is typical of British productions, with Inspector Slack a real study in irony, a decent man masked in a facade of tough-guy impoliteness and impatience. The story unwinds in a dignified manner, never boring and never rushed. As a bonus, the somewhat intricate plotting gets explicated in a way that even I could follow and understand (Inspector Morse offers a contrasting technique, almost always baffling, while Midsomer Murders at least wraps its illogic in humorous tongue-in-cheek mischief). Overall, a superb production for fans of mystery and rich atmospheric production.

A friend of Miss Marple's, Mrs. McGillicuddy, is travelling on the 4.50 from Paddington when she sees a man strangling a woman on a neighbouring train. The police turn up nothing and don't believe her but Miss Marple does. She believes the answer to the mystery lies at nearby Rutherford Hall. She enlists the help of her resourceful, energetic niece Lucy Eyelesbarrow, who investigates Rutherford Hall by working there as a housekeeper.

A great instalment of the Miss Marple series. A return to the earlier episodes in that the characters and the character-based sub-plots are much more interesting making this episode very engaging.

The mystery is excellent too: we initially don't even have a body! Slowly things are revealed before we finally have our murderer.

Quite the mystery.