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5,9/10
8,4 mil
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Um publicitário de sucesso encontra a sua vida livre paralisada quando os seus pais terminam o seu casamento de muitos anos.Um publicitário de sucesso encontra a sua vida livre paralisada quando os seus pais terminam o seu casamento de muitos anos.Um publicitário de sucesso encontra a sua vida livre paralisada quando os seus pais terminam o seu casamento de muitos anos.
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Tom Hanks had been around for a few years before "Nothing in Common", but it was this film that really showed how great he could be as an actor. He stars as a high-class advertising executive whose life is turned upside down when his elderly parents (Jackie Gleason and Eva Marie Saint) get divorced. While Saint adjusts and becomes happy with her life, it seems that Gleason just becomes more angry. On top of this, his health quickly worsens. While Hanks is working with Barry Corbin and daughter Sela Ward on a big advertising deal, it seems that Gleason's diabetic condition is becoming a real problem. Gleason has basically upset everyone so much that everyone has given up on him and do not even know about his condition. Hanks proves to be the only one that Gleason can count on in the end. The relationship between Hanks and Gleason makes "Nothing in Common" a somewhat forgotten treasure from the 1980s. Tom Hanks proved that he could handle delicate material and even mix it with smart comedy. All the players are great as well. Along with all the aforementioned actors, Hector Elizondo and Bess Armstrong do good work as well. The screenplay is solid and the direction is focused throughout. 4 stars out of 5.
NOTHING IN COMMON (1986) ***1/2 Tom Hanks, Jackie Gleason, Hector Elizondo, Eva Marie Saint, Sela Ward, Bess Armstrong, Barry Corbin. Garry Marshall's winning serious comedy about ad exec Yuppie Hanks who faces the inevitable: caring for his at odds parents including separations, ageism and finally acceptance. Warm and slyly comic turn by Hanks with some great moments. Armstrong is adorable and Ward is sexy (just needed to state this for no other apparent reason). Best moment: Hanks telling off bullying client Corbin.
I happened to catch this movie in college back in 1989. At the time though, I only caught the last half, but it really piqued my interest b/c the last scene where Tom Hanks is pushing a wheel-chair-bound Jackie Gleason down a hospital corridor through a windowed overpass was actually filmed where I was born -- Northwestern Memorial Passavant Hospital in Chicago.
Years later, I was finally saw "Nothing in Common" in its entirety on video, and while I liked some parts of it -- mostly b/c of its numerous Chicago location shots -- I thought the film's production value was a little bit low for a Hollywood film as it was produced and directed in such a way as to be reminiscent of network television soap operas and made-for-TV movies. The overlaid 80's soundtrack, for example, gave this movie a sappy feel and exuded tres gauche, maudlin schamltziness, IMO.
Nevertheless, Tom Hanks was great, as usual, in his reprisal of the sympathetic 'everyman' role that has now become his trademark, and I believe that this was Jackie Gleason's last performance. Sela Ward, however, is the number one reason to see this film, as she is from beginning to end the unequivocal scene stealer.
Not only is Sela Ward hot hot hot, Ward brought a certain amount of authenticity in her portrayal of a big-city advertising executive circa 1980s. This is because long before Ward became a model and began her acting career, Ward, who majored in advertising at Ole' Miss, was a real-life advertising copywriter and exec on Madison Avenue in NYC in the late 70's and early 80's. Regardless, Ward's drop-dead gorgeousness did not detract from her believability as the cutthroat yuppie executive, Cheryl Ann Wayne, by one iota.
Great Chicago references though, e.g., Wrigley Field, location shoots in neighborhood pubs, downtown scenes, etc.
Years later, I was finally saw "Nothing in Common" in its entirety on video, and while I liked some parts of it -- mostly b/c of its numerous Chicago location shots -- I thought the film's production value was a little bit low for a Hollywood film as it was produced and directed in such a way as to be reminiscent of network television soap operas and made-for-TV movies. The overlaid 80's soundtrack, for example, gave this movie a sappy feel and exuded tres gauche, maudlin schamltziness, IMO.
