Tango e Cash: Os Vingadores

It looks to me like everyone was having one rollicking good time making Tango&Cash. This is the kind of film that you have to take as seriously as an Indiana Jones adventure. After all their can be only one Indy.

But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.

As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.

Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.

When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.

The #1 reason why I love brainless action movies from the 80s and 90s? Because of the actors playing the bad guys! Just look at this baby; - Jack Palance, Brion James, Robert Z'dar, Clint Howard... Sure enough, the stars of the film are Sly Stallone and Kurt Russell, but for people who always root for the villains - like me - films like "Tango & Cash" are delightful! The set-up for this buddy-action movie is that the two best cops of Los Angeles are framed by big-shot drug/weapon dealer Palance, and end up in prison amidst the vengeful cons they locked away themselves. Plausibility and coherence are of minor importance, but "Tango & Cash" works perfectly because both Stallone and Russell prove themselves to be masters of self-parody, and the chemistry between them is awesome. Good stunt work, James Bond like gadgetry and an incredibly sexy Yazoo-dance by Teri Hatcher only make the film even more amusing.

Tango is a smooth cop who dresses like a banker, deals in stocks and shares but loves the action. Cash is a rough and ready action man who lives life fast and dirty but is a better cop for it. Each man serves on opposite sides of the LA and both are thorns in the side of crime kingpin Yves Perret – accountable for losing him millions in seized drugs and weapons. Rather than just have them killed, Perret sets them both up for the murder of an undercover cop supposedly in a sting operation. With all the evidence against them they cop a plea for minimum-security sentence – which they don't get. With a violent and angry welcome for them, Tango and Cash decide they need to escape soon or be carried out – plus, bringing down Perret is now their sole focus.

Although I know just what this film was going to be like, I thought I'd try to give it a chance and watch it again with a fresh pair of eyes. Nothing about the plot summary would lead you to expect anything other than a clichéd action movie and all that comes with it. And that is almost exactly what you get with this. The plot is predictable and really you are just watching it go through the motions and do just what you expect it to at almost every stage. The action is typically over-the-top and lacking the touch of realism that is usually needed to make it really engaging and exciting – instead it is noisy and overblown, managing to be quite fun but certainly not gripping or involving. The character dynamics are also clichéd – it is love/hate, bantering, mismatched cops stuff but ironically it actually works pretty well. The main reason for this is that the script shows that at least Feldman wasn't taking it too seriously – the dialogue allows both to mock each other and stops them settling into their macho images too much.

Happily both Stallone and Russell buy into it and let themselves be made fun of as much as they get to give it. Neither are brilliant but at least they seem to have got the joke and avoid playing it too straight or just going along with the macho clichés. Of course they eventually get back to basics and (along with the film) eventually just gets down to big bangs and action movie traditions but for the majority of the film they just about do enough to make it fun – albeit fun in a silly, rather guilty way. Hatcher doesn't add a great deal but it is interesting to see how good she looked then and how well she has aged in the past 15 or so years. Palance hams it up something awful and is a little painful to watch – but he is matched by equally poor bad guys from James, Hong and a few others. Pollard does his usual stuff and is typical comic relief.

Overall this is a dumb action movie and if you hate that type of film then you will hate this. I must admit that, by the end, the sheer cheesy stupidity of the whole thing had started to grate on me somewhat but up till that point it had been silly and quite fun. The amusing banter is one plus and at least Stallone and Russell aren't taking it too seriously for the most part and provide enough to stop it being a totally predictable genre film – even if it is a close run thing.

Sylvester Stallone and Kurt Russell play polar opposite Los Angeles cops who are framed by an arch nemesis and forced to team up in order to clear their name.

Unashamedly macho and very much of its time, this is daft energetic fun that's full of octane inventive action and ever quotable one liners. Stallone is Tango, the smart dressed sophisticated policeman, Russel is Cash, the slobbish act first - ask questions later copper, both men very different but both excellent at their jobs.

Pic gets by mostly on the chemistry between Stallone and Russell, who put much zest into their respective characters bickering and bantering. Action is well put together by director Andrey Konchalovskiy, but unfortunately the final third of the piece starts to sag as our mismatched cops start to respect and befriend each other and the plot reaches the inevitable conclusion.

It doesn't help matters that Jack Palance's main villain is only a bit part player, or that his head henchman Requin (the usually ace Brion James) gives us a quite appalling British accent. Add in Teri Hatcher who is in it purely for dressage and as a cypher between the two boys, then it's a picture not without problems. Yet the script and star turns from the leading duo ensure this remains a favourite of many whom lapped it up back in the backend of the 1980s. 7/10

Okay, so this isn't the greatest film ever made. In fact, it isn't even remotely the best buddy-buddy flick ever made. But surprisingly enough, this is actually quite a winner, and succeeds far more in being a parody of the Lethal-Weapon style films than say... Loaded Weapon does. This is for several reasons.

Firstly, Stallone is the star of the show here, turning in a self-mocking parody of his own screen persona. He is flash and indestructable, yet the film acknowledges and exploits this to comedic ends. Secondly, Palance is excellent as a sneering and menacing bad guy, plotting the two cops downfall. He deserved more screen time than he actually got, and actually did a good job of being the obligatory stereotypical bad-guy.

However, the best thing of all about this film is the snappy dialogue. There is so much good banter between the two-cops that no matter how bizarre the film's scenario's get, the dialogue rescues it.

The first time I saw this, I enjoyed it and was only really let down by the ending, which feels hollow and unsatisfying in comparison to the first two reels of the film. However, this nagging problem alone, I have no hesitation in recommending this to any fan of the action-genre.

Overall: 6 1/2 out of 10.