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IMDbPro

Rebelião do Século 21

Título original: Crash and Burn
  • Vídeo
  • 1990
  • R
  • 1 h 25 min
AVALIAÇÃO DA IMDb
5,0/10
1,5 mil
SUA AVALIAÇÃO
Megan Ward in Rebelião do Século 21 (1990)
HorrorSci-Fi

Adicionar um enredo no seu idiomaUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of e... Ler tudoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills... Ler tudoUnicom is a powerful organization overseeing most of the world after its economic collapse. They have banned computers and robots in an attempt to insure "life, liberty, and the pursuit of economic stability". When a Unicom Synth robot infiltrates a southwest TV station and kills the manager, a revolutionary against the gestapo-like corporation, a lowly Unicom deliver... Ler tudo

  • Direção
    • Charles Band
  • Roteirista
    • J.S. Cardone
  • Artistas
    • Paul Ganus
    • Megan Ward
    • Ralph Waite
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,0/10
    1,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Charles Band
    • Roteirista
      • J.S. Cardone
    • Artistas
      • Paul Ganus
      • Megan Ward
      • Ralph Waite
    • 26Avaliações de usuários
    • 45Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos67

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    Elenco principal13

    Editar
    Paul Ganus
    Paul Ganus
    • Tyson Keen
    Megan Ward
    Megan Ward
    • Arren
    Ralph Waite
    Ralph Waite
    • Lathan Hooks
    Bill Moseley
    Bill Moseley
    • Quinn
    Eva LaRue
    Eva LaRue
    • Parice
    • (as Eva La Rue)
    Jack McGee
    Jack McGee
    • Winston Wickett
    Elizabeth Maclellan
    • Sandra
    Katherine Armstrong
    • Christie
    John Davis Chandler
    John Davis Chandler
    • Bud
    • (as John Chandler)
    Kristopher Logan
    Kristopher Logan
    • Scratch
    David DeCoteau
    David DeCoteau
    • ILU Member
    • (não creditado)
    John Schouweiler
    John Schouweiler
    • ILU Member
    • (não creditado)
    Michael Shamus Wiles
    Michael Shamus Wiles
    • Cop
    • (não creditado)
    • Direção
      • Charles Band
    • Roteirista
      • J.S. Cardone
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários26

    5,01.4K
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    Avaliações em destaque

    5lost-in-limbo

    "His noodle is fried".

    At least it doesn't live up to its title, which is a good thing. Crash and burnnnnnn. On the other hand it might have been more exciting if it did. I don't know, but I remember liking this straight-to-video b-grade action / Sci-fi fare by Charles Band when I saw it for the first time many moons ago, but upon my recent re-watch I was left slightly under whelmed. Boy did it take awhile for something remotely riveting to occur. My excitement early on arose from catching a glimpse of a movie poster of "The Angry Red Planet" on the wall. Not once, but twice. Outside a pouting Megan Ward and Jack McGee (in a truly offensive mood), everyone else acts robotic. Is this to throw us off…? I don't think so. Bill Moseley is the life of the party… as what starts off as uncharacteristic (in a slumber mood) later on has you thinking now I'm watching Moseley perform. Paul Ganus is your typical handsome, but stoic lead who catches the eyes of the ladies (young and old). He doesn't do much at first, other than look serious. All in a good days work. Actually I guess sex was on mind. Nothing else. Nothing more. As after getting that out of the way (about mid-way through the movie), while lying in bed (for about 10 seconds) his character was thinking straight (well its either that or he's considerably slow off the blocks) and it came to him that something wasn't quite right (during a "heart-pounding" test set-up to find out if everyone trapped in this remote TV station was who they said they were). Now that he knows who the evil corporate Sythnoid robot in disguise is. Although we the audience (and Ward) have already figured that out long ago. It's time to be a hero. Jump out of bed, break the emergency glass and grab the shotgun. Then get pummelled and shot. Talk about an effective hero. However this is when things do liven up. Nasty jolts, stupid one-liners, robots going haywire and Ward making everyone around her look like dummies. "Hey, kiss this!". Director Charles Band does an economical job with J.S Cardone's material and recycles Richard Band's music talents. Visually is works cementing a futuristic wasteland, as the setting is taut and the paranoid unease is felt. In the dying stages you can see where most of the money went to and the effects of the battery powered tinbot put those recent CGI drenched transformers films to shame. Mildly amusing low-rent Full Moon fodder.
    wellthatswhatithinkanyway

    Is life meant to be that unfair...?

    STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs ...I don't know what other people (other IMDB reviewers,for example)might think of me,judging me by myself or by my reviews,but I've never thought I was that much of a demanding individual.I've always thought I was quite easy going and undemanding as a person.I try not to winge when things don't go my way,or if I have to do a job for other people.I know other people who've tossed stones at old people's houses,or taken drugs like draw and got pregnant at an early age.Yes,stones are readily available for those nasty,thoughtless people to throw at their own pleasure,yes,draw and sex are there to be consumed whenever the mood suits them.So,okay,I decide to take a risk..I decide to spend a fiver of my hard earned money on a video I had'nt previously seen,which on impulse,I would never usually do.I buy it from this really convienient store in the market,which is'nt perhaps majorly up to date,but still sells old or forgotten films,at cheap prices,which I think is really ace.Judging by the cover and the Sci-Fi genre attached to it,heck,even by the supposedly brilliant plotline on the back of it,I thought Crash And Burn would be a risk worth taking.

