Um Vagabundo na Alta Roda

Still funny upon seeing it the second time - 20 years after its first-run viewing. Every character is likable - Nolte, Dreyfuss and Midler in the starring roles, and every one of the primary co-star and the supporting cast.

Nolte is an outstanding actor, and this role and his harder-edged character in the great "North Dallas Forty," are among his very best. Many actors exhibit far different personalities off-screen than "on" ( e.g. Nicholson), or are downright goofy in real life (Cruise, Jolle, Affleck/Lopez, etc.). But I've never seen any whom I wish might be more like his on-screen persona than Nolte. The guy has charisma, believability, and is completely likable in every role.

Here, he staggers, pretty much literally, homeless, into the mansion of a Beverly Hills wealthy family as dysfunctional (although pleasantly so) as any on the planet.

Of course, his presence and "counsel" take care of all their neuroses - bringing a relaxed enjoyment of life to Dreyfuss, a reawakening of sexual delight in Midler, enjoyment (and relief from anorexia/bulimia) to the winsome daughter, direction to the frustrated adolescent son, happiness to the sexy Latino maid, and effecting a change in the family pooch to where he can now enjoy the pleasant life of a contented, happy pet.

The diversions and hi-jinks in the story are also pleasant - often these necessary components of a film can detract - and the equally necessary closing events lead to a pleasant rapprochement and a happy ending.

An excellent, "feel good" viewing experience.

When Nick Nolte was arrested for DUI in 2002 and they published his mug shot picture I thought it was Jerry Baskin. I first saw this film during it's initial theatrical release and found it very amusing. This is a re-telling of playwright René Fauchois' Boudu sauvé des eaux that was made into a film in 1932. In this story the rescued drowning man is played by Nick Nolte who is a down and out former actor who is homeless and had but one friend, his stray dog. He can't find his dog and wanders into the backyard of a Beverly Hills dysfunctional and affluent family where he plans to end it all by drowning in their swimming pool. Homeowner Richard Dreyfuss comes to the rescue and the homeless man, Jerry becomes a wanted and unwanted guest in their home. Bette Midler is Dreyfuss' wife, Tracy Nelson is the daughter, Evan Richards is the son, Elizabeth Pena is the maid and Little Richard is the next-door-neighbor. A fun situational comedy, the screenplay was written by Paul Mazursky and Leon Capetanos who collaborated on several films with Mazursky. Mazursky is a multi-talented director/writer/producer/actor who also appears in this film. He got wrote and produced I Love You Alice B. Toklis and then went on to big success as the director of Bob & Carol & Ted & Alice. In the 70's he had some other notable films that he directed including Harry and Tonto and An Unmarried Woman but his only film of note in the 80's was Moscow on the Hudson and after Down and Out in Beverly Hills directed only seven other films of little note and his writing creativity seems to have stalled to as he only wrote four more screenplays in the past 20 years. Cinematographer Donald Mcalpine is this film's photographer. He's had recent success with Chronicles of Narnia. Some of his other films include Mrs. Doubtfire, Predator, My Brilliant Career and Breaker Morant. Andy Summers of the rock band the Police provides the music score. The Talking Heads song Once in a Lifetime which was 6 years old was used as the theme song of the film and it suddenly became a charting single. This is a good film if you've never seen it and a good look back to the 80's. I would give it an 8.0 out of 10.

Sure it hasn't dated all that well, but look at this 1986 hit as a nice time capsule of L.A. from that time period. A period that basically ended with the sobering and terrifying riots of 1992. Down and Out in Beverly Hills deals with a well-to-do yet dysfunctional family having its priorities rearranged by a bum who first attempts to drown himself in their swimming pool. Nick Nolte, looking only a little scruffier than his 2002 Hawai'ian shirt mugshot plays the Jerry Baskin character on different levels. Early on he seems much like the typical run of the mill schizophrenic homeless person chasing after a dog who found himself a better owner. Then, after his dunk in the pool, we see that he is actually quite intelligent and observant. Almost instantly he sees what is wrong with everyone in the household. He just can't seem to point any of that intellect toward improving his own situation. Even when it is laying there right in front of him.

The patriarch of the family is Dave Whiteman who embodies some of Richard Dreyfuss's better work. He is very successful, yet he it just too uptight. Something seems lacking for him. It isn't the appearance of the bum that sets him off. He actually is the one who most wants him to stay if perhaps to live vicariously through him in some ways. Bette Middler is on hand as Dave's sexually unfulfilled wife who mostly spends her time with worthless self-help gurus. She even has one hired for their cutesy little dog. Nolte is apparently the only man around who has what it takes to recharge her batteries in bed! The family has an attractive yet obviously anorexic daughter and an androgynous son. A sexpot Hispanic maid is also on hand for Dave to use at his will... that is until Nolte moves in on her as well. The film takes place over about a month's time and there really isn't much plot to speak of other than seeing how these characters are altered by Nolte's character.

The film has several funny moments, and thankfully Ms. Middler is not allowed to sing too much. The theme song by the Talking Heads is always welcome to the human ear. Some of the comedy, mostly involving the cutesy dog reactions and Little Richard's exasperated yelling are more annoying than anything else. There are some great performances and many funny observations about successful Angelinos at that time. Not much of a message to be learned from any of it, however. Maybe that is why it works. 8 of 10 stars.

The Hound.

This isn't one of Mazursky's better, serious films but it is an awful lot of fun nevertheless and it stays in the memory. It's an American reworking of Renoir's "Boudu sauve des eaux" and in the role of the scampish tramp it has the great Nick Nolte who looks like a disheveled bear. He's the Boudu character rescued by Beverly Hills businessman Richard Dreyfuss who is as genial and as soft as a poached egg and who radiates goodness. He's the kind of man who feels he has to set the world to rights but isn't pushy enough to do it. That can't be said of his jiggly wife, Bette Midler, who is brash, lewd and who seems to be wearing dresses several sizes too small for her. Midler moves like a mini tornado and her performance has some of the energy of her stage shows. Between them, Nolte, Dreyfuss and Midler bring combined wit and intelligence to the material. They seem to be having a right old time and their pleasure is infectious. Mazursky keeps things on a low boil and lets his players have their rein. It's to our advantage.

To this is one of the great movies(another example would be "Ferris Buellers Day Off"), that manages to be purely entertaining from beginning to end. Not really loaded with laugh out loud gags or thought provoking drama, its just plain fun all the way through.