L.A. Law

Very excited to start binging LA Law. I watched it when it aired originally back when I was around 9 and 10. I always stayed up late to watch these dramas back then because my dad would watch them and he didn't mind me staying up. I was also a big St. Elsewhere fan as well. My favorite part of this show is the conference room meetings. Often funny, well written and well acted. Reminds me of Hill Street Blues roll call segments. So far, I find myself still chuckling at the comedic scenes so I guess they hold up better than the hairstyles. I don't know if this was the heyday of television, but it is to me. The nostalgic feeling it gives me, mid to late 80s tv like this, just brings me back to a much simpler time. And I sure had a boyhood crush on Michelle Green, too.

I absolutely loved the first few seasons of this show. The original actors were a great ensemble cast and each character was believable and likable. The story lines were unique and entertaining. But after they started leaving the show, the replacement characters just were not interesting and the storylines became silly and contrived. The acting suffered. When they added the religious character that was really the death knell. Not only was it illogical that the firm would have hired her, but her acting was subpar to say the least. Season 7 was awful. Thats as far as I got. I just didn't want to waste anymore time.

The previous post was less than favorable to this incredible show ("great actors, flawed writing"), so I just had to weigh in. For a moment, forget that "L.A. Law" presented some of the most compelling and unusual legal cases as drama (some of them so unusual, in fact, showrunner David E. Kelley would revisit them in his own "Picket Fences," "The Practice," and even "Ally McBeal").

"L.A. Law" brought black comedy back to television and presented sexuality and sensuality that actually advanced its storylines. The latter were core character traits of Corbin Bernsen's Arnold Becker and Jill Eikenberry's and Michael Tucker's Ann Kelsey and Stuart Markowicz, respectively. You can argue the tastefulness of these scenes and others, but you couldn't make a case for their gratuity.

The writing, of course, enabled the other collaborators on this show to perform at the peaks of their abilities. The show explored some of the more difficult issues of its time through our legal adversarial process. Whether surgeons should be obligated to operate on AIDS patients, the right for the terminally ill to die, the lives of the mentally challenged, sexual dysfunctions, the pressures and responsibilities of the police -- these and other episodes paved the way for the shows we're watching today. "L.A. Law" stood on the shoulders of giants, yes, but it became a giant in its own right.

Arguably the show created by Stephen Bochco and Terry Louise Fisher suffered with the departure of David. E. Kelley in its fifth season. The guys who used to run "St. Elsewhere" had a brief stint as showrunners, and viewers began tuning out when the show became less about L.A. lawyers and more about various medical maladies.

That fifth season was especially dramatic, too, as several cast members also were leaving, which freed the writers from some of the constraints of series television -- namely, that characters could not change significantly from week to week.

To dismiss "L.A. Law" as a show about yuppie lawyers is to misjudge a deep, poignant, and important book by its slick, glossy cover. Check it out.

I binge watched LA Law through Season 5 over the span of a few weeks. (I found that I could just listen to it, and got as much out of it as watching it.) The acting was great and the writing mostly great for those seasons. Am I the only one who liked Diana Muldaur as Roslyn Shays? She was spectacular; I loved how her presence affected everyone on staff differently. Larry Drake was a fantastic Benny. Binge watching did underscore, though, how yelly the litigators were.

With Season 6 came a lot of drama and overemotional scenes plus hack writing. I'm assuming it just gets worse, so I'm not continuing.

I used to watch this off and on back when it was originally on and recently started re-watching from the beginning. For three seasons, it was a great show; great people who created a family. They had their issues and problems but they always worked everything out in the end. Unfortunately, in Season 4 they introduced the character of Rosalind Shays and ruined it completely. All the continuity and camaraderie that made the show great was gone. Suddenly there was nothing but controversy, back-stabbing, manipulation, lying and it became increasingly uncomfortable to watch. I'm currently almost at the end of Season 4 and honestly doubt I will watch much more; it's just no fun anymore.