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Berkeley in the Sixties

  • 1990
  • Not Rated
  • 1 h 57 min
AVALIAÇÃO DA IMDb
7,5/10
795
SUA AVALIAÇÃO
Berkeley in the Sixties (1990)
Home Video Trailer from First Run
Reproduzir trailer1:30
1 vídeo
5 fotos
DocumentaryHistory

Adicionar um enredo no seu idiomaA documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.A documentary about militant student political activity in the University of California-Berkely in the 1960's.

  • Direção
    • Mark Kitchell
  • Roteiristas
    • Susan Griffin
    • Mark Kitchell
    • Stephen Most
  • Artistas
    • Jentri Anders
    • Joan Baez
    • Frank Bardacke
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    795
    SUA AVALIAÇÃO
    • Direção
      • Mark Kitchell
    • Roteiristas
      • Susan Griffin
      • Mark Kitchell
      • Stephen Most
    • Artistas
      • Jentri Anders
      • Joan Baez
      • Frank Bardacke
    • 15Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 4 vitórias e 4 indicações no total

    Vídeos1

    Berkeley in the Sixties
    Trailer 1:30
    Berkeley in the Sixties

    Fotos4

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    Elenco principal35

    Editar
    Jentri Anders
    Jentri Anders
    • Self
    Joan Baez
    Joan Baez
    • Self
    • (cenas de arquivo)
    Frank Bardacke
    Frank Bardacke
    • Self
    Stokely Carmichael
    Stokely Carmichael
    • Self
    • (cenas de arquivo)
    John De Bonis
    John De Bonis
    • Self
    • (cenas de arquivo)
    Hardy Frye
    • Self
    John Gage
    John Gage
    • Self
    Allen Ginsberg
    Allen Ginsberg
    • Self
    • (cenas de arquivo)
    Todd Gitlin
    Todd Gitlin
    • Self
    Jackie Goldberg
    • Self
    Grateful Dead
    Grateful Dead
    • Themselves
    • (cenas de arquivo)
    • (as The Grateful Dead)
    Susan Griffin
    • Self…
    David Hilliard
    David Hilliard
    • Self
    Lyndon B. Johnson
    Lyndon B. Johnson
    • Self
    • (cenas de arquivo)
    • (as Lyndon Johnson)
    Clark Kerr
    Clark Kerr
    • Self
    • (cenas de arquivo)
    • (as Dr. Clark Kerr)
    Martin Luther King
    Martin Luther King
    • Self
    • (cenas de arquivo)
    Barry Melton
    • Self
    Mike Miller
    • Self
    • Direção
      • Mark Kitchell
    • Roteiristas
      • Susan Griffin
      • Mark Kitchell
      • Stephen Most
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários15

    7,5795
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    Avaliações em destaque

    8joeflaco

    great documentary.. educational, inspirational and nostalgic

    I really enjoyed watching this film... mostly for educational reasons. Being born in 1972, I was not around for the activism of the 60's. Much like most people of my generation, we've heard stories about the 60's, listened to music of the times, etc. However, this film really made me see the various activism of the 60's in a different light. I have a new respect for what students at Berkeley and others were trying to accomplish. You can't help but feel admiration for many of the people interviewed and shown in this film. The film made me contemplate about a lot of issues, as well as puts a new and refreshing perspective on people. It covers plenty of topics without rushing the viewer through them. It's great to explore this small piece of history and see how it effects life today in the 21st century... makes you think about how far or how little we've come since then. As a footnote...The film contains some really interesting footage of Ronald Reagan when he was Governor of California.
    10lionheartlev

    Fabric of '60s Counterculture Politics : Weaving the Threads via Berkeley

    This is a superb, valuable documentary.

    Berkeley was at the epicenter as the counterculture politics of the '60s emerged. And revisiting the political ferment of '60s Berkeley can offer an unusually helpful overview of these interwoven political currents. This film does that very, very well.

    The fascinating footage (including early glimpses at Reagan as a relatively new "pol"), the deft editing, the years-later retrospective reflections of "now-grown-up" participants in the Berkeley "FSM" (Free Speech Movement) -- these are all very engaging, and beautifully assembled. But what makes the film great for me is its clarity in reflecting the interplay of counterculture themes: the movements for free speech and for civil rights, the movement against the Vietnam War, and assertion of the new feminism. Along with the energetic pursuit of "sex, drugs and rock 'n' roll," these elements – blended into one 'tsunami' of a movement -- were experienced by us all coming of age during that time, throughout the US and throughout much of the world. But as a young person during that era, who became very swept up in the self-proclaimed "dawning of the Age of Aquarius," I recall also feeling unclear on how these ideological components -- which otherwise seemed to me distinct and substantively unrelated – became intertwined in the social politics of that era.

