O Porão

You've read the plot summary, so I'll skip that part. Let's open the show with a few glaring flaws.

First off, the family moves into a house in the middle of nowhere, opens a sealed door they find hidden behind a cabinet, and discover they have a basement. None of that's so incredible, but Dad apparently has no problem with the fact that there's a gaping, monster-sized tunnel in one wall.

Secondly, monster mobility. The thing can apparently only manifest itself in three places: the house's cellar, a water-filled sinkhole that connects to its basement warren, and a dry oil well. It's allowed to come into the house by the rules of the film, but apparently only if someone opens the cellar door for it. What prevents it from crawling up out of the sinkhole or out from under the oilwell platform to wreak havoc in the open is never explained (my guess has a lot to do with the FX budget). And that cellar door? The one hidden behind a cabinet and ritually sealed by the Indians? Well, it also has a storm door leading right up into the yard, which isn't even locked.

Third, monster power. The thing's strong enough to overpower grown men with one paw and nearly pull limbs off trees, but it can't break down a flimsy cellar door to get at the goodies in the house?

All that being said, they did design a pretty nasty-looking beast, one that looks like a long-nosed version of the Terror Dogs from Ghostbusters (I call it Slime Rat). Unfortunately, they didn't have enough money to make a whole monster. Only the front half of it interacts on-screen with the actors, and it comes up looking pretty rubbery in close scenes.

It's okay for a cheap jump-at-a-body monster movie, and I didn't see the pacing problems that other reviewers have commented on. I think the key to enjoying this film is to be willing to let it scare you. Either that or ridicule it to death.

This isn't a bad movie. It's a little slow, but it has a good plot. It's about some evil creature which is resurrected by a young boy. If you're bored, and want to see something different, this movie is for you.

So the film was an okay B-budget horror movie, not one of the best from the 80s but certainly not one of the worst. However, the main reason for me writing my first ever review on imdb is because an error needs to be corrected. The young actor that plays the character of the little boy Willy is listed on imdb as Chris Miller, born in 1968, the guy who does voice performances and directs such animated films as Shrek and The Penguins of Madagascar. In actual fact Willy is played by Chris J. Miller who was born in 1983, a child actor. The fact that this error has been made is really quite unforgivable considering that if it was the Chris Miller listed on imdb he would have been 21 yeaes of age when he appeared in this film, the character of Willy is quite clearly not 21!

Ther Cellar isn't brilliant but it does have its good points. It starts off very slowly and for the most part of the first half, it's boring. Things start looking up in the second half though, as we are introduced to the monster. The cellar setting is very effective, as are the tunnels where the monster lives. There is a suspenseful scene close to the end where the father locks his son in the kitchen to prove that "there's no monster". Of course, the monster comes out to attack the boy.

I wouldn't urge anyone to seek this out, but fans of cheap 80's horror might want to add it to their collection.

Never had a proper release on DVD or Blu Ray, it's outthere, on renatl VHS so a bit hard to find nowadays but if you want to see it, it's a rather bad and cheesy flick.

It takes until the mast 10 minutes before the creature really shows its face and attacks. But by then it's to late. It's all blah blah about Indian rituals and cemeteries. Of course one comes in contact with the creature, no one beleifs it until the end of this flick. And what about the ending, explain it please.

Not frightening, a bit boring and a creature that doesn't look frightening at all except it jaws.

The Cellar, still a hunt for many due Kevin Tenny took over direction from John Woodward

Gore 0/5 Nudity 0/5 Effects 1/5 Story 2/5 Comedy 0/5