A Ambulância

The Ambulance actually turned out to be a pretty funny, yet bizarre thriller. Sarcastic extrovert, Josh Baker (Eric Roberts in a hilarious role), probably regrets the day he talked to a woman that he felt compelled to introduce himself to, having always seen her on his lunch break. The woman, a diabetic, suddenly collapses in the street, and he is there as she is carried away in a hearse-turned-ambulance with a mysterious green glowing light in the back. She gets in the ambulance, and as Josh later discovers, she never arrives at any of the local hospitals.

Josh is convinced something is awry, but doesn't pay too much attention to it at first (in fact, as bizarre as the story becomes, he's so matter-of-fact about everything. Him and everyone else). The more people he confronts about the strange ambulance that conveniently seems to arrive when he's talking to them but never seems to be around when he needs to prove it exists, the more likely those people are going to wind up dead because of the ambulance (actually, because of the people driving it, who are the goons for a strange doctor who is using his victims for a strange medical experiment).

Josh's only hope, besides himself (a guy who will soon be quite immune to pain as he gets hit by cars, jumps through barred doors, is drugged, and finally beat by a junkyard gang), is the red head cop Sandra Malloy who turns up after her boss, Spencer (James Earl Jones in an even funnier part as the disbeliever), turns up missing. And if they don't act fast, the ambulance will show up for them, and the only chance of stopping it will be lost.

All in all, the story is bizarre, but the movie is much more of a comedy than a thriller in sort of that 'After Hours' style of comedy. Josh appears to be absolutely crazy to those around him, babbling about some weird ambulance that is out to murder people. But he seems to dismiss the seriousness of it, just hoping to save the girl and get through the day, and not much else. Eric Roberts and Red Buttons, too, made a good team, albeit a brief one with Red Buttons as Elias Zacharai, the fast-talking newspaper reporter who befriends Josh and has similar convictions about the hospital staff trying to drug up patients and keep them against his will, but in that senile old man kind of way. He plays the reporter that wants the exclusive story on the ambulance.

Loosen up and give it a try. Though cheap, it's got some good action sequences, a decent plot, and is just overall, pretty funny. Except, for maybe the ending. It was just too easy.

Starring Eric Roberts, James Earl Jones and Meghan Gallagher this early 90's thriller actually succeeds in entertaining.

It tells the story of a man who finally makes a move on the woman of his dreams only to witness her collapse and get taken away by an ambulance (I too have that effect on women). When he tries to visit her however he learns she was never brought in and may be one of a number of missing persons connected to this old ambulance.

I like the idea, though I've seen things with a similiar concept before the addition of the ambulance really made it interesting.

Roberts though a hokey actor manages to deliver here as does the rest of the stellar cast.

Though I love the concept I don't think it was utilized well and I'd love to see this remade. Regardless however the competence of the cast, the concept and an odd amount of comedy make for a passable film.

Kudos to Stan Lee being cast as Stan Lee.

The Good:

Cast are on point

Stan Lee!

Excellent idea

The Bad:

Not followed through with all that well

Ending is a bit underwhelming

Things I Learnt From This Movie:

I simply cannot take a lead male seriously with a mullet...........except Joe Dirt

I hadn't seen "The Ambulance" for quite awhile, but I had a good time re-visiting it and this was one of the first works I had seen of filmmaker Larry Cohen. It might not be one of Cohen's highly regarded pieces, but "The Ambulance" is a fun, gripping slice of paranoia with an injection of black humour. The concept is audaciously ludicrous and Eric Roberts' ham-fisted lead performance is full of energy (and lets not forget that hypnotic mullet when in motion), along with James Earl Jones small, but cynically meaty role as a rundown detective on the edge. Moving at a fast, uniformed tempo, Cohen's boldly tight direction never lets up (where he knows how to shoot on location for maximum effect) and his writing manages to stay one step ahead as you get pulled along for the dangerous ride with its engineered thrills. There always seems to be some sort of threat at every turn for Robert's character and this keeps it excitingly intense, if daftly over-the-top with comedic results. Especially its cheesy climax in a night club with some berserk ambulance driving and of course its irony-laced revelation that you won't see coming. Roberts' character sure didn't. The plot takes on a modern approach to its mad doctor formula, staying quite dark and full of mystery in the chase/or race to uncover the truth while also trying to convince people of the threat. Roberts' plays Josh Baker a comic book artist who one day goes about asking out the women of his dreams (a stunning Janine Turner) who he sees everyday out on the streets of New York. An incident sees her collapsing with Josh by her side and then a mysterious vintage ambulance appears and whisks her off. So he goes to one hospital after another with no such luck. He thinks there might just be more to it, as he uncovers and now he's running for his life with no one believing him there's a phantom ambulance kidnapping people. Eric Braeden is suitably clinical as "the doctor" that's behind the kidnappings and Megan Gallagher offers good support as a police officer we can trust. Red Buttons is enjoyably snappy and Cohen regular James Dixon shows up too.

You can always count on at least one thing going into a Larry Cohen movie - and that's a good time. Cohen had already tackled rogue police officers before it came to this film with Maniac Cop, and thus he decided to make a film about a rogue ambulance. The Ambulance may not be Cohen's finest achievement; but its great lightweight entertainment, and I'm sure very few people that watch this film will regret doing so. Naturally, there's not a great deal of point to the proceedings, and Cohen seems keen to focus as much on entertainment value as possible, which is no problem if you ask me. The plot focuses on Josh Baker; a humble cartoonist who, one day, decides to try and charm a woman on the street. Tragedy strikes when she passes out, but everyone is reassured when an ambulance turns up. However, upon going to check on her at the local hospital, Josh finds that she isn't there - and further investigation makes him realise that there has been several people going missing, and it turns out that a fake ambulance with fake doctors and nurses is abducting people!

The idea behind this movie is actually quite frightening; ambulances are a service that we rely on and so having one going rogue and abducting people is a frightening idea. Cohen doesn't capitalise on this, however, which is rather odd; and despite a few scenes with the maniacal doctor, there really isn't all that much horror on display. Others ideas that aren't capitalised on include the moral perspective of whether sacrificing a few people to cure millions is a righteous exorcise. But really, none of this is particularly important as I didn't want an Ingmar Bergman film anyway. Cohen has rounded up a good cast of cult actors to populate his film with. Eric Roberts is entertaining in the lead, and receives good feedback from the likes of James Earl Jones, Megan Gallagher, the amusingly named Red Buttons and the sadly underused Eric Braeden. The plot is a little choppy at times, but it generally flows well and I don't remember being bored at any time during the film. The ironic ending is a blast, and although I don't doubt that this film could have been better; it's still fun enough and I won't hesitate to recommend The Ambulance to anyone!

"The ambulance" is perhaps not what people call a great movie.But it's sure much fun to watch!Its black humor is priceless.All the male actors overplay,Eric Roberts ,James Earl Jones and Eric Braeden camp it up and give the viewer the feeling of watching a cartoon (Roberts' escape from the ambulance) or reading a comic strip :anyway ,Roberts makes comic books ("They are not what they used to be "says cop Jones ).The director knows only one tempo:accelerated and ,for lack of subtlety ,there's never a dull moment.And the villain (Braeden) does believe he works for the greater good of humanity !And anyway won't his patient be in perfect health when he dies?