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Steven Seagal is a hard man to kill. Especially when he's out to stop corruption. Watch out thugs and government officials (oh we know how corrupt they are). As Seagal hands out plenty of broken arms, but before getting warmed up (although he does encounter some thugs in a shop outlet) he's gunned down in his home with his family murdered. After being comatose for 7 years he awakes and now he's out to settle a score. All the best moments come when Seagal is laying flat in bed doing nothing and everything after that is a bonus. Where can you get a comatose Seagal with long stringy hair, a fuzzy beard, Kelly Labrock asking if he wants a little pussy and then putting a little kitten by his head. Oh there are some priceless dialogues… also Seagal's usual philosophical banter. Before exacting revenge… He's targeted but escapes from the hospital while still lying in his bed. On the run he recovers with Labrock in a secluded house that she's house-sitting. Now we go through the motions… Seagal's motions. Healing physically and mentally… the Buddha way. Being stoically humorous, running up hills, breaking wooden planks and thinking of the past. Then he gets a little bored (decked back in black leather jacket, tight jeans and sporting the slick ponytail); but he doesn't have to go to them as they come to him. His almighty senses come to light (you know that sixth sense) and formulaic taut action erupts. Simple-minded revenge - brutal, scorching and explosive. Don't think about it (ridiculously plotted), just enjoy it. It's a tough, unpleasant barrage of set-pieces and we know how Seagal enjoys playing fair. The bad guys are your typical smarmy lot and cop a beating, a painful beating. "I'm gonna take you to the bank… . The blood bank".

The picture talks on the police agent called Storm(Seagal)whose family is wiped out by a corrupt politician, he is severely wounded and spends several years in coma.He awakes and executes a terrible vendetta, the happenings go out of control ,causing an incredible body-count against numerous evil-doers(William Sadler,Branscombe Richmond).He is only helped by a gorgeous nurse(his wife Kelly Le Brock,now days is divorced)and a good cop(Frederick Coffin). The film is combined of unstopped action,shoot out,violence,fighting, romance between both protagonists and a minimum characterization.Beside abundant fist fights in which body parts are slice off and limbs are slit or blasted apart.Savage and brutal killings make only recommended for those adults no squeamish and with strong stomach enough to take it.The movie gets a certain similarity with Charles Bronson films from ¨Death wish¨series for the matter,the avenger,thus the main personage ,the Vigilante, makes of judge,jury and executioner.It's a run a mill action movie because from the start until the end the action packed is continued ,in fact ,the final confrontation is breathtaking and extremely violent.The film is from Steven Seagal first period when the movies were of middling or high budget(Above the law,Marked for death,Out of justice,On deadly ground,The patriot),nowdays are of bow budget(Out of kill,Submerged,Foreigner,Black Dawn). The picture has an atmospheric synthesizer music fitting to action by David Michael Frank,nicely cinematography by Matthew F. Leonetti and is well realized by Bruce Malmuth.The motion picture provides fast and furious amusing and action nonstop with no sense developed with fast pace and movement.It's a must for the Seagal fans.

"Hard to Kill" is bar-none the best Steven Seagal film by a cosmic mile. That is not saying that this is a masterpiece, but it works pretty well due to some really evil bad guys (led by William Sadler) and the fact that Seagal's character is legitimately out for revenge. Seagal is a cop who has just learned that Sadler, an ambitious lawyer with political aspirations, is involved with shady cops and high-class crime syndicates. This information will lead to an attempt on Seagal's life which will kill his wife, cause their young son to just barely escape death and cause Seagal to go into a coma himself. Of course he awakes some eight years later and his only motivation is to bring all those involved to justice. Works well due to Seagal's performance more than anything else. 3.5 out of 5 stars.

Wow. The Seagal movies just keep on coming. Right after I commented on 'Out For Justice', I caught the horrible 'Out for a Kill' on pay TV, and then 'Hard to Kill' came on after that on free-to-air. With any luck, the most awesome of all Seagal's movies - 'Under Siege' - will be on sometime soon, but for now, 'Hard to Kill' was rather awesome.

Seagal plays Mason Storm, a cop investigating links between some mobsters, crooked cops, and crooked politician, and suddenly everything turns into a 'Kill Bill' prototype: The bad guys kill Storm's family, and leave him for dead. After waking up from a seven-year coma, Storm sets out for vengeance.

'Hard to Kill' is an entertaining action movie. The amount of limb-snapping may be lower than usual for a Seagal movie, but the fight scenes are good. An added bonus is the fact that 'Hard to Kill' features some of Seagal's best lines and moments ("I'm gonna take you to the bank, Senator Trent. To the blood bank!"). The hide and seek scene has got to be the best scene Seagal has ever filmed.

'Hard to Kill' rates as one of my favourite Seagal movies, and certainly much better than anything he's done lately. Seagal fans should get a kick out of this - 7/10

An American action thriller; A story about a police detective who uncovers high-level corruption and is attacked and his family are left for dead. In time he decides to pay them a visit. This is a lively and ambitious revenge flick and does a little more than simply string fight scenes together. It has some similarity to "Commando" (1985) in the way the action flows - villains are disposed of with great efficiency because there are so many to get through and there isn't much depth. Seagal and Le Brock strike up a friendship which is appealing but when this transforms to love interest it feels false because it is rushed and convenient to the plot progression and no more. The film wastes no time in satisfying the audience's bloodlust but uppermost in its appeal is the charisma of Seagal and his aikido movements to disarm his foes.