Nevertheless, Tom Hanks was great, as usual, in his reprisal of the sympathetic 'everyman' role that has now become his trademark, and I believe that this was Jackie Gleason's last performance. Sela Ward, however, is the number one reason to see this film, as she is from beginning to end the unequivocal scene stealer.
Not only is Sela Ward hot hot hot, Ward brought a certain amount of authenticity in her portrayal of a big-city advertising executive circa 1980s. This is because long before Ward became a model and began her acting career, Ward, who majored in advertising at Ole' Miss, was a real-life advertising copywriter and exec on Madison Avenue in NYC in the late 70's and early 80's. Regardless, Ward's drop-dead gorgeousness did not detract from her believability as the cutthroat yuppie executive, Cheryl Ann Wayne, by one iota.
Great Chicago references though, e.g., Wrigley Field, location shoots in neighborhood pubs, downtown scenes, etc.
Someone mentioned about last night, which they also hated, well its the opposite for me. I was around the ages of the main characters when both these came out and liked both of them. In this movie, you sorta see the early goofy (but very Funny) Tom Hanks doing his transition to the more serious Hanks as the movie goes on. And pretty much was his last real comedy role. Hanks does his usual funny shtick and it works well. And Gleason is great, and sad as an aging ex great sales rep, trying to hang on to his cust. as a changing world leaves him without a place. And the divorce of Hanks Parents thrown in sorta makes this a bittersweet comedy. Overall, its a good movie.
NOTHING IN COMMON was a smart and sentimental comedy drama that offered a pre-Oscar'ed Tom Hanks one of his best earlier roles. Hanks plays David Basner, an advertising executive whose lightning-quick advancement at his company becomes hampered when has to start taking care of his father (Jackie Gleason, in his final film role)who has become completely helpless after his wife (Eva Maria Saint) has left him. This comedy takes some pointed and effective jabs at the advertising industry and still manages to be a warm family story as well. Hanks beautifully walks a fine line between comedy and drama in one of his better and nearly forgotten performances. Gleason is abrasive as the dad, but Saint is lovely as the mom. Sela Ward, Bess Armstrong, and Barry Corbin are also effective in supporting roles and the ending has been known to produce a few tears. An intelligent and heartwarming look at the choices that we sometimes have to make regarding career and family.
Você sabia?
- CuriosidadesRumor has it that director Garry Marshall would not go ahead with the making of this film without the inclusion of Jackie Gleason. In poor health, Gleason had grown tired of filmmaking, and wished to retire from the business. After several attempts to get him on board, Marshall finally called Gleason on the phone and insisted that if he didn't do this film, that the last film he would be remembered for was the box-office bomb Agora Você Não Escapa (1983). Gleason immediately accepted the offer on the condition that this would be his last acting role. In Marshall's 2012 memoir, "My Happy Days in Hollywood," he credits Ray Stark with asking Gleason the question about if he wanted "Smokey and the Bandit 3" being how he would be remembered.
- Erros de gravaçãoDavid (Tom Hanks) throws a ball against the wall in his apartment repeatedly, catching it and throwing it again. On the last throw, he tries but misses the catch and a crew member's arm quickly enters the shot and catches the ball for him.
- Citações
[last lines]
Max Basner: [to David] You're the last person I ever thought would come through for me.
- Versões alternativasOne "unedited" print, formerly in HBO's library, removes the exchange between Max and David about their "best friends."
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- How long is Nothing in Common?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
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- Também conhecido como
- Nothing in Common
- Locações de filme
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 32.324.557
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.279.650
- 3 de ago. de 1986
- Faturamento bruto mundial
- US$ 32.324.557
- Tempo de duração1 hora 58 minutos
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Nada em Comum (1986) officially released in India in English?
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