A Mosca

Director David Cronenberg takes a different approach with THE FLY than in his other horror films. On its surface, it's a story about an experiment gone horribly awry, resulting in a hideous hybrid / mutation. In reality, it's a tragic love story about a woman named Veronica Quaife (Geena Davis) and her quirky, scientist boyfriend, Seth Brundle (Jeff Goldblum).

Indeed, the experiment does go wrong, and notoriously sickening horror ensues. Through the course of the movie, Brundle undergoes an astonishingly repulsive transformation. The special effects and makeup in this movie are phenomenal! However, this is not just about a man in a frightening rubber costume.

This is a movie with surprising emotional depth. Veronica's love for Brundle is tested beyond all measure, right up to the frenzied finale. Ms. Davis is absolutely believable in her devastated role, as is Mr. Goldblum in his series of deteriorating states. These are star-crossed lovers, caught up in something that could very well destroy them both. It's about what happens when someone we adore is stricken with something debilitating / disfiguring and dangerous. Veronica stays with Brundle far beyond the point of sanity. Only her deep feelings for him could allow such devotion.

One of Cronenberg's most intriguing and insightful efforts...

Most science fiction films are big on ideas and special effects, but weak on coherence and character development; most horror films are just the same, except without the ideas. But David Cronenberg's 'The Fly' takes one simple idea, develops it properly, and eschews (its genuinely terrifying) special effects until its truly horrific climax. And by paying some attention to the personalities of its protagonists, it actually makes you care about them (Jeff Goldblum is excellent in the lead role), and adds a level of serious reflection on the very nature of human mortality to the raw shock. The mix amounts to a gruesomely good film.

Scientist Seth Brundle has created a matter transporter to create a sort of teleporting system. During tests he finds it turns his monkeys inside out and kills them, until he gets it to work. He immediately tests it on himself and everything appears to work well. However he soon finds himself going through a series of changes, much to the concern of his girlfriend Ronnie, that see him becoming fitter and stronger. However it isn't long the changes become more concerning and it is clear that he is changing beyond his control and beyond recognition.

Cronenberg is famous for his body horror and here is no exception. The remake of The Fly loses a lot of his usual social comment etc but still leaves him open to do a great horror that has some intelligent touches. The story is very much a horror – but Cronenberg has got rid of the concept of swapping a fly head for a human head and replaced it with the horror coming from within. This allows him to feel more comfortable with his subject matter rather than it being silly. The transformation gets more intense towards the end as his whole body begins to become a fly but the early parts allow tension to be built up.

When the gore comes it is typical Cronenberg. It isn't gore for comedy's sake it is quite shocking and very gory. The real gore is kept for 2 or 3 key moments and is all the more shocking for the restrained nature of it's use up till then. The end itself shows that it isn't just an out and out horror and that it does have a heart and a head to match it's strong stomach.

Goldblum is good. Unfortunately he has come to be type cast as the excitable, Jewish scientist with a distinct speaking manner (try Jurassic Park 1 & 2, Cats and Dogs etc). However here it doesn't annoy too much. Davis is also very good and was going into a good run of hits (unlike now!) at the time. She plays the horror of her situation very well.

Overall The Fly is a very good remake. It is a horror film that is actually chilling as well as gory – Cronenberg's fascination with body horror and the nature of ourselves is toned down but is still enough in evidence to add something.

During the 1980s, horror was rising, with Friday the 13th started the decade with a bang, with sequels, parodies, and ripoffs in its path. Halloween would have a sequel and many more, and Freddy Krueger started a long running franchise by Wes Craven. What the critics really loved was the remakes of horror movies lured to younger audiences who never saw the originals. John Carpenter's The Thing, while it underperformed at the box office, became a favorite on home video and a cult classic. In 1986, director David Cronenberg, who made heads explode in Scanners and made video horror with Videodrome and changed political horror in the film version of The Dead Zone, would take great risks remaking a 1950s b movie classic, The Fly, by casting Jeff Goldblum as the main character and Geena Davis as his love. Coming out the same year as Aliens and produced by Mel Brooks, The Fly became Cron's highest grossing movie ever and spawned a sequel which didn't do well but became a cult classic in its own right and there are talks of another remake, this time with CGI and a bigger budget. Catch it while its on tv and you'll like the practical effects of the movie as well as the memorable music by Howard Shore. Be afraid, be very afraid...

Why is it this film that will always be his REAL 'breakout', and not any of the others before or since? The truth is, beneath all the biological yucks and makeup (there is plenty of both) lies a strong emotional core. Goldblum is enthusiastically likable as scientist Seth Brundle, and Geena Davis is just how Geena Davis seems to be in real life... sweet. It is how the events change both characters EMOTIONALLY, not physically, that inspires the true horror.

The blending of both the above elements makes this remake appeal simultaneously to the 'gross out' crowd, and those in the mood for a more cerebral horror experience. A concept of B-movie stature, electrified by the skills of A-list talent.