A Árvore da Maldição

Phil and Kate are a young yuppie couple just on the verge of having a child of their own. As both parents are too busy to take care of the baby,they decide to enlist the services of a nanny,and after screening many candidates,they eventually welcome Camilla.It turns out that Camilla isn't quite all she claims to be,as the baby is being groomed for an ultimate union with the tree she is beholden to."The Guardian" is William Friedkin's return to the horror genre.The film itself is well-made and offers some suspense and a decent amount of gore.However the plot is cheesy and predictable and the main performances are rather bland.Sadly neglected English actress Jenny Seagrove is the definitive highlight of the film.Despite some flaws "The Guardian" is worth checking out for serious genre fans.7 out of 10.

Somewhat creepy horror movie with a supernatural edge to it, kind of a more horror oriented "Hand that Rocks the Cradle". Basically, a couple with their first child hires a nanny with a very dark and disturbing secret. She has chosen this baby for a reason and it is not to simply make it hers. As far as horror movies it is somewhat good, it has some gore, a couple of tense scenes and some nudity. However, if you watch the cut version of this movie the whole thing changes to the point almost all the scares and creepy stuff is taken out. They seem to completely edit over the first scene involving the baby taken to the tree, a scene later with the mother makes it out that the child survived and is safe and sound. The regular version is not so chipper. The ending is screwed up to as it ends earlier and they basically cut out the final scene. I realize that you want to cut out some stuff so you can show your movie on the happy time family network, but in the end you should not edit a movie to the point its plot and meaning change. So for an okay horror movie with some creepy scenes and such give this movie a shot, for a pedestrian movie with basically no scares and all creepiness removed try and find the cut version of the film.

The Guardian: Lesser known William Friedkin film which he co-wrote and directed, he was none too happy with the result but I would classify it as good Folk Horror. There are references to Druidic Tree Worship and human sacrifuces A nanny who is really a Hamadryad has a penchant for sacrificing infants to her Mother Tree seeing as there are no druids around to do the job.

Great horror action as people are devoured by the tree, roots strangle and crush them, spikes burst up through the ground impaling unfortunates. Not having wolves to hand (it's in LA), a pack of coyotes also take care of troublesome oiks who discover not all is right about the nanny. Outdoes a lot of Nasty Nanny films. 7/10. On Horror Channel.

"The Guardian" was one of those films that passed through the hands for several directors (including Sam Raimi, who left to direct, "Darkman") and writers, before veteran William Friedkin came aboard, more as a 'director for hire' (think George Pan Cosmatos or Jack Lee Thompson in the 80's / early 90's) than an 'auteur'.

Friedkin was hired in the hopes that his masterpiece "The Exorcist" ('73) helped in the promotion of "The Guardian" as Friedkin's second entrance into the horror genre and after the box office failures of his two previous films, the stylish and vastly underrated, "To Live and Die in L.A." ('85) and "Rampage" ('87), the director needed a sure thing hit to re-establish himself for the 90's crowd.

Maybe "The Guardian" wasn't exactly the right project, because even if Friedkin did some rewrites to the shooting script, when something is a mess to begin it, even a mad genius can't do miracles.

The movie is about some druid nanny that kidnaps 4 weeks old babies to fed them to a huge tree in a dark forest, and the formulaic plot follows a young couple with a new born male baby that in the end will stop the nanny's obscure activities.

"The Guardian" is stylish directed and photographed, presenting peculiar camera angles and polished visuals, unfortunately the editing is a mess, the script is lousy and some scenes are so ridiculously staged that defies any sense of logic that looked like the movie was directed by a number of different directors, each one with a different view on the film's overall mood and atmosphere.

Some scenes are pure Friedkin's visual fanfare, like the beginning with the owl and showing the nanny with the previous family or the wolfs' siege at the architect house, grim, dark and moody with the mastered touch of creating the sense of dread upon the viewer, in other scenes looked like it was directed by some B-filmmaker trying to poorly mimmick Sam Raimi's "Evil Dead" franchise, with badly staged sequences, like the three burglars in the park that got slaughtered by the huge tree, that were even worse acted, photographed and delivered.

In terms of performances, the english beauty Jenny Seagrove, from "Woman of Substance" ('85) fame, is very good in the role of the dark nanny, Camilla Grandier, she's expressive, seductive and charming in her evilness and she can act well with her dazzling blue eyes, leaving a strong mark into the plethora of horror movies villains. Like she herself said, and this reviewer agreed, she deserved a much better written film.

I don't know why, maybe due to the limited budget, William Friedkin gave the co-leading role of Phil Sterling, the baby's dad, to his stock character actor, Dwier Brown, when his more relevant role was playing Kevin Costner's dad in the flashback scenes of previous year's, "Field of Dreams" ('89). Brown sports a dumb face for the most part of the film and his reactions to Seagrove's acting is like seeing a rookie trying to upstage a veteran and failing miserably.

Former Bond girl in "License to Kill" ('89), hottie Carey Lowell fares better in an underused role of the mom and Miguel Ferrer is as essential to the plot as an umbrella in a sunny day. Brad Hall as Ned Runcie, the architect, who resembled a lot Woody Harrelson back in the day, shines in one of the best scenes in the film, the aforementioned wolfs' siege.

The big finale is the cherry on the top of the cake in terms of its ridiculousness. Suddenly the movie stops being subtle and went all "Evil Dead 2" rip-off with Dwier Brown dressing a blue shirt, same hairstyle and with a chainsaw fighting a tree, roaring and screaming with blood oozing to his face and gore everywhere. It's so Bruce Campbell versus Evil Dead, that Friedkin should have been ashamed of directing such a blatant carbon copy.

In short, "The Guardian" tried to be a realistic thriller / suspense film about a nanny kidnapping babies and a modern dark fantasy fairytale at the same time, somewhere beetween that and the constant rewrites and Friedkin's lack of heart in the project, the movie was lost for the worse. It didn't worked. Two years later, Curtis Hanson handled this plot better, minus the druids' non-sense, and directed "The Hand That Rocks the Cradle" ('92), which was a huge critically and box office success.

I give it a 5.5, increasing to 6 here, due to Friedkin's visual elegance and some interesting camera angles.

A solid enough horror from Friedkin but he is let down by some rather mundane performances and general lack of charisma. Jenny Seagrove is the exception here, not someone who I know much of, apart from her relationship with the late Michael Winner, but she is very strong here. Indeed, the only actor who is consistently believable throughout. She does well as the sweet girl who may not be so sweet, deals well with the nudity and lets it all hang out in the tumultuous finale. Overall though the film lapses occasionally into silliness now and again and this detracts from the fact that it is an original film that tries to do something different and if it is not quite as disturbing as it wants to be, it certainly contains plenty of gore and violence.