    Whether the film is slanted, and whether "The Movement" was positive or negative, seem to me besides the point. The Movement was; like it or not, that reality is indisputable. From varying perspectives, our entire culture experienced it, and was affected by it. Most of the many millions of us on college campuses during that time were forever changed -- for good, for ill, or both. This film presents the most coherent depiction I've seen of how this happened, what it's "logic" was – and manages to do so engagingly, without becoming pedantic. That's a whole lot for one film to do, even for someone who respects and loves film as our culture's greatest current art form.
    canadiendeplace

    I was there-

    'I was there as a student - this film is a '10' in explaining the era and what was going on in the Berkeley arena during this time frame. I teach at CAL now, and have used it as a 'primer' to show the way things should be. As a social (2xPh.D.) scientist (and as a Canadian) it seems Americans have lost the drive and initiative to make a change. In many ways the nameless people in this film are heroes, standing up for what they believe should be at any cost. Many who see this film have no idea what the students who were part of this movement went through, it was far from a 'walk in the park' - their sacrifices of family, friends and the indignities they suffered cannot be explained. These are your lost heroes America, learn from them and rise to the occasion again before it is too late.'
    boris-26

    Neat peek into the troubled 60's

    The recent anti-Bush/war demonstrations sparks deja-vu in anybody over forty, anybody who can clearly remember the similar Vietnam era anti-war demonstrations three decades ago. Mark Kitchell's documentary, BERKELEY IN THE SIXTIES, vividly brings the 1960's sit-in's, marches and riots home. There's plenty of archival footage of student demonstrations on California's Berkeley campus, footage so clear, it seem they were lensed only an hour ago. We begin with Berkeley students protesting the HUAC witch-hunts, battling with fire-hose wielding police in 1960, years before marches and sit-ins became commonplace.
    Redscare-2

    Documentary mostly emphasizes 60s Movement's limitations as remembered by former activists.

    Berkeley in the Sixties is an historical documentary that alternates between 1980s oral history and actual period photo-journalism.

    So it is composed largely of apparently network-sponsored news footage of the street politics and culture wars of the time. Reflecting an irony of the period, most of this footage of revolution was presumably shot and edited by the action-seeking network video journalists (employed by 1960s Fortune 500 corporations) who recorded the street politics and culture wars of the time.

    One reviewer imagines "hypothetical" conservative viewers "talking back to the screen". But the only controversy of this film comes from giving any voice at all to the memories of today's teachers, social workers and businessfolk who (after all) mostly IN THEIR YOUTH had been involved with organizing and direct action in Berkeley. And this social history and oral history ("Heavens!") may be what one conservative reviewer calls "bias". The personal memories of these movements' various opponents (often unavailable anyway by 1990) are mostly not recorded. (Rather only their statements at the time are represented.)

    History, like life, necessitates a particular perspective and position. And this one is admittedly not Ronald Reagan's or Ed Meese's or J. Edgar Hoover's history. But the film could by no stretch be called either Leftist or nostalgic or romanticized history of the 60s in the U.S. or abroad.

    In the oral history testimonies, the "lessons" attested to are pretty darned mixed. Hardly sentimental, approximately two former activists' testimonials emphasize the MISTAKES and excesses of the period for every one that recalls a success or virtuous result, by my count. In other words, if this is propaganda, it is clearly NOT Leftist propaganda. Neither is this a Sunday a.m. tv pundit debate among major party-allied think tank representatives. The film is an attempt to probe the experience of folks who, like the rest of us, shaped human history both deliberately and inadvertently.

    Moreover this is as much another worthwhile film about boomers recalling their hyper-televised, activist youth as it is an attempt at serious history. and yet in the end Berkeley in the 60s does an excellent job of both tasks. It is among the most . thought-provoking films I have seen. --Todd from Brooklyn

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    • Citações

      John Searle: "... worst yet, we attracted to Berkeley, the worst collection of kooks and nuts you've ever seen in your life. Everybody saw this on television, and they had a completely distorted conception of it. They thought, 'what you do is you go to Berkeley, and you riot and you just have a great time; its one big political, sexual, drug feast.'" TC:38.52

    • Conexões
      Featured in Siskel & Ebert & the Movies: The Rookie/Berkeley in the Sixties/Edward Scissorhands/The Grifters (1990)
    • Trilhas sonoras
      Keep a Knockin'
      Written by Little Richard

      Performed by Little Richard

      Courtesy of Vee Jay Records

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    Detalhes

    Editar
    • Data de lançamento
      • 4 de março de 1991 (Austrália)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Беркли в 60-х
    • Locações de filme
      • Berkeley, Califórnia, EUA
    • Empresas de produção
      • Kitchell Films
      • P.O.V. Theatricals
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 57 minutos
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.33 : 1

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