AVALIAÇÃO DA IMDb
5,9/10
9,5 mil
SUA AVALIAÇÃO
Três antigos robôs militares são reprogramados como professores e colocados secretamente em uma escola onde a maioria dos alunos faz parte de quadrilhas organizadas.Três antigos robôs militares são reprogramados como professores e colocados secretamente em uma escola onde a maioria dos alunos faz parte de quadrilhas organizadas.Três antigos robôs militares são reprogramados como professores e colocados secretamente em uma escola onde a maioria dos alunos faz parte de quadrilhas organizadas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Traci Lind
- Christie Langford
- (as Traci Lin)
Joshua John Miller
- Angel
- (as Joshua Miller)
Brent David Fraser
- Flavio
- (as Brent Fraser)
James Medina
- Hector
- (as Jimmy Medina Taggert)
Jason Oliver Lipsett
- Curt
- (as Jason Oliver)
Sean Sullivan
- Mohawk
- (as Sean Gregory Sullivan)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I've got a soft spot for sci-fi films that have already passed their sell-by-date—those movies set in a year that is now history to you and I (even more-so if the year forms part of the film's title, like this one): I just love seeing how these cinematic predictions of the future differ from reality.
Class of 1999 is a classic example: according to this film, by the year 1999 gang culture will have reached such a level in the U.S. that certain areas—known as Free Fire Zones—will no longer be protected by the police. Kennedy High School, situated in one such lawless zone, becomes the testing ground for three experimental robot teachers (played by Patrick Kilpatrick, Pam Grier, and John P. Ryan), adapted from military battle droids by unscrupulous MegaTech head honcho Bob Forrest (Stacy Keach).
Recently released from prison, gang-banger Cody Culp (Bradley Gregg) intends to give up his criminal lifestyle, but when the droid teachers begin to revert back to their military programming, dealing with their unruly students using extreme force, he and his gang, the Blackhearts, join forces with their rivals, the Razorheads, to try and stop the killing.
According to director Mark L. Lester (who also directed the superior Class of 1984), late '90s fashion hasn't moved on much from the decade before, the film's youths sporting some truly nasty attire (worst offender being Joshua Jackson as Cody's brother Angel, who wears yellow leggings and matching tunic and has the cheek to tell Cody "Man, you got to think about your image"). Also exhibiting zero sign of taste: Stacy Keach as freaky albino Forrest, whose hairstyle is a cross between a mullet and a rattail, and who wears zombie contact lenses for no apparent reason (I thought he was an albino at first, but his 'tache is black).
This version of 1999 also sees the art of robotics advanced to a level where machines can pass for human, something clearly inspired by James Cameron's The Terminator. As the droid teachers battle Cody and his pals, they shed their skin to reveal powerful weapons, which takes the violence up a notch and allows for some pretty impressive animatronic effects and gloopy cyborg gore, Grier opening up her chest (complete with prosthetic tits), Ryan having his cranium blown off, and Kilpatrick's head reduced to half human, half robot (before having his noggin separated from his body via forklift truck!).
Gloriously daft, a little cheesy at times, a lot cheesy at others, and packed with cartoonish violence, Class of 1999 is great entertainment for fans of exploitative '80s schlock. The fact that its vision of the near future is so wrong is just the icing on the cake.
7.5 out of 10, rounded up to 8 for IMDb.
Class of 1999 is a classic example: according to this film, by the year 1999 gang culture will have reached such a level in the U.S. that certain areas—known as Free Fire Zones—will no longer be protected by the police. Kennedy High School, situated in one such lawless zone, becomes the testing ground for three experimental robot teachers (played by Patrick Kilpatrick, Pam Grier, and John P. Ryan), adapted from military battle droids by unscrupulous MegaTech head honcho Bob Forrest (Stacy Keach).
Recently released from prison, gang-banger Cody Culp (Bradley Gregg) intends to give up his criminal lifestyle, but when the droid teachers begin to revert back to their military programming, dealing with their unruly students using extreme force, he and his gang, the Blackhearts, join forces with their rivals, the Razorheads, to try and stop the killing.
According to director Mark L. Lester (who also directed the superior Class of 1984), late '90s fashion hasn't moved on much from the decade before, the film's youths sporting some truly nasty attire (worst offender being Joshua Jackson as Cody's brother Angel, who wears yellow leggings and matching tunic and has the cheek to tell Cody "Man, you got to think about your image"). Also exhibiting zero sign of taste: Stacy Keach as freaky albino Forrest, whose hairstyle is a cross between a mullet and a rattail, and who wears zombie contact lenses for no apparent reason (I thought he was an albino at first, but his 'tache is black).
This version of 1999 also sees the art of robotics advanced to a level where machines can pass for human, something clearly inspired by James Cameron's The Terminator. As the droid teachers battle Cody and his pals, they shed their skin to reveal powerful weapons, which takes the violence up a notch and allows for some pretty impressive animatronic effects and gloopy cyborg gore, Grier opening up her chest (complete with prosthetic tits), Ryan having his cranium blown off, and Kilpatrick's head reduced to half human, half robot (before having his noggin separated from his body via forklift truck!).
Gloriously daft, a little cheesy at times, a lot cheesy at others, and packed with cartoonish violence, Class of 1999 is great entertainment for fans of exploitative '80s schlock. The fact that its vision of the near future is so wrong is just the icing on the cake.
7.5 out of 10, rounded up to 8 for IMDb.
The setup: Robot teachers have been secretly placed in the schools where the students have run riot. The teachers do a good job of controlling the unruly youngsters, until they go too far and some students get suspicious.
