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6,2/10
5,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the le... Ler tudoAn American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the lead role in a musical version of The Elephant Man.