Luta Solitária

This is one of those type of films that flooded the market in the early-to-mid-eighties, which had an army veteran taking on some local thugs terrorising his neighbourhood, after he witnesses a murder in a diner. Sadly there's nothing new here. The same old set-up, but feebly done and not all that involving. Interesting cast works in its favour, but the support players Pam Grier (who had the most resourceful character) and James Keach (at the opposite end of the spectrum) can only do so much. Charles Durning is in the lead. Solid choice; but in saying that, there are too many implausible moments, which makes him stick out like a sore thumb. Not his portrayal, but what it psychically asked from him. I'll tell you he looks much leaner in that movie poster. Just wait around for the barnstorming climax... I found myself chuckling more so often than feeling anything truly threatening and tension induced. Like the phone booth scene. Everything moves at snail's pace and that includes some of Dunning's actions when coming up against these professional gangland killers. While the script might have social commentary evident and be familiarly dramatic, it just wasn't brought across all that convincingly and felt ham-fisted.

I'm sure this movie was more impactful upon its release. But bad plots sink cots in this one. Charles Durning is always good on screen and Pam Grier does us nice job as well.

The gang members, the cops and the D. A. The neighbor next door, the daughter in law, do not help the movie acting wise. But none of this is their fault. Glaring omissions in the plot leave you asking questions after every scene. They never explain Charles Durning's character's relationship with Pam Grier. You don't find out it's his house and she's the daughter in law with the son, until well into the movie. And first 20 minutes nothing happens. This might be the best worst movie I've ever seen.

This film is quite a shocker through the tension it generates. The baddies are really quite frightening and suspense is maintained right up till the end. Well worth a viewing !

Throughly intense. Just goes to show why you should never judge a book by its cover. Charles Durning portrayal of an aging veteran is both surprising and fantastic. He's not the usual Gibson or Jackson type star Hollywood would use to enhance this character. The really scary factor in this movie is that it could actually happen anywhere. there's no super movie special effects, just straight out home brewed justice. This movie not only illustrates social and cultural stress of changing urban demographics, it delves deep into the psyche of post traumatic stress that many war veterans live with on a daily basis. Definitely a must see, you may never look at your war veteran neighbor the same again. Now, if this would only be distributed on DVD!

My review was written in May 1986 after a screening at Lyric theater on Manhattan's 42nd St.

"Stand Alone" is a drama which takes its structure directly from an uncountable number of Westerns, updated to urban, crime ridden American society. Extremely mild, low-budget entry is a New World pickup filmed in L. A. in the summer of 1984 and quietly slipped into territorial release beginning last September.

Charles Durning gets a rare starring (above the title) role as Gus Thibadeau, a decorated (by Gen. Macarthur, he's fond of telling everybody) World War II hero living quietly in a sleepy L. A. neighborhood with his daughter and a grandson.

He witnesses a gangland-style murder executed by three latin youthsin a cafe owned by his old buddy Paddy (Bert Remsen) and reluctantly agrees to help police Det. Isgrow (James Keach) identify the suspects and testify against them.

Thibadeau's young lawyer friend Cathryn Bolan (Pam Grier), who as a public defender encounters the chief suspect Santos (Luis Contreras), tries to convince Thibadeau not to get involved, noting that the drug smugglers involved in the killing will probably blow him away if he fingers the killers.

Thibadeau decides to send his family away to stay in Long Beach and make his stand, going up to the attic to get his marine weapons and hold off the villains in his house.

Though played fairly straight, the sight of Durning blacking up his face and making like Rambo is amusing.l His acting is solid, though the role is one-dimensional. Cast against type as a nice, professional woman, Grier is engaging, and it comes as no surprise in the final reel when she grabs a gun to protect lone wolf Durning against the killers. Rest of the cast is adequate.

The big showdown could have used some of the suspense and thrills of "Straw Dogs", which it resembles structurally. Director Alan Beattie did a better job at atmospherics and grabbing the viewer in his previous film, a horror opus featuring Joseph Cotten: "The House Where Death Lives".