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IMDbPro

Cry-Baby

  • 1990
  • Livre
  • 1 h 25 min
AVALIAÇÃO DA IMDb
6,5/10
67 mil
SUA AVALIAÇÃO
Johnny Depp and Amy Locane in Cry-Baby (1990)
ParodyRock MusicalComedyMusical

Um garoto com um coração de ouro conquista o amor de uma boa menina, cujo namorado busca vingança.Um garoto com um coração de ouro conquista o amor de uma boa menina, cujo namorado busca vingança.Um garoto com um coração de ouro conquista o amor de uma boa menina, cujo namorado busca vingança.

  • Direção
    • John Waters
  • Roteirista
    • John Waters
  • Artistas
    • Johnny Depp
    • Ricki Lake
    • Amy Locane
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    67 mil
    SUA AVALIAÇÃO
    • Direção
      • John Waters
    • Roteirista
      • John Waters
    • Artistas
      • Johnny Depp
      • Ricki Lake
      • Amy Locane
    • 195Avaliações de usuários
    • 57Avaliações da crítica
    • 63Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos169

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    Elenco principal71

    Editar
    Johnny Depp
    Johnny Depp
    • Cry-Baby
    Ricki Lake
    Ricki Lake
    • Pepper Walker
    Amy Locane
    Amy Locane
    • Allison Vernon-Williams
    Susan Tyrrell
    Susan Tyrrell
    • Ramona Rickettes
    Polly Bergen
    Polly Bergen
    • Mrs. Vernon-Williams
    Iggy Pop
    Iggy Pop
    • Belvedere Rickettes
    Traci Lords
    Traci Lords
    • Wanda Woodward
    Kim McGuire
    Kim McGuire
    • Mona 'Hatchet-Face' Malnorowski
    Darren E. Burrows
    Darren E. Burrows
    • Milton Hackett
    Stephen Mailer
    Stephen Mailer
    • Baldwin
    Kim Webb
    Kim Webb
    • Lenora Frigid
    Alan J. Wendl
    • Toe-Joe
    Troy Donahue
    Troy Donahue
    • Hatchet's Father
    Mink Stole
    Mink Stole
    • Hatchet's Mother
    Joe Dallesandro
    Joe Dallesandro
    • Milton's Father
    Joey Heatherton
    Joey Heatherton
    • Milton's Mother
    David Nelson
    David Nelson
    • Wanda's Father
    Patricia Hearst
    Patricia Hearst
    • Wanda's Mother
    • Direção
      • John Waters
    • Roteirista
      • John Waters
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários195

    6,567.2K
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    10

    Avaliações em destaque

    kidlitfan

    Silly, sweet fun. Don't take it seriously, just enjoy it

    There seem to be two types of folks who detest "Cry-Baby;" those who think Waters sold out by making anything that cost more than $500 and didn't include coprophagy, and those who insist that all movies be Art with a capital A.

    I was well into my 20's when the movie first came out, not a fan of 21 Jump Street, and no stranger to movies, including masterpieces and early John Waters, but I LOVED it, and have caught the uncut version on USA network quite a few times.

    Cry-Baby is no Citizen Kane, and it's no Pink Flamingos, but, at risk of being pretentious, I will say that its full of something that makes art: Truth. Even in incredibly silly scenes, the movie is based in real and true emotions. John Waters' love for the fun parts of the 50's, (and hatred of the status quo that obviously made his teen years a living hell) is all over this film.

    Yes, scenes such as the orphanage are silly, but the cynicism of the orphanage workers and the angst of the mother are as real as can be. The silliness works because the John Waters BELIEVES in what he is saying, and makes damn sure that his actors are with him!

    All of the actors, from Johnny Depp who (as with all of his roles) *becomes* the character to Joe Dallesandro who barely can get his lines out, believe in their characters.

    "Cry-Baby" parodies 50's "Teen Rebel" musicals such as "Rock Around the Clock" and "Don't Knock the Rock", but with obvious affection.

    Yes, it's a musical. If you're one of those cynics who says things like "But people DON'T just start singing in real life" don't see it. Movies exist to give us a break from real life while mirroring it enough to be cathartic. Musicals and parodies take it one step further. They're not diaries, they're not reality, they're MOVIES!