    Then,after I've seen Coronation Street,I race upstairs to watch this baby.Hello,what's this?Not 2 seconds in,and already I've noticed this is'nt shot like a regular film.That's probably one of the biggest,in my many ,complaints about Crash And Burn:if every other film can manage to be shot like a proper film(even the realy,really bad ones)why the hell can't this one pull itself together and do the same thing?This is shot like a poloroid-cum-video recorder.That was my first step towards getting really angry and fed up with this film.In fact,it was the main thing that bugged me about it throughout.Not once did it appear to improve.I'm aware it has the (V)for video symbol by it,but what,is that a direct excuse for crappiness ?(does this serve as a direct example with the Billy Blanks dud 'Tough And Deadly?).

    And,what from the back looked like it was going to serve like an original and exciting Sci-Fi venture went totally downhill from there.The special effects were diabolical,the acting was abysmal,the dialogue was atrocious , although the end line 'you really felt for her?Well,she'd only break your heart...then tear it out'had some credit to it.But that only led to a glaring implausibility error that the hero had had sex with the female robot and not noticed she was'nt a real person.And that only lead to the fact this was the only movie I knew that thought it was being clever by giving a human-looking-robot it's own name,a synthoid.Every other Sci-Fi movie calls them cyborgs.And that only led to the fact that the main 'synthoid' in question is a pathetic Terminator rip-off,that gets done in at the end by an impressive giant robot,which we only see for a brief glimpse then disappears,presumably to a better movie because this giant robot has much more talent than all the actors in this drivel.He was cool. , He quashes him in a standard better suited to the Wrigley's Spearmint gum adverts ,the only thing missing was the 'pluuurp'sound.

    It really is very unfair.All I asked for was decent entertainment.Society,and hollywood,really should set better examples than this.*
    judex-1

    leftovers

    I agree that the robot at the end was by far the best thing going on here. It didn't leave for a better movie, it CAME from a better movie in the first place. I've always heard that this had leftovers from "Robot Jox", a Stuart Gordon film that was pretty impressive, despite studio meddling. I believe this brief sequence here, is some of the footage that was cut in the attempt to get "Robot Jox" a PG rating, despite nudity, and abundant violence.
    7anne_something

    Robot Jox 2: Crash And Burn

    I really liked this movie, a typical B movie thriller of the early 90s

    There's one thing i need to point out tho

    In some European markets, this movie is officially called Robot Jox 2: Crash and Burn - here's the VHS cover - http://i13.photobucket.com/albums/a277/lovegunner/203804745.jpg

    It's interesting that Charles band directed the movie (he was Robot Jox' producer) and that Robot Jox theme plays in the opening sequence of the movie.

    An official sequel?

    I've never seen that title anywhere else than in Europe

    Other than the musical theme, title and giant robot at the end, the movie doesn't have to do anything with it's prequel
    5udar55

    Big, empty industrial plant and desert = the future!

    The year is 2030 and America is in shambles. Big corporations run the country and the ozone layer has been depleted. A group of folks find themselves inside a remote TV station run by Lathan Hooks (Ralph Waite), who is secretly a member of a resistance group. And hiding among this group of 8 is a cyborg with "crash and burn" orders to kill. This was the third release by Charles Band's Full Moon Entertainment (following PUPPET MASTER and MERIDIAN: KISS OF THE BEAST) and the second he directed (after MERIDIAN) for his new label. Revisiting this after 21 years, I'm surprised at how dated it now looks to me. It definitely fits into Band's world of futuristic desert wastelands also featured in PARASITE and METALSTORM. The acting is solid (co-lead Eva LaRue is now a CSI: Miami lead; Megan Ward makes her screen debut), but the plot is as flimsy as can be. The film also features the cheapest excuse to have a 80-foot robot (effects expertly done by Dave Allen and crew) on screen for a few minutes. It should also be noted that the DVD is an absolute mess with tons of ghosting issues. The source print used actually looks worse than the clips featured in the "making of" segment originally from 1990.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The two hookers were also drug users in an earlier draft of the script, but Charles Band requested that this aspect of the screenplay be toned down because he thought the hookers as initially conceived were too vulgar and over the top.
    • Erros de gravação
      Reflected in the window behind Quinn when Winston is looking for Arren in the dark.
    • Conexões
      Edited from Robojox: Os Gladiadores do Futuro (1989)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • setembro de 1990 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Crash and Burn
    • Locações de filme
      • Alabama Hills, Lone Pine, Califórnia, EUA
    • Empresa de produção
      • Full Moon Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 25 minutos
    • Cor
      • Color
    • Mixagem de som
      • Ultra Stereo
    • Proporção
      • 1.66 : 1

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