Dick Tracy

"Dick Tracy" is one of our family's favorites -- the actors are great -- the art direction is exceptional -- the music is magic. It's not supposed to be "To Kill A Mockingbird" -- it's a fun experience.

Stephen Sondhemim's songs are stellar: "Back in Business" is energetic, "Sooner or Later" is just right, "What Can You Lose" is haunting -- even tunes like "Live Alone and Like It" add to the story

Got to love the giddily over-the-top performances of Al Pacino, Dustin Hoffman, Glenn Headly, Charlie Korsmo, Mandy Patinkin, James Caan, Dick Van Dyke, supporting villains... The list is far too long. And, yes -- even Madonna and Warren Beatty are awesome. Written with a smile a minute (how many times have we looked at each other and said, "Wait a minute -- I'm having a thought -- it's gone!"?).

However, one of most telling things about in this film is that everyone involved seems to be having a good time -- and that above all adds to the enjoyment for the viewer. So, if you haven't already, why not give "Dick Tracy" a chance -- accept it for what it is -- a Sunday comic strip brought to life -- and in a wonderful way!!

Labor of love for star and director Warren Beatty, Dick Tracy was a film I hated when it first came out. I was a kid and stupid, only caring about what's cool. What was cool then (and sadly still is) was "dark and gritty" heroes like Batman. Dick Tracy was considered corny and lame. When I first watched it I thought it was a kids' movie and I was at that age where anything like that I hated. Happily, I feel much differently about the film now that I'm older.

Dick Tracy is a live-action cartoon, with eye-popping visuals decked out in bright primary colors. It's a beautiful film to behold. Everyone involved in the stylized look of this movie should be proud. The sets, the lighting, the matte paintings, the makeup and effects are all superior to any CGI crap we get today. Real work and passion went into this and it shows.

The cast is great. Beatty is criticized by many for not being the right fit for Tracy or for being too old. While he's not a perfect representation of the character, I feel he does quite well and his age never occurred to me while watching it. Madonna gives easily her best performance in this movie. That's meant slightly as a slam I guess, as most of her other work is very weak. But it's also meant as a compliment. Here she plays to her strengths: sex appeal and "oomph." Her double entendres and skin-tight dresses make Breathless Mahoney a very memorable character. There's also some fine support from Glenne Headley and Charlie Korsmo. And who can forget the villains! Chester Gould's distinctive-looking villains come to life thanks to superb makeup, played in many cases by uncredited stars. The leader of the bunch is Big Boy Caprice, played by the wonderfully over-the-top Al Pacino. Pacino was having a lot of fun with the role and it shows.

My only real complaint lies in the music. Not the Stephen Sondheim songs -- they're great. But the Danny Elfman musical score is way too similar to the one he did for Batman the year before. It's very lazy and doesn't seem to fit the action of the film. Forget what you've read from naysayers about this movie and judge it for yourself. It's a fun movie with exceptional visuals and colorful ambiance.

If Dick Tracy was in black and white, the pope wouldn't be religious. Giving a new sense to the concept of color in a movie, we are offered an unique experience throughout a comic-strip world, and it's one of the few movies which succeeded in doing so, thanks to a serious script, good direction, great performances (Al Pacino is astonishing) and most importantly a powerful mix of cinematography, art direction and costume design. Using only primary colors, the experience is quite different from anything we have seen before. And there is also a quite successful hommage to all the gangster-movie genre, pratically extinct from modern cinema. Overall, I see this movie as a fresh attempt and a touch of originality to a cinema which relies more and more on the old and already-seen formulas. 7 out of 10.

This is a marvelous film. Warren Beatty managed to film it just like a comic book MIGHT be brought to film with humourously grotesque and bizarre characters, beautiful colours, and a plot that really only could have come from a comic book. The buildings, set design, make-up, and props are like nothing I have ever seen in film before. Now, never having read the original strip leaves me out as far as making probably very insightful comparisons with this film and the original source. That being said, I think that Beatty, although drastically changing some of the villains in the film to fit smaller roles, tried to keep the spirit of the film inside the comic strip. Does that make sense? Probably not. Anyway, Dick Tracy offers a lot. It is a visual feast with a decent story and some prime time stars doing some things you may not expect from them. Beatty is very good as the lawmen, but much of the supporting cast steals many scenes from him. Al Pacino as Big Boy Caprice is sensational as an over-the-top thug out to get every criminal under his control, while he intermittenly quotes folks like Nietchze, Jefferson, and other historical figures. Dustin Hoffman as Mumbles is wonderful - if you can finally figure out that it is him(notice in the scene where a stenographer is taking down what he says((That is Oscar winner Kathy Bates!))). James Caan has a brief yet good scene with Pacino Godfather style and Beatty gives Michael J. Pollard and Estelle Parsons cameos as well(both co-starring with him in Bonnie and Clyde). Then there is Madonna. She tries her best to live up to her name of Breathless and does a VERY credible job at it. And then of course there is the music of Stephen Sondheim, an Oscar winner for this film. It is very good and in some ways more memorable than much of what goes on in the film. Perhaps a song here or there might have been cut, but for the most part the music greatly added to the overall effects created in the film. Is Dick Tracy great? No, but it is a whole lot better than it is generally given credit for. In some ways its innovation must be reviewed again. I think that for its type of film it is one of the best.

If you were a fan of previous incarnations of Dick Tracy, then this is the film for you. If not, find another film to watch...

Warren Beatty does a decent enough job as Dick Tracy who battles the underworld. Warren also directed this film and did a good job.

Dick Tracy was always a great character complete with an unrivalled rogues gallery of villains (except for Batman). The villains are all here and kudos to the make-up department who made the bad guys totally hateful. The plot is also quite good as well and the colour is good too. I believe the film was shot in only six (or maybe seven) colours and the sets of the city are totally faithful to the original Dick Tracy comic strips.

Obviously, this film tried to emulate Batman but immitation is the sincerest form of flattery. This film is almost as good as Batman and certainly not deserving of the criticism it had when it first came out.

One more thing-Madonna as Breathless Mahoney. I don't know if a film like this suited Madonna but it was great to see her in it because she is beautiful and improves with age.

All in all, a cracker of a film which I urge youngsters to see because they will enjoy it.