Fábrica de Loucuras

Título original: Gung Ho

1986
PG-13
1 h 52 min

AVALIAÇÃO DA IMDb

6,3/10

15 mil

SUA AVALIAÇÃO

Michael Keaton, George Wendt, Rodney Kageyama, and Gedde Watanabe in Fábrica de Loucuras (1986)

Reproduzir trailer2:21

1 vídeo

83 fotos

Satire Workplace Drama Comedy Drama

Adicionar um enredo no seu idiomaWhen a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.When a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.When a Japanese automobile company buys an American plant, the American liaison must mediate the clash of work attitudes between the foreign management and native labor.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,3/10

15 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória no total

Vídeos1

Trailer 2:21

Official Trailer

Fotos83

+ 77

Avaliações de usuários63

6,314.5K

Avaliações em destaque

7FunnyMann

Not edgy, but funny

Surprised to see the rather low score for this movie. Just saw this film for the first time in 10 years, and was reminded why I like it.

Come back with me, children, to a time when Michael Keaton was a straight-up comedy guy, and you might find some joy in this film. It's a gentle comedy -- the kind Ron Howard specializes in -- but if that's your thing, you should check this out. Keaton's low-key charm is just right for this project.

"Gung Ho" is a bit dated, because it takes places in the last stage of the pre-global economy world, when it still mattered what country a business was based in. That said, it delivers laughs as well as a lesson on how people can learn from each other, to great benefit.

You could watch this film and enjoy it without remembering one scene in particular you really liked, but that's because the whole movie provides a slow but constant stream of laughs. It's like an I.V. drip. And I mean that in a good way.

8BennyTheGreat

WOW! I can't believe this movie is so poorly rated.

I think it great example of the differences between two cultures. It would be a great movie to show in a sociology class. I thought it was pretty funny and I must say that i am a sucker for that "lets band together and get the job done" plot device. It seems most people don't realize that this movie is not just a comedy. It has a few dramatic elements in it as well and I think they blend in nicely. Overall, I give it a solid 8.

8OllieSuave-007

An entertaining culture clash comedy.

This is quite an entertaining comedy starring Michael Keaton as car manufacturer Hunt Stevenson, whose car company was bought out by a Japanese firm. So, he tries to rally his American workers together to work at the plant for lesser pay and being subjected to harsher work conditions and schedules by the Japanese managers.

There is plenty of comedy relief in the film, from culture clashes to slapstick humor. There's also bits of heroism in the film, including Hunt's town's survival being contingent on the car company staying afloat and including Japanese company manager Oishi Kazihiro (Gedde Watanabe) showing honor to his boss, colleagues and family in getting the car making job done.

Overall, an entertaining film with touches of Americana and Japanese cultures.

Grade B+

9gitrich

Michael Keaton At His Best! A Great Comedy!

Gung Ho is one of those movies that you will want to see over and over again. Michael Keaton is put in charge of wooing a Japanese car company to come to his town thus creating jobs for the residents of Hadleyville. What happens after that is one hilarious moment after another. The two cultures clash and it is up to Keaton to hold things together. Look for great performances from Keaton, Gedde Watanabe, George Wendt, Mimi Rogers, John Turturro, Soh Yamamura and Sab Shimomo. All are perfectly cast. Don't be fooled by the low number rating. This is a 7.5 in my book. It is interesting to note that the town name of Hadleyville was also used in High Noon. Yes, there is a real Hadleyville but in Oregon.

dibrager

When studying Multi-Cultural or Inter-Cultural communications...

Having watched this movie as part of a homework assignment, it is my opinion that this film is quite honest at a lot of viable levels. By studying the communication assumptions and mistakes that each party makes in reference to the other, based on the fact that symbolic communication is a receiver-based standard, this movie is ideal to show exactly how, when people do not understand the shared symbols, how chaotic and confusing such communications can become.

Therefore, before hucking it under the pile, never to be seen again, you might want to look upon it in a most serious light and see if it doesn't share some elements of truth that you've experienced when interfacing with other cultures in your life.

Just a thought.

David I. Brager

Mais itens semelhantes

Enredo

Editar

Você sabia?

Editar

Curiosidades
According to Bloomberg Businessweek, Toyota executives later used the movie as an example of how not to manage Americans.

Erros de gravação
When Hunt Stevenson meets the Japanese managers for the first time, they hand their business cards over with one hand. Japanese business protocol requires formally presenting business cards, holding them with both hands.

Citações
Hunt Stevenson: If you walk out that door, you're going to miss a great comeback. We're ready to roll here, Jack.
Mr. Sakamoto: This will never be like a Japanese factory... *Jack.*
Hunt Stevenson: Oh, yeah? You're right. You know what else? So what?
Mr. Sakamoto: You failed.
Hunt Stevenson: Really? Wanna know something? I got one of the first cars ever made here. I got *the* first car ever - I don't think I want it anymore. As a matter of fact, here.
[hands keys to Mr. Sakamoto]
Hunt Stevenson: Why don't you take the keys, okay? I'd rather have one of those cars.
[points to cars in assembly line]
Hunt Stevenson: I'd rather have one of these cars that *we* made *together,* by hand. Your guys and my guys, together. You know why? Because those cars stand for something. Those cars stand for something pretty great. I'm proud of those cars. I'm taking one.
[Turns to workers]
Hunt Stevenson: Gentlemen, I'm going home in my new car!
[All workers cheer and applaud, then silently pray that Hunt's new car has a working engine. Hunt starts the car, and the workers cheer. However, the car literally falls apart after about two yards, and the workers start to moan. Hunter gets out of the car]
Hunt Stevenson: I tell ya, I thought it handled great!

Versões alternativas
Some international editions distributed by Paramount on DVD, reduced the aspect ratio from original 2.39:1 to 2.09:1.

Conexões
Featured in Geração X: The Power of Disruption (2016)

Trilhas sonoras
Don't Get Me Wrong
Written by Chrissie Hynde
Performed by The Pretenders
Produced by Jimmy Lavine and Bob Clearmountain
Courtesy of Sire Records Company