A Garota de Rosa-Shocking

John Hughes knows the 80's. And this proves it. The film is a drama/comedy about a teenage girl and her problems in social and family life. Though I am a guy, I identified with a lot of the problems and I thought there was so much to like in this film. It's just that this is a little softer than the other Hughes films. Maybe cause he didn't direct it. Molly Ringwald gives her best yet and Harry Dean Stanton has never been more tender. Good 80's film, but not in the best column. By the way, Andrew Dice Clay appears as a bouncer, so pay attention to his part which highlights the film for me. A

Okay, I understand that John Hughes apparently changed the ending to this film at the last minute because he didn't want to send the message that rich people and poor people don't belong together or something. Now, I'm not saying that the supposed point of the movie as it stands isn't a good one--that social and financial differences should not come between two people in love. The problem here was simply that the whole film up to the very end was designed with Duckie in mind as Andie's final choice, and that influenced the plot and characters greatly.

For the current ending to work, the director would have needed to alter both the male leads a bit, adding a stronger character to Blane and making Duckie a little less endearing and a little more annoying (and perhaps putting a little more effort into finding him a substitute love interest...that thing with the blonde at the prom just came off as kind of annoying). I don't know about anyone else, but I was too busy feeling sorry for Duckie to really enjoy the relationship between Andie and Blane, although it might have had some potential otherwise.

I have seen all John Hughes movies from the 80s starring Molly Ringwald and you can't really watch them without comparing them. "Sixteen candles" is more of a "pure" teen-comedy with a big house party followed by a "hangover"-morning, and "Breakfast Club" is the most serious one and, as far as I'm concerned, the most distinctive of the "Brat-pack" movies.

Breakfast Club is the one I like the most, but "Pretty in pink" is also a very good movie. Molly plays (as always) a very unusual girl who lives with her lazy but very caring father (Harry Dean Stanton). She has only two real friends and one of them is a guy called "Duckie". Duckie is kind of a geek and Jon Cryer does this part so good you don't even miss Anthony Michael Hall a bit. Molly also works in a record store owned by her other friend played by Annie Potts.

Molly falls in love with a rich and popular guy (McCarthey) who has mutual feelings. The story is very cliché with a rich guy and a poor girl from two opposite sides of society who falls in love, causing disappointments among their old friends. Duckie is really hurt and McCarthey's best friend tells him to drop Molly, mostly caused by jealousy in this case. This jealous friend is played by James Spader and he is very good at playing bad. The cliché's are told with charm and intelligence though (like "Mischief") and some scenes almost brings tears to the eyes. (I wonder if the movie would have been even better if Hughes had directed it himself!?)

Anyway, it's a sweet story with many wonderful actors typical of the 80s. Remember to look for a very young and very gorgeous Gina Gershon as a High School girl.

The only thing I miss is a great song or two, like the ones in Sixteen candles and Breakfast club. Otherwise if you're crazy like me about the movies from the 80s I see no reason to skip this one.

This movie also has one of the most clever titles ever.

PRETTY IN PINK

STARRING: MOLLY RINGWALD, ANDREW MCCARTHY

Molly Ringwald plays Andie, a poor girl who lives with her father after her mother left them. She falls in love with a "richie", as she calls him, named Blane (who is played by Andrew McCarthy) but the pressure of friends is in the way of their relationship being perfect. Meanwhile, Andie's best friend Duckie is declaring even more his undying love for her.

"Pretty in Pink" is one of those great teen movies that only comes along once. It has a fantastic sound track, cute guys, a great leading lady and a clever plot with some of the most romantic movie scenes of its time. It defines the 80s high school years with its cliques, which still are around until this day, and the problems that occur when you fall in love with someone else on the other side of the tracks.

I give this movie **** out of *****

Possible spoilers: To hell with the Duckie vs. Blane question. Steff's the only interesting one.

1. He's fearless: Duckie's afraid to tell Andie he loves her, Blane's afraid of his friends, but Steff walks up and hits on her right in front of his friends without caring what they'll think. He exploits Blane's shame about Andie but clearly feels no shame himself.

2. Duckie's suffering puppy love, Blane's just curious, but Steff has been after Andie for years. When he says it's "not *only* for sex," he's probably telling the truth, in his own sarcastic way. Key scene, when Blane and Andie walk in on Steff and Benny Bimbo, and Steff clearly wishes he were with the hot geeky girl, instead of the vapid blonde, even if Benny is better-looking, sexually available, and approved by his friends. And it's not only the challenge attracts him to Andie: despite his arrogance, he's probably been turned down before. He just suspects that with Andie, he'd have something real, and with Benny, whether her ecstasy is real or faked, it will be conducted according to "Cosmo."

3. He's willing to fight for what he wants, i.e., sabotaging Andie's relationship with Blane. OK, he's fighting dirty--but he's fighting at all. The others are about as decisive as Hamlet.

Right, enough deep thought devoted to what should probably be regarded as another teen movie. I give full credit to Spader, who fleshed out what could have been a one-dimensional baddie by making him really interested in Andie in his own sociopathic way, instead giving lip-service to a script that could have been played with the character being vicious solely out of hurt pride and snobbery.