As Peripécias do Ratinho Detetive

I enjoy this film for one main thing, besides the attention to detail concerning Victorian England...the performance of Vincent Price as Ratigan in his scenery-chewing glory. Yes, it's another mice-beneath-your-feet story, but it's so well done. Holmesians will enjoy it's inside jokes and references to other works about the famous fictional sleuth.

Fans of "Ducktales" may note that Alan Young, the voice of toymaker Hiram Flaversham, parlayed his near-perfect Scottish accent into being appointed the official voice of Scrooge McDuck.

But it's Vincent Price in what he later called one of his most favorite roles ever (He even had two original songs written for him!) that draws me back to this film again and again. He clearly enjoyed this role, and the exaggerated movements of Ratigan are obviously his.

An oddly gothic cartoon from Disney, and well worth viewing.

This is, by far, one of the most underappreciated Disney classics of all, and one of the most developed as far as the character and the story. Basil is a perfect portrayal of Basil Rathbone as Sherlock Holmes, and many don't know that it was based off a book about a mouse who lived the life of his idol, none other than Sherlock Holmes.

Personally, I love this movie because it has a colorful, developed cast of characters.

Basil is not your average Disney hero, having no love interest at any point in the movie; he is also a super-intelligent character and often bursts into fits of scientific observation. His facial expressions are timed well and are very well done, as well as his general movement. He is very excitable and you can tell he adores working on cases. He doesn't really like children, as you can see from the way he treats Olivia in the beginning. You really get a feel for Basil when watching him, and he's not easy to forget. Kids may not understand half of the things he's saying, but it's fun to watch.

Olivia is the little heroine mouse who starts Basil on his case, losing her father to a mysterious peg-legged bat of whom Basil is aware of. She is extremely plain-drawn and has no emphasis on her gender really, save for the bow in her hair and her voice, making her very realistic. She also acts alot like a realistic little girl, in her laugh, in the way she reacts to things, even in the way she exclaims "father!" when reunited with her toymaker father. Her curiosity is classic, and she has a high adoration for Basil, though he doesn't appreciate her at the start of the story.

Dawson is the elder mouse who finds Olivia looking for Basil of Baker Street. He isn't sure of who Basil is, but they end up finding him together. Dawson is, of course, Watson in mouse form, and helps Basil in his first case, being this movie.

Ratigan is the villain played by the late horror film star Vincent Price, and quite well in my opinion. He has the likeness of Mr. Price in the way he moves and acts. Of course, nothing is weirder than hearing him sing, but it happens twice in the movie-- "The World's Greatest Criminal Mind" and "Goodbye, So Soon" were both written specifically for Price. He is not one of the more frightening villains as far as his looks, and is unique in that up until the climax he uses his intelligence to battle Basil, instead of the strength he obviously posesses. On a special note, Ratigan dislikes being called a rat for some reason, though I cannot remember why.

Fidget is probably one of the darkest villain henchmen in a Disney movie. He is frightening to children in appearance and voice, and the music accompanying him adds a comical aura. Fidget is by far my favorite Disney henchman, just because he's funny. The one thing that bothers me, though, is that a few times in the movie, his peg leg switches from right to left. I think it was just for the reuniting scene in which Olivia steps on his only foot, so it was switched.

The movie has many fast-paced scenes, including "Investigation At The Toy Shop" and "Big Ben Chase", among others. My personal favorite is "Big Ben Chase," because it is one of the longest Disney climaxes and it is a very unlikely setting. The movie itself is about Olivia's toymaker father being kidnapped by Fidget, and her turning to Basil for help. Basil's nemesis, Ratigan, is linked to the bat, and Basil, who was reluctant and annoyed by Olivia's protest at first, jumps at the oppertunity to see if he can finally defeat Ratigan. The movie goes from there with its "many twists and turns", to quote Basil.

If you want a fun-filled, unpredictable adventure, The Great Mouse Detective is your best bet. Especially if you're a Sherlockian or Eve Titus fan who has yet to see this exiciting portrayal of Basil of Baker Street.

¨The great mouse detective¨ also titled ¨The adventure of the great mouse detective ¨ is a Walt Disney cartoon feature based on famous characters created by Sir Arthur Conan Doyle adapted of Eve Titus' book titled ¨Basil of Baker Street¨ . This amusing cartoon movie deals with Basil , the rodent Sherlock Holmes who investigates the kidnapping of a toy-maker and uncovers its link to his archenemy , Professor Ratigan . It begins when Hiram Flaversham ( voice by Alan Young) , a master toymaker , is abducted by a peg-legged bat , on his daughter Olivia's birthday . The nefarious Professor Ratingan (voice by Vincent Price) kidnapped him for forcing his victim Flaversham to make some diabolical device . The young mouse has no one to turn to for help , so she strikes out on her own , looking for the greatest detective in all mousedom , Basil of Baker Street ( performed with gusto by Barrie Ingham) . En route , Olivia encounters Dr. David Dawson (voice by Bettin) , a mouse recently gone back from military duty in Afghanistan . They manage to encounter his rooms at 221 1/2 Baker Street in the cellar of a very notorious address , and the mouse himself soon makes his appearance running around the apartment , ignoring his two hosts , in anticipation of bringing his latest case to a successful final with an experiment in ballistics . Nevertheless , the experiment is a flop , and the detective is thrown into a deep depression, still unwilling to help poor Olivia . But Basil is again galvanized into action . The Sherlockian mouse matches wits with the nasty Professor Rattingan . The crime lord Ratigan is planning in the sewers of London nothing less than the demise of the Queen on the day of her ¨Diamond Jubilee¨ and his own ascension to the throne . Later on , Basil , Dr. Dawson and Olivia are submitted a tempestuous trap by Professor Ratingan and are imprisoned .

