Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.Numa viagem à Inglaterra, dois amigos americanos são atacados por uma criatura. Um deles sobrevive, mas enfrenta as consequências sobrenaturais desse ataque.
- Direção
- Roteirista
- Artistas
- Ganhou 1 Oscar
- 3 vitórias e 4 indicações no total
- Kermit the Frog
- (cenas de arquivo)
Avaliações em destaque
In Summary: Top banana
The film's sense of humor is definitely because the film's director and writer, John Landis, has directed so many great comedies. If you gave the same premise to a much more serious filmmaker, they probably would have made a straight horror film, subtracting all of the brilliant laughs that Landis gives us. Of course, part of what makes "An American Werewolf in London" so special and so entertaining is how hilarious it is. It's almost unbelievable that a movie with so many horrific and gory moments can also be laugh out loud funny throughout.
Another important part of "An American Werewolf in London" is the use of the acclaimed, award winning special effects, that earned Rick Baker a well deserved Oscar win. The werewolf transformation scene definitely lives up to the high expectations anyone viewing the film for the first time may have. It's legitimately disturbing, and amazingly well done!
I had the opportunity to sit down and watch writer and director John Landis' 1981 movie again here in 2022, and of course I needed no persuasion to do so, because "An American Werewolf in London" truly is a horror classic. And I find that the movie is every bit as entertaining and enjoyable as it was back in the day when watching it as a kid.
The storyline is pretty straight forward, and it is actually rather enjoyable, despite being somewhat generic. But take into consideration that this movie was made in 1981, so it was somewhat pushing boundaries back in the day.
The visual effects were great back in the day. And I will actually go as far as saying that they still hold up now 41 years later. Sure, there are signs of aging, but having just seen the movie again, I still find the special effects in the movie rather enjoyable and good. Especially the transformation scenes, they are just spectacular and very, very impressive for a movie 41 years old.
The cast in the movie is good, and I've always liked David Naughton in this movie. But the movie also have familiar faces on the cast list such as Jenny Agutter, Frank Oz and even a short appearance by Rik Mayall.
If you enjoy werewolf movies, then you should be well-familiar with "An American Werewolf in London" already, and if you are not familiar with this 1981 classic, then you should make haste and acquire a copy and sit down to watch John Landis' masterpiece.
My rating of "An American Werewolf in London" lands on a well-deserved eight out of ten stars. This is a classic werewolf movie, and it is one that can be watched over and over.
Especially in DTS sound... It's Scary!!!
Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.
The story unfolds!...And the tension begins!...slowly!
Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.
But the real star of the film is director John Landis!
Along with the Cast!
And make-up artist Rick Baker.
Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.
A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...
Well...everyone's got their opinion.
But this film ranks way up their in horror. A Classic!!
With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.
Grab the popcorn! And Hang On!
Você sabia?
- CuriosidadesDue to the controversial lack of recognition for O Homem Elefante (1980), make-up and industry technological contributions became recognized by the Academy Awards in 1981. Make-up artist Rick Baker was the first to receive an Oscar in the new category. William Tuttle was the first make-up effects artist to receive an honorary Oscar, for his work on As Sete Caras do Dr. Lao (1964). At 31, Baker was also the youngest person to win the award, a record that was later tied by Tami Lane for As Crônicas de Nárnia: O Leão, a Feiticeira e o Guarda-Roupa (2005).
- Erros de gravaçãoRepeated mentions of werewolf attacks during a full moon are ignored when David undergoes his transformation on two consecutive nights. There is only one full moon during a lunar cycle. If the moon is full on a Saturday night, for example, it cannot be truly full on the next night, Sunday.
- Citações
David: I want you to arrest me, you asshole!
Bobby in Trafalgar Square: There's no call for that kind of language.
David: Queen Elizabeth is a man! Prince Charles is a faggot! Winston Churchill was full of shit!
Bobby in Trafalgar Square: That's enough.
David: No! Let go of me!
Alex: David, please!
David: Shakespeare's French! Fuck! Shit! Cunt! Shit!
- Cenas durante ou pós-créditosKermit the Frog and Miss Piggy star as themselves.
- Versões alternativasUniversal Studios re-mixed the film's monaural soundtrack to Dolby Digital 5.1 and DTS for the 20th anniversary "Collector's Edition" DVD, replacing the older sound effects and adding some new ones (see also Tubarão (1975)).
- Extra thunderclap sound effects were added in the scene when David and Jack are walking in the moors and it starts to rain.
- The first werewolf can now be heard growling in the rear channels as it circles David and Jack. A louder growl has been added to the rear-left channel after Jack says "It's circling us" to make the audience jump.
- All the gunshots and car crash sound effects have been replaced.
- The train in the "London tube" scene can now be heard moving from one channel to another
- Despite already being bad enough, the entire mix is inexplicably pitched down a half-pitch and sounds very different from the original mix.
- Trilhas sonorasBlue Moon
Music by Richard Rodgers (uncredited)
Lyrics by Lorenz Hart (uncredited)
Performed by Bobby Vinton
Courtesy of Columbia Records
Principais escolhas
- How long is An American Werewolf in London?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Un hombre lobo americano en Londres
- Locações de filme
- Crickadarn, Powys, Gales, Reino Unido(East Proctor)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.565.292
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.786.512
- 23 de ago. de 1981
- Faturamento bruto mundial
- US$ 30.820.576
- Tempo de duração1 hora 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1