Heróis ou Vilões

I had the pleasure of being Demi Moore's stand-in and photo double for this film, after auditioning against 325 other young actresses for the "role." Normally, you don't have to audition for that crew job, but since this film was Emilio's directorial debut, he wanted to be able to look through the camera lens to "see" what he and Demi would (more or less) look like. The job of the photo double and stand-in is to do all of the takes where you can't really see the stars' faces (drivebys, long distance shots, etc. - yes, I was the one he had slung over his shoulder running in the school parking lot after Karen was shot), as well as to sit in for lighting and sound checks. It was, to put it the most succinctly, like running away and joining the circus!

Notwithstanding some of the legitimate criticisms of the film in other reviews, from a personal standpoint I have to say that Emilio was a total gentleman, and was especially respectful to all of the crew. He thanked the actors after every take and at the end of the day, and he never went into his trailer for meals - he always sat with the crew. The very first day on set, he asked if I had my SAG card, and when I told him I only had my AFTRA card, he wrote in a line for me so that I was eligible to join SAG (they ended up using the shot in the trailer). Emilio didn't have to do that, but it was the kind of thoughtful gesture that he showed others on a regular basis.

Emilio was also well aware of the trust placed in him, being such a young man with a considerable film budget, and he was surrounded by many Hollywood veterans who were equally patient and understanding (Robert Wise, Bernie Williams, to name a few).

While this may not be a true "review" of the film, I thought those of you who had written here might enjoy knowing some of the "behind the scenes" thoughts from someone who was there for the whole shoot. Personally, I enjoyed every moment of the experience, I learned a lot, and I will always be grateful to Emilio for his generosity of spirit and kindness. He was a class act, every step of the way.

I've watched Wisdom several times, and still enjoy it every once in a while. I've always been attracted to films with an original idea in them, and this is that kind of flick.

I like Emilio Estevez anyway, and to see him get his first chance to direct was cool. Demi Moore turns in an enjoyable, believable performance too, as did Tom Skerritt and Veronica Cartwright.

The particulars of Wisdom's methods might be a bit muddy, and the end not entirely satisfying to some, but this film is waaay more watchable than what's been out at the theaters lately. Can Hollywood really be SO out of good, original ideas?

Ever have one of those days where things just kind of get out of control and REALLY go from bad to worse? John Wisdom seems like a normal-enough guy who did the same stupid things we all did at that age, except he went a little further. He "borrowed" a car and got caught. Now, forever branded a convicted felon, he sees his future as a series of minimum wage jobs and boredom. One day that all changes, and it goes out of control. Watch the movie for the rest of the story. You won't be dissappointed. Hint: Watch ALL of the movie.

It's a great story, very believable with some action and excellent chemistry between its' stars, Demi Moore and Estevez. Tom Skirret plays his father, who doesn't know how to help his son. Actually, he hasn't a clue what to do. It's part fantasy and real Americana. This movie is a sleeper.

The critics love dubbing this "Wis-dumb", but I've never understood the harshness. Sure, this film isn't amazing, kind of in one ear out the other entertainment, but in my opinion undeserving of the worst of all time list. I can honestly say "Wisdom" spoke to me, especially in my late teens and early twenties and I think a lot of guys that age may feel the same. You always reach that point after high school of what to do now, or trying to find a job that you love. Estevez character faces those couple of things plus the fact that he has a felony attached to his name after a night of mistakes a few years earlier. Deciding that there isn't much for him out there in life, he's intrigued by a tv report documenting the financial problems farmers are having in the midwest. So he ends up (and this is where it gets tricky when trying to explain the film's plot to people) bombing and burning loan information kept in banks. The odd thing is that he begins this close to home in LA, but then heads east where the cause will have effect. Along for the ride is his loving girlfriend, played by Moore in one of her more sweeter performances. I just feel that Estevez really nailed her character by making her the sympathetic "I'll do anything for you" type. Not to mention that she's gorgeous and gives him plenty of physical love, even while on the lam. She really came off as a semi-dreamgirl. Meanwhile, as they head from town to town, there's a subplot about a determined FBI agent out to get Estevez, nicely played by Young. Some acuse the ending of being a copout, but I'm with others who enjoyed its originality. There's a good amount of drama as to what he will decide to do in that one moment. The film also includes some excellent Danny Elfman music, an actual song at the end along with a sensitive piano score. Overall, this flick is far from Oscar winning material, but it has some interesting ideas and should pass the time either way, as a bad or good two hours.

"Wisdom" is one of those strange films that is never sure what it wants to be. Young Emilio Estevez comes to the realization that he will never be a success so he decides to become a criminal, a criminal for the people. He aids farmers by destroying records in small-town banks, becoming a sort of Robin Hood figure. His girlfriend Demi Moore is also along for the ride. Obsessed detective William Allen Young will stop at nothing to bring the youths to justice, while the general public is indifferent until Moore has to shoot a police officer. Now the stakes get higher and everything will soon come to a head. Estevez shows his lack of writing and directing experience here. He has some good ideas, but never does execute them in effective ways. The fact that he is not much of an actor does not help either. Everyone else struggles with the direction and screenplay as well. All in all "Wisdom" is not terrible, but its ending basically takes away from the few good things about the film's first 105-minutes. 2 stars out of 5.