AVALIAÇÃO DA IMDb
4,2/10
1,5 mil
SUA AVALIAÇÃO
Em uma tribo perdida de mulheres guerreiras, as meninas devem enfrentar o perigo, enfrentar tribos ferozes, cair na bruxaria, acabar com uma rivalidade familiar de séculos passados, e lutar ... Ler tudoEm uma tribo perdida de mulheres guerreiras, as meninas devem enfrentar o perigo, enfrentar tribos ferozes, cair na bruxaria, acabar com uma rivalidade familiar de séculos passados, e lutar pela vitória.Em uma tribo perdida de mulheres guerreiras, as meninas devem enfrentar o perigo, enfrentar tribos ferozes, cair na bruxaria, acabar com uma rivalidade familiar de séculos passados, e lutar pela vitória.
Mindi Miller
- Dyala
- (as Windsor Taylor Randolph)
Penelope Reed-Woods
- Tashi
- (as Penelope Reed)
Wolfram Hecht
- Mallin
- (as Wolfram Hoechst)
Francisco Cocuzza
- Balgur
- (as Frank Cocza)
Anita Larronde
- Emerald Queen
- (as Annie Larronde)
Armando Capo
- Habron
- (as Armand Capó)
Maria Fournery
- Vishti
- (as Mary Fournery)
Noëlle Balfour
- Lali
- (as Noelle Balfour)
Esther Velázquez
- Azundati
- (as Esther Velazquez)
Marcos Woinsky
- Artan
- (as Marc Woinsky)
Linda Guzmán
- Female Noble #2
- (as Linda Guzman)
Avaliações em destaque
If you enjoy cheesy sword and sorcery movies (in the vein of Deathstalker) then you will probably enjoy this one. It's about a pair of female warriors who are sent on a quest to retrieve a magic sword, which is the only thing that can defeat an evil wizard. Along the way they make sure to get naked a few times, and of course encounter some other women who also get naked. There's even a gratuitous sex scene thrown in for good measure. Add to this some really bad acting and poorly choreographed fight scenes, and you have all the elements of an enjoyably bad movie. I give it 7 out of 10.
Roger Corman tells a story so well that this sword & sorcery adventure would have been on par with popular blockbuster films such as Conan the barbarian, were it not for obvious shortcomings in the time and money spent on production. The dubbing is sloppy and the dialog is toneless. The cheap special effects are mediocre at best and, at their worst, they look like something taken out of a cheap horror/science fiction flick from the 1950's.
As an alternative attraction, Corman affords us numerous glimpses of sexy and/or athletic women, usually dressed in revealing attire and sometimes completely naked. Unlike a soft-porn production, however, the emphasis is on action and adventure, thus providing a unique platform for this kind of voyeurism.
This movie may have some appeal for amazon aficionados. The hand to hand combat scenes come off reasonably well. In fact, Mindi Miller (Windsor Taylor Randolph), as Dyala, was particularly adept at handling a staff. And, both she and Penelope Reed, who played Tashi, have physiques suitable for their roles.
Corman depicts amazons somewhat differently than I have seen in other productions such as Xena. In Corman's story, amazons have a prominent role in society, but still keep their place alongside men. This makes sense if anyone ever wondered where baby amazons come from. I also like the fact that despite being great warriors, the amazons still remain vulnerable, allowing us to fear for their safety and making them appear more human.
Basically, the amazons are threatened by en evil wizard, who makes a pact with supernatural ghost-like beings and uses human sacrifice to gain metaphysical powers. To stop him, Dyala and Tashi, are sent on a dangerous quest for the sword of Azundati. The suspense and the overall impact of the movie are dampened, however, since we know that despite impossible odds, ultimately good will conquer evil, and all will enjoy a happy ending. So, Corman makes their challenge more difficult by creating dissension and treachery among the amazons and their friends. To provide a greater sense of reality and mortal peril, a few key characters in the story actually die.
If you like the thrill of naked breasts and thighs, but you still want a half-way decent story, this movie may be worth your while.
As an alternative attraction, Corman affords us numerous glimpses of sexy and/or athletic women, usually dressed in revealing attire and sometimes completely naked. Unlike a soft-porn production, however, the emphasis is on action and adventure, thus providing a unique platform for this kind of voyeurism.