    "Cry-Baby" is a lot of fun, and the soundtrack is terrific (and "Hairspray"'s is even better!).

    If you liked "Cry-Baby", I recommend "Hairspray" (not quite so silly, just as sweet.) and "But I'm A Cheerleader," which is definitely Waters-inspired, from its use of pink to its incredibly true emotions within very silly situations.

    If you didn't like Cry-Baby, how sad. You obviously missed something.
    black_star_dust_84

    Something Wonderful

    There's really nothing wrong with this film. It's funny, it's fun, and it's got a cameo of Willem Dafoe. With Johnny Depp as the star, what else could you want? Apart from being a satire, it's an entertaining and hysterical, relatable satire. It takes a lot of skill to take a concept that could so easily teeter from funny to ridiculous, and while certain parts of the film seem to be heading towards that thin barrier, they always save face at the last minute. The movie doesn't just ride on Johnny Depp's talent, either. Every member of the cast displays a genuine understanding of the somewhat SNL-esque humour required to make everything work. I've yet to meet someone face to face that has not seen this movie and truly enjoyed it for what it is: something wonderful.
    10Cassi_Hayward

    Troubled Love

    The movie "Cry Baby" is about a young boy and girl from opposite sides of the track falling in love. Wade "Cry baby" Walker (Johnny Depp) is considered a drape and a juvenile delinquent, and Alison (Amy Locane) is considered a square and a perfect angel. In their time Drapes and Squares were not seen together. Cry Baby fights with all his heart going up against an ex-boyfriend, a concerned grandmother, and even jail to keep his love with Alison.

    Baldwin (Stephen Mailer), Alison's ex-boyfriend, does everything in his power to keep Alison to himself and away from Cry Baby. He picks fights and gets his gang together to vandalize the drapes property.

    Alison's grandma (Polly Bergen) is like the leader of the squares and in the beginning worries that Cry Baby will be the downfall of her grandchild. Since she is left with Alison's care, she is over protective; but she wants Alison happy more than anything. In the end she comes around and tells Alison to choose the man her heart loves.

    I believe director John Waters made a new twist to Shakespeare's Romeo and Juliet, and this provides a happy ending. Through his movie, Waters tells us that love happens when it happens and that no matter what background we come from, we should fight for love with all our hearts.

    I love this movie. The first time I saw this movie as a four year old girl, I said I was going to marry Cry Baby. I recommend this movie to everyone. It has action for men and romance for women. I think that it transports us back in time and helps us see the conferences of the two social classes and feeds our belief that love really can conquer it all. I have probably watched this movie a thousand times and will probably watch it a thousand more. It definitely is worth the eighty-five minutes it takes to watch.
    9sixtwentysix

    A delinquent musical Joy-Ride with 50's teen angst films...

    This is a film that John Waters created as a loving send up of 1950's teen and juvenile delinquent films. It tells the story of Cry-Baby (Depp) a teenage orphan with the ability to make women swoon by shedding a single tear. It's a good natured, never mean musical based in a world where a song can make jail prisoners dance and riot or make someone fall in love with you despite being from different worlds.

    A cast that includes Iggy Pop, Traci Lords, Waters regular Rikki Lake and a few other pleasant treats and cameos. The actors appear to be having as much fun with the subject matter as the film is. Borrowing for value from films such as Grease, Jail-house Rock, High School Hellcats, Rebel without a cause and a zillion others from the genre this film is a self-aware campy comedy that is very well crafted.

    Clean and ridiculous warmhearted fun with more than a hint of trash. As of the date I re-watched this film (April 2004 10 years later) this film is still out of print. The reason for that is inexplicable to me as it's one of Johnny Depp's funniest performances and one of the better musicals that comes to mind. Oh yeah, don't blink or you'll miss Willem Defoe as the prison guard. "God bless Dwight D. Eisenhower, God bless Roy Cohn..."

