Alvo Duplo 3

Though people have been saying how much of a disappointment this prequel is, I watched it anyways, being a fan of the first two movies. And to be fair, it wasn't a bad experience at all.

I can see how people would be frustrated going in expecting more of the same and getting an action/drama movie instead, but I was told that it was less action and more romance beforehand. So I was prepared to take it for what it is worth. Which is an above average movie overall.

The Good: Chow Yun Fat returns to his character from the first film, which is great. Imagine the movie without him. Can you? Anita Mui plays her part very well and at times you really believe that she is upset or frustrated. The storyline is decent, and done pretty well. No, there are no scenes like the finale of A Better Tomorrow 2, but come on, did you really expect that kind of scene again? The ending of A Better Tomorrow 2 is so spectacular, can you blame the prequel for not trying to top it and go elsewhere instead? The chemistry between Chow Yun Fat's Mark and Anita Mui's Kit is great, especially with Kit. The viewer really feels for her. Great job.

The not so good: Many people accuse John Woo's films of totally ignoring women. But when it comes to A Better Tomorrow, many people criticize part three for placing a woman in the mix. It's supposed to be a story of brotherhood and friendship. In a way I agree. There should be more women representation is some of John Woo's work, but with this series, many fans prefer a team of friends, guys, more specifically Ho, Mark, and Kit from the first in the series. I would rather have had part three be a true sequel picking up where the second left off [with Ho and Mark's brother Ken (also played by Fat)] and tell about there struggles and how they are getting over the events of the last movie. Then you can put Anita Mui in the storyline somewhere and have her help them out in some way.

Overall, A Better Tomorrow 3 is pretty good. Not much like the first two, but an alternative that strays from the formula and may be accpted by some, and not by others.

Different to John Woo's original two films, but it's almost as good. Chow (coolest man in the world) yun fat, gives a very charismatic performance, hilarious in the opening scenes when he walks around the airport with an unlit cigarette hanging from his lip, and gives a raw, powerful, emotional performance at the end. The action scenes although lacking the finesse of the John Woo trademark mayhem, are still high velocity and powerful. Aided well by the soaring soundtrack, this film although it can be a little slow, is a welcome and worthy addition to the better tomorrow films. I just loved every second of it. Although the subtitles were a little tricky to read in places but you can't blame the film for what someone else did to it. The major problem is the badly done music editing after the credits have rolled. However seeing as the actual film had finished by that point, not many people would notice.

Tsui Hark directed this sequel (1989) to John Woo's classic heroic bloodshed films Better Tomorrow 1 and 2 made couple of years earlier, and this third installment is more a prequel than sequel. It concentrates on what happened before the first two films and has more drama than action in it. Chow Yun Fat is again Mark Gor who is in Vietnam and meets there his cousin Mun (Leslie Cheung) who is just released from prison when Mark arrives in Vietnam. They meet mysterious female assassin Kit (the beautiful sweetheart Anita Mui) and both of the men are attracted by Kit. The film concentrates pretty much on the war infested Saigon and the hell that's free in there, so there isn't any particular plot in the film, but that doesn't mean it's not interesting.

I think there's couple of strong scenes of social criticism, mostly the horrific "customs scene" at the airport when Mark, Mun, Kit and Mun's father try to travel away from the country and are abused by the corrupted custom officers. Also the scene at the hospital is very harrowing and is there to underline righteously the state of the world of that time, and unfortunately there are even today places with same kind of circumstances in our world. Fortunately Tsui's attitude isn't this time as underlining as in his Once Upon a Time in China (1991), and Tomorrow 3 is therefore perhaps more noteworthy film as commenting society.

The visuals are also brilliant as can be expected from this director. There are great use of blue smoke again and the gun fights are incredibly beautifully shot and are more effective than any gun fight in some Western effort. The slow motion death scene of one important character in the film's finale is perhaps among the most beautiful "heroic death scenes" I've seen and it is finished very carefully and thus it has such a power. After that scene everyone should know what this name "heroic bloodshed" for this genre means and what makes it so unique. The end is very sad, too, but as we know how Mark ends up in his subsequent adventures, it gives some positivism for the sad ending of this third film. The ending is little irritating due to it's prolonged gun battles and fire power, and I think it should have stopped little earlier in order to be more effective finale for the otherwise pretty great film.

Better Tomorrow 3 is not as great and interesting as Woo's films, but still this is much more than average effort from Hollywood, and due to Tomorrow 3's great look and visuals, I give this gladly 8/10 rating and think this is among the greatest films Tsui Hark has directed himself. He has produced perhaps as many films as he has actually directed and many have said he is better producer than director, but this film shows that he really knows how to direct noteworthy films, too.

I ordered this movie on tape (dvd didn't exist then). I expected the same classic shootouts and drama like the first two "Better Tomorrow"'s. I knew it was a prequel. The back cover said that this movie was about "Mark" becoming the hit-man he was in "Better Tomorrow 1". Boy was I misinformed. It did show some background on Mark's History. And the reason he became a killer. (Love for a woman who gets killed.) But that's it. Nothing more. Nothing about his adventures he told us about in Better Tomorrow 1. To not use this concept is the reason why this movie fails. To be fair there were some nice things like some action scenes,but they were nothing special. These action scenes cannot be compared to John Woo's sequences. Some reviewers call this the best one of the series. That really is a mystery to me,because this movie isn't even in the same league as 1 and 2. Everybody is entitled to their own opinion,but for me this was definitely the worst one of the series!

A Better Tomorrow III:Love and death in Saigon (1989) is an underrated masterpiece. The film takes place during the final days of the Vietnam War. Mark Go (Yun-Fat Chow) and his friend (Tony Leung Ka-Fai) are in South Vietnam on a business trip and also to meet Leung's father. The two have a rough time getting into the country until they meet a mysterious gangster's moll (Anita Mui). Awhile later, the three form an unusual friendship. Mark Go learns a lot from Ms. Mui as she teaches him how to survive in a brutal environment.

A great film from the ever reliable Tsui Hark. What I like about his films is that he always has strong female characters. Anita Mui is simply wonderful in this movie. She also shows her vulnerable side (she's not always hard as steel). Mark grows up quick in war torn Saigon. Tony Leung Ka-Fai is good as well (serious for a change instead of playing his usual goofy gigolo persona). The action scenes are staged very well (they don't dominate the film). And what's a film starring Anita Mui without those skinny jokes (yes, a movie with Anita is not complete without a couple of skinny jokes at her expense. The movie was knocked in many ways because it's so different than the first two. I say,"So what!" The film is an essential action film from the master Tsui Hark.

Highly recommended.

Anita Mui also performs the songs in the film. Especially the haunting theme song heard in the middle and during the end credits of the film. A fitting song in so many ways.