This movie may have some appeal for amazon aficionados. The hand to hand combat scenes come off reasonably well. In fact, Mindi Miller (Windsor Taylor Randolph), as Dyala, was particularly adept at handling a staff. And, both she and Penelope Reed, who played Tashi, have physiques suitable for their roles.
Corman depicts amazons somewhat differently than I have seen in other productions such as Xena. In Corman's story, amazons have a prominent role in society, but still keep their place alongside men. This makes sense if anyone ever wondered where baby amazons come from. I also like the fact that despite being great warriors, the amazons still remain vulnerable, allowing us to fear for their safety and making them appear more human.
Basically, the amazons are threatened by en evil wizard, who makes a pact with supernatural ghost-like beings and uses human sacrifice to gain metaphysical powers. To stop him, Dyala and Tashi, are sent on a dangerous quest for the sword of Azundati. The suspense and the overall impact of the movie are dampened, however, since we know that despite impossible odds, ultimately good will conquer evil, and all will enjoy a happy ending. So, Corman makes their challenge more difficult by creating dissension and treachery among the amazons and their friends. To provide a greater sense of reality and mortal peril, a few key characters in the story actually die.
If you like the thrill of naked breasts and thighs, but you still want a half-way decent story, this movie may be worth your while.
The people of the Emerald Lands are defeated by the evil wizard Kalungo (Joseph Whipp). Since their spirit stone isn't powerful enough, their only hope for freedom is a magic sword that could slay the wizard. The Amazon Dyala (Windsor Taylor Randolph) has a vision where to find the sword and goes on a quest for it. A traitor informs Kalungo about it, therefore the mission becomes increasingly dangerous...
Another movie from a series of similar low budget productions of the 1980s, such as 'Barbarian Queen' and 'Deathstalker', but this might actually be the best from the bunch. Acting, dialogs, editing, storyline - everything steps up a notch in quality. Which still means we are talking about a cheap flick with clumsy fight scenes, but it is fairly watchable.
Another movie from a series of similar low budget productions of the 1980s, such as 'Barbarian Queen' and 'Deathstalker', but this might actually be the best from the bunch. Acting, dialogs, editing, storyline - everything steps up a notch in quality. Which still means we are talking about a cheap flick with clumsy fight scenes, but it is fairly watchable.
Reading the already-written reviews here, it's hard to get a real sense of what this film is like -- is it soft-core? (answer: no). Is it good sword/sorcery? (answer: hm, not really). Is it too terrible to watch? (not exactly, but ...)
"Thelma and Louise" it ain't, but Dyala's role is clearly a Heroic Quest through-and-through, and if being an Amazon means she has to do it in a leather bikini and an Olivia Newton-John headband, then that's what she'll have to do.
First, the good: the main character is actually, really, in real-life, honestly trained in weapons fighting, and it shows. This is important because -- if you hadn't guessed -- a lot of this movie involves fighting.
The not-so-good: a lot of the fighting is 1960s TV-level, and a lot of the acting is worse. Some of it isn't, but enough is. This wouldn't matter so much if it wasn't a bit sluggish for the first half. Being very low-budget, it compensates for all of its faults with showing more skin than might otherwise seem necessary.
Now, here's where "Amazons" reveals a surprising quality: it overwhelmingly meets the Bechdel-Wallace test for the portrayal of women in fiction. Almost all significant characters are women (the notable exception being the villain), and they almost never talk about men. There are indeed Amazon men, but the actresses perform all the heroic functions, and the story is entirely what dominates their conversations. So this film accomplishes the interesting feat of being an overtly exploitative film (in that almost every one of them are young, athletic females who are minimally clothed) that's also a semi-capable celebration of female self-empowerment. And they don't do it campy or cartoonish; the actresses are quite serious about their roles and relationships, and the camera/direction shoots them as heroic. Some of it may come across silly, contrived, or poorly done, but never insincere.
Would I recommend this? For those wanting Conan-type sword/sorcery that doesn't take itself too seriously, this sorta works, though clearly a lesser execution. For those seeking mere exploitation, it's a bit slow, and not the constant nudity-fest some reviewers would have you believe. And those seeking feminist Xena-type empowerment will find that here, though they might have trouble seeing it sometimes (e.g., when the heroine skinny-dips in a river and then finds herself fighting off would-be rapists with her top untied).