This fun animation is set in England's mouse population, who lives not so different from ours, in the mouse holes and basements of the British Empire . The funny characters are the following : Basil who is a bundle of energy , he is played in a clever , broody and impetuous manner similarly to Holmes-Basil Rathbone . Good Doctor Dawson/Watson is drawn or played in kindly way , he's the perfect counterpoint to Basil/Holmes . Ratigan , the arch-nemesis , a Doctor Moriaty-alike is the worst criminal in London, a veritable Napoleon of Crime . Furthermore , a sympathetic thug ,an unfortunate peg-legged bat . This agreeable animation movie contains a lively and enjoyable musical score by the great Henry Mancini . The motion picture is well realized by Ron Clemens and John Musker (among others) who subsequently would have several successes such as ¨The little mermaid¨, ¨Aladdin¨ , ¨Hercules¨, ¨Tresure planet ¨, and ¨The princess and the frog¨ . Rating : Good , worthwhile watching and reissued successfully in 1992 .

This is probably one of the most unknown Disney classics.

For the time the movie was quite new and revolutionary and it doesn't quite fit in with the other movies Disney made in that period., perhaps that's the reason why it has been forgotten. But "The Great Mouse Detective" deserves to be known and seen.

The characters are real classics and one of the best to have ever appeared in a Disney movie. Actually Professor Ratigan (voiced by the legendary Vincent Price) is quite possibly my favorite movie villain of all time. No wonder that it was Vincent Price's favorite role. His style and humor is priceless and it cracks me up every time. But the other characters are also very memorable. I especially like the character of doctor Dawson.

The story is good and very pleasant and very mature compared to other Disney's from that period. But of course the idea of making a story about the mouse version of Sherlock Holmes alone is already good enough to make a fun movie about.

One of the other things that makes this movie different compared to other Disney's from that period are the songs or better said the lack of it. The movie features only one song (3 if you count the bar song and the goodbye, so soon song.). But it's not a miss. The surprising magnificent musical score by famous composer Henry Mancini make up for this loss.

The movie has a very spectacular final on and in the famous Big Ben. It's by far my favorite Disney movie ending.

Certainly a fun movie to watch over and over again.

10/10

P.S.: If you're Dutch speaking, I highly recommend that you watch this movie Dutch spoken. Believe it or not it's even better and more fun then the English version! Believe me, just give it a shot.

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By no means does it rank among the greatest Disney films. Its animation is mostly Saturday Morning level and its plot is as simplistic as a Sherlock Holmes knockoff story can get, complete with plotty, expository script and pretty typical archetypes throughout. Yet, it has something that has been missing in Disney movies for years: likability. It's lightweight, well crafted fun, like all the best Saturday morning cartoons, with inventive set pieces and terrific voice acting that helps make up for the fact that the losses incurred on The Black Cauldron show quite clearly. Unfortunately, it was shoveled under the hype over Don Bluth's An American Tail, a film that I have a bit of a soft spot for but which I'm not sure was that much better despite more involved animation. Of course it's no masterpiece, but it does deserve some appreciation for its virtues.

The plot's rather simple, and a bit too dialogue driven. Basically, you can figure out what happens before you even see it. What makes it work are the personalities. True, Olivia's a bit cloying, but Basil himself is as manic and fun to watch as any good Holmes knockoff, due in no small part to Barrie Ingham's performance. However, the show stealer, like with many Disney films, is the villain, Professor Ratigan as brilliantly voiced by the great Vincent Price. What I love about his character is that he comes off a narcissistic buffoon most of the time, but when pushed he shows himself to be a ruthless maniac able to wring whatever he wants from people by sheer force. In many ways, he's the villain that Captain Hook should have been. He even gets one of the only song numbers in this movie, one of the finest villain numbers in its jaunty bombast and how it shifts to a dead stop when a henchman double crosses him then shifts back after a rather grim moment in the film.

Unfortunately, one wishes the animation was better than Toon Disney on a production level. There's lots of conservative pose-to-pose stuff and very little in the ways of spontaneous character stuff. The angles are all very flat and straightforward. It especially shows in the dog character, who is much larger than the others but has too lightweight a feel to him. It's still a better looking film than The Black Cauldron, however less lavish it may be, and it has a few highlights. Ratigan, again, is superbly animated by Glen Keane, who gives him much more nuance and presence than the other characters. There's also a steep improvement toward the end, where Disney really ratchets up on some terrific set-piece direction. The CGI may show its age, but it's incorporated quite well. One also suspects that Disney first started to look at Hayao Miyazaki's work around this time, since there are more than a few similarities to the climax of Castle of Cagliostro.

All in all, these elements, along with a great Henry Mancini score, add up to another overlooked gem of a Disney movie, if not an essential work. It's light nature makes it understandable that some people tend not to care for it, but I enjoy it like I do any decent childhood cartoon. For me, it's the best Disney picture between the end of the golden age in the 60s and the renaissance at the end of the 80s, despite not being especially ambitious or innovative. It's just good fun, and what more can one ask for?