    Come for the comedy, stay for the great songs.
    10wifeofsam

    A brilliant performance

    I admit, on first hearing about this film even I (the major Johnny Depp fan) was a bit skeptical to view it. But, I figured, hey, it's JD, why not? And, I now must say, that is goes down as one of my favorite movies. Why? because it's an amazing spoof my John Waters. As a lover of old musicals from the 50s and 60s, it's just amusing to watch a spoof of them, especially one done so well as this. My fav scene (don't worry..no spoilers..) is one where Crybaby (JD) performs a song in a comedic Elvis Presley fashion, which shows how dynamic JD is as an actor. what else makes this movie great? The music. There's not one boring song where you feel like it'll never end, because you don't want it to end. (yes, i own the soundtrack..i'm pathetic, i know). It's just a great movie..well, if you like a musical that spoofs other musicals.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      To find a young actor for the role of Wade "Cry-Baby" Walker, director John Waters bought thirty dollars worth of teen magazines, all of which showed Johnny Depp of Anjos da Lei (1987) on the cover. Depp thought the script was funny and strange, and took the offbeat role to avoid being typecast as a television teen idol.
    • Erros de gravação
      The tattooed teardrop on Cry-Baby's face at the end of the movie appears and disappears.
    • Citações

      Cry-Baby: That's right, Allison. My father was the "Alphabet Bomber." He may have been crazy, but he was my pop. Only one I ever had.

      Allison: God. I heard about the Alphabet Bomber. Bombs exploding in the... in the airport and barber shop...

      Cry-Baby: That's right. All in alphabetical order. Car wash... drug store... I used to lay in my crib and hear him scream in his sleep..."A,B,C,D,E,F,G... BOOM! BOOM!"

      Allison: But your mom...

      Cry-Baby: My mother tried to stop him. She couldn't even spell, for Christ's sake, but they fried her too.

    • Cenas durante ou pós-créditos
      The film begins with an old-fashioned 50's style Universal logo. It's also accompanied by 50's doo-wop music. A stage curtain opens up the movie.
    • Versões alternativas
      The USA cable network version has a few extra scenes, including two extra songs, "Chicken" and "The Naughty Lady of Shady Lane":
      • Hatchetface's parents selling cigarettes by the school
      • Toe-Joe's does a "work-with-me" spiel instead of thanking his "Nudie Cutie"
      • an added act of a flexible little girl in the RSVP charm school talent show
      • extra footage of Hatchtface chasing Snaredrum and Susie Q around Ramona's front lawn
      • Lenora's "gunboats" are now "goldmines"
      • The third verse of Allison's song, "Teenage Prayer," is included
      • Extra footage of Cry-Baby driving his motorcycle to the charm school, a cop chasing him and an air raid drill that interupts Allison's act
      • Cry-Baby combs his hair instead of adjusting his crotch when he gets off of his motorcycle;
      • "Lay That Pistol Down" dance number is included
      • Cry-Baby arrives during "So Young" instead of before the song beginning, as in video version
      • In the movie, Hatchetface says, "Ain't ya got tits? Stick 'em out for God's sake!" In the USA Network version, she says, "Ain't ya got a figure? Show it!"
      • There is a longer scene with Wanda, her parents, and Inga, the Swedish exchange student
      • The showdown is at Turkey Point instead of at the press conference in front of the prison
    • Conexões
      Featured in Siskel & Ebert & the Movies: I Love You to Death/Teenage Mutant Ninja Turtles/Cry-Baby/The Cook, the Thief, His Wife, and Her Lover/Henry: Portrait of a Serial Killer (1990)
    • Trilhas sonoras
      King Cry Baby
      Written by Doc Pomus and Dave Alvin

      Performed by James Intveld

      Additional vocals by Rachel Sweet

      Produced by Dave Alvin

    Principais escolhas

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    Perguntas frequentes19

    • How long is Cry-Baby?Fornecido pela Alexa
    • What are the differences between the Theatrical Version and the Director's Cut?

    Detalhes

    Editar
    • Data de lançamento
      • 31 de agosto de 1990 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Llora nena
    • Locações de filme
      • Maryland House of Correction - House of Correction Road, Jessup, Maryland, EUA(prison)
    • Empresas de produção
      • Universal Pictures
      • Imagine Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 11.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 8.266.343
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.004.905
      • 8 de abr. de 1990
    • Faturamento bruto mundial
      • US$ 8.266.655
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 25 minutos
    • Cor
      • Color
    • Proporção
      • 1.85 : 1

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