But that's where "Amazons" steps up: in most movies, female body exposure + male attack = victim, but not here. The messages throughout this film clearly portray the women in charge of their lives and their bodies, regardless of very real challenges and threats. Even the one sex scene shows us the degree of complicity between The Villain and his confederate -- not just socially but personally.
As a result, there's a qualitative difference between this and the Deathstalker movies, which take themselves less seriously, and feel more cartoonish. No, "Amazons" is not a great movie, or even a very good one; it's more an OK movie really. But I think the women who acted in it felt it was a film they could be proud of: one that showed them capable of being decisive, strong and heroic, rather than just assisting (or often, waiting for) a man who does it for them. And if doing that half-naked means the funding comes through, so be it.
Rating: 5.5/10, rounded up to 6
"Thelma and Louise" it ain't, but Dyala's role is clearly a Heroic Quest through-and-through, and if being an Amazon means she has to do it in a leather bikini and an Olivia Newton-John headband, then that's what she'll have to do.
First, the good: the main character is actually, really, in real-life, honestly trained in weapons fighting, and it shows. This is important because -- if you hadn't guessed -- a lot of this movie involves fighting.
The not-so-good: a lot of the fighting is 1960s TV-level, and a lot of the acting is worse. Some of it isn't, but enough is. This wouldn't matter so much if it wasn't a bit sluggish for the first half. Being very low-budget, it compensates for all of its faults with showing more skin than might otherwise seem necessary.
Now, here's where "Amazons" reveals a surprising quality: it overwhelmingly meets the Bechdel-Wallace test for the portrayal of women in fiction. Almost all significant characters are women (the notable exception being the villain), and they almost never talk about men. There are indeed Amazon men, but the actresses perform all the heroic functions, and the story is entirely what dominates their conversations. So this film accomplishes the interesting feat of being an overtly exploitative film (in that almost every one of them are young, athletic females who are minimally clothed) that's also a semi-capable celebration of female self-empowerment. And they don't do it campy or cartoonish; the actresses are quite serious about their roles and relationships, and the camera/direction shoots them as heroic. Some of it may come across silly, contrived, or poorly done, but never insincere.
Would I recommend this? For those wanting Conan-type sword/sorcery that doesn't take itself too seriously, this sorta works, though clearly a lesser execution. For those seeking mere exploitation, it's a bit slow, and not the constant nudity-fest some reviewers would have you believe. And those seeking feminist Xena-type empowerment will find that here, though they might have trouble seeing it sometimes (e.g., when the heroine skinny-dips in a river and then finds herself fighting off would-be rapists with her top untied).
But that's where "Amazons" steps up: in most movies, female body exposure + male attack = victim, but not here. The messages throughout this film clearly portray the women in charge of their lives and their bodies, regardless of very real challenges and threats. Even the one sex scene shows us the degree of complicity between The Villain and his confederate -- not just socially but personally.
As a result, there's a qualitative difference between this and the Deathstalker movies, which take themselves less seriously, and feel more cartoonish. No, "Amazons" is not a great movie, or even a very good one; it's more an OK movie really. But I think the women who acted in it felt it was a film they could be proud of: one that showed them capable of being decisive, strong and heroic, rather than just assisting (or often, waiting for) a man who does it for them. And if doing that half-naked means the funding comes through, so be it.
Rating: 5.5/10, rounded up to 6
Ok here is the plot:
The movie has boobs in it.
Really the cover art describes the film much better than I can.
Anything past boobs was clearly irrelevant to the people who made it and the people who watched it :)
The movie has boobs in it.
Really the cover art describes the film much better than I can.
Anything past boobs was clearly irrelevant to the people who made it and the people who watched it :)
Você sabia?
- CuriosidadesThis movie is part of the notorious german "SchleFaZ" series. Thus, it was aired September 2023 on german TV station Tele5. ("SchleFaZ" is a german abbreviation, means "the worst films ever". In the series 2 hosts present the whole flick, dress up like the main characters and discuss the overwhelming incompetence of those involved. Great fun!)
- Erros de gravaçãoWhen Dyala and Tashi first spot the lioness, their tops are hanging open and their breasts are exposed. After cutting to the lioness and back to the Amazons, their tops are neatly closed and laced up.
- ConexõesEdited into Deathstalker 2 - Duelo de Titãs (1987)
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- How long is Amazons?Fornecido pela Alexa
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