Frankenstein, o Monstro das Trevas

as a die hard Gothic horror movie fan i try to watch all the versions of Mary Shelly's Frankenstein,some great some really bad.when i heard that roger corman was going to direct this i was excited,roger corman has'nt directed a movie in a very long time so i knew this was going to be quite special.with Raul Julia,john hurt,Bridgett Fonda,and Jason Patric in the cast,its a big budget production,the story is kind of bizarre,what if Mary Shelly's Frankenstein was based on a true story? well this kind hearted but well meaning mad scientist(hurt)gets sent back to the past with his futuristic talking car(like kit from knight-rider)and meets Mary Shelly(Fonda)and Dr Frankenstein(Julia)and his monster(nick brimble)this movie was based on the novel of the same name.its got a hauntingly good score,everything works,i liked Frankenstein unbound,i believe Mary Shelly would be proud.I'm glad roger corman directed this,he did a great job.8 out of 10.

I've watched this film several times now and actually, every time I watch it seems to get a little better each time. It's an original concept on the continuance of the Frankenstein myth with some added "modern" futuristic bends and twists that motivate the story along. One of the best thing about this film is John Hurt. This doesn't seem to be his type of movie yet he does very well in it. His voice, especially, is captivating and keeps your attention. He has the type of voice that very few actors these days can boast about in that it has personality and sonority in tone. Something akin to the voices of Colin Clive, Vincent Price and of course, Claude Rains. If they ever decide to do a serious biopic about Rains, I really hope that John Hurt is considered: he'd be perfect for the part! "Yes...I know. Made me from dead. I love dead...hate living." - The Monster in the original 1935 "Bride of Frankenstein"

First I must admit I have never been a Corman fan - all that spurting blood just never appealed to me. Yet something drew me to this, despite that concern, and I am not sorry I followed my hunch and rented this so many years ago. I tend to read the book either before or instead of watching movies, and Shelly wrote one amazing story. As much as I loved them, Karloff's movies had next to nothing besides the names to do with the book. As far as I am concerned, even though the story clearly does not precisely follow Shelly's tale, it is by far truest to the underlying depth of the book, and quite possibly the only film version that captures her primary theme of personal responsibility. The acting all around was good, especially considering some of the stretches required, and I quite enjoyed the special effects. Without going to wild extremes they were subtly effective and quite haunting. There were, of course, a few of Corman's trademark touches, but they fit the story so well even I could find no objection. As of this writing I have just watched this for the fifth time - quite a record considering I am still not really a Corman fan ;-)

The film narrates how a scientist (John Hurt) of the future is become into a time traveller . Thus , he accidentally returns 1816 and nearly a lagoon Swiss he meets Lord Byron (Jason Patrick), his lover Mary Shelley (Bridget Fonda) and Percy Shelley ; but also Baron Frankenstein (Raul Julia) and his monster (Nick Brimble). The Baron has created a terrifying monster and cannot ultimately control him but he develops a taste for a bride and he begins a killing spree .The monster is really horrifying , he's vengeful and craving of blood.

A sci-fi movie version of the legendary terror story. Lots of horror images and the picture's entertaining with no being too creepy . Good performances from John Hurt and Raul Julia and great supporting cast as Jason Patrick, Bridget Fonda, Nick Brimble, and with several powerful sequences . Besides, the film has great loads of blood and gore , the filmmaker retains a fascination with the decapitated members. Some typical elements as the monster's bride, the madness and electric storm on the tower remain still in similar way. Excellent atmosphere provided by professional cinematographers as Armando Nannuzzi and Michael Scott. Film is based on Brian Aldiss novel (Artificial intelligence A. I.). The motion picture was regularly directed by Roger Corman, in fact there are gaps as well as flaws in the plot and results to be a little slow-moving. Rating : 5.5/10. Average but amusing.

In 1990, B-movie god Roger Corman would return to the director's chair to 'show the kids how it's done'. I'm not sure why he chose to do this, as after his series of Edgar Allen Poe adaptations in the sixties; Corman has to prove nothing to nobody. Anyway, he decided otherwise and this film adaptation of Brian Aldiss's novel of the same title is the result. The plot absolutely reeks of something that would make a great campy B-movie, and while this is very messy indeed; Corman has created something that is indeed very camp, and very much a B-class film. The film, however, is absolutely nothing the like best films that Corman has made; but it does show that three decades after he made films like 'The Terror' and ' The Little Shop of Horrors', the man that made a hundred movies in Hollywood and never lost a dime hasn't lost his love for really silly movies! The plot blends classic literature with period drama and Sci-Fi, and sees the American inventor of a new weapon being sent back in time to 1817 Switzerland, where he meets Mary Shelly, along with the inspirations for her book; Victor Frankenstein and his monster!

I'm sure that the themes were a lot better handled in the book, but even though this is a very silly film; they still shine through. In the classic story, Frankenstein created his monster with the intention of helping mankind, and our scientist here has done the same thing. Both men's experiments ended up going wrong with dire consequences, and the story harks back to Shelly's classic theme of how man should not try and play God. One thing I really didn't like about this film was the make-up on the monster. It looks silly, and not in a good way; and since the monster is a big part of the story, it brings the film down a little. Corman has recruited a decent cast for this flick, including John Hurt, Raul Julia and Bridget Fonda. This is hardly an actor's film, however, and none of them put in good performances. John Hurt looks bored most of the time, and the rest of the cast are on autopilot; but like I say, it's not an actor's film so it doesn't matter. Overall, I can definitely see why a lot of people don't like this film - but if, like me, you have a penchant for ridiculous movies; you'll probably find something to like here.