The verdict: It is plagued by plot holes and inane dialog. Actually, the movie itself is nothing that special, but it has some good stuff. It is a pretty unnecessary film. If you are looking for a good movie with good acting this might not be for you. While this isn't a great film by any means, it is entertaining. It is difficult to watch and has no shortage of abuse and neglect.
The verdict: It is plagued by plot holes and inane dialog. Actually, the movie itself is nothing that special, but it has some good stuff. It is a pretty unnecessary film. If you are looking for a good movie with good acting this might not be for you. While this isn't a great film by any means, it is entertaining. It is difficult to watch and has no shortage of abuse and neglect.
Recent teenage parolee Cody Culp returns to his anarchistic futuristic hood to find himself disgusted with his home life, alienated from his former gang(probably to his relief), and threatened by the school's newest bullies: three robotic teachers, implemented by the government to restore discipline, only consolation being his budding romance with the principal's daughter--perpetually gorgeous Tracy Lin. As always, whenever players take the material as seriously as these actors do, the potentially mediocre is propelled to a new level. The performance by vastly unappreciated and underused Bradley Gregg rivals that of the more experienced Ryan, Grier, and Kilpatrick(with McDowell typically good, but all too often idle).
I've always held that the reason there was and remains so much dissatisfaction with this movie is that too many people watched it with the wrong expectations. Preparing for some silliness and expecting some substandard effects is the starting point with one like this. Reason being: to get past the frequent implausibility is to put yourself in a position to recognize the uniqueness and innovation. Taking the deliberate cheese with a grain of salt, one can appreciate opportunities when it is earnest.
If anything truly hurts this movie, it's the boring pseudo-military battle scenes. They would have been wise to leave this stuff to the only films suited to do them properly--war films, but instead have introduced out-of-place time wasters in which neither side has evoked any sympathy anyway. That said, Class Of 1999 is still a shoulda-been camp classic not to be missed. Then again, should any movie featuring knockout Tracy Lin be missed?
I've always held that the reason there was and remains so much dissatisfaction with this movie is that too many people watched it with the wrong expectations. Preparing for some silliness and expecting some substandard effects is the starting point with one like this. Reason being: to get past the frequent implausibility is to put yourself in a position to recognize the uniqueness and innovation. Taking the deliberate cheese with a grain of salt, one can appreciate opportunities when it is earnest.
If anything truly hurts this movie, it's the boring pseudo-military battle scenes. They would have been wise to leave this stuff to the only films suited to do them properly--war films, but instead have introduced out-of-place time wasters in which neither side has evoked any sympathy anyway. That said, Class Of 1999 is still a shoulda-been camp classic not to be missed. Then again, should any movie featuring knockout Tracy Lin be missed?
I remember watching it on SKY (satellite) at about 1.30 am, and being amazed by what i saw.A film that had good characters, a good story line and cool visual affects, a class flick! And nothing has changed, except for the fact that there have been better films made since then. Bradley Gregg playing Cody Culp was for some reason a character that i wanted to be because he was a thug and considered cool. I liked the relationship he had with his former gangmembers and his enemies the RAZOR HEADS! (classic names) Stacey Keach played the "mad proffessor" down to a T, as if it was written exclusively for him. surprisingly this is the best film i have seen Patrick Kilpatick play in, EVER! Pam Grier's role was fine but should have been played someone else.(Sharon Stone) Mr HARDY was a scream, a classic bad guy if ever i saw one. The ending could have been a bit better though. "I was there, he was so wasted he would'nt have known which end the bullets come out!" one of my favourite lines, all in all a great film which had a few surprises which were all enjoyable. 7/10
Thanks for reading.
Thanks for reading.
You don't get any more hammy than this. Amongst all the trash of straight to video releases, you ocassionaly find a concept like this. A guy walks out of prison, and heads back to school to find that cyborg teachers are taking the code of the classroom a little to far. Schools in many American districts are regarded as "Free-fire zones" and the police won't even intervene in the deadly gang warfare that ensues whenever school is not on. No one ever asks "Why do these kids even bother going to school", but at this point, who cares? This is a gritty view of the future, with the kind of ironic humour that has made Verhoeven millions, if he had directed this it would have been the next Robocop. The cast shine with the likes of Malcolm MacDowell, Pam Grier and Stacey Keach and in the leading role is charasmatic Corey Feldman-clone, Bradley Gregg. Everyone is having fun with this movie and it is this attitude that makes it so watchable. A pumping rock soundtrack including Nine Inch Nails debut single pads this out even further. Great lines ooze from the script; I'll leave you with one of my favourites: "I'm going to go waste some teachers. Who's with me!"
Você sabia?
- CuriosidadesMalcolm McDowell only worked for two days on this film.
- Erros de gravaçãoYou can briefly see the wire lifting Miles Langford (Malcolm McDowell) up when he is being choked by the robot.
- Versões alternativasUnrated version is available in the US on video.
- Trilhas sonorasDeath and Destruction
Written & Performed by Pancho D. Rock
Produced by Louis V. Aielli
Published by TVT Music, Inc.
Courtesy of Sounds of Film, Ltd. & TVT Records
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Clase 1999
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.459.895
- Fim de semana de estreia nos EUA e Canadá
- US$ 767.620
- 13 de mai. de 1990
- Faturamento bruto mundial
- US$ 2.459.895
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
What is the French language plot outline for A Guerra dos Donos do Amanhã (1990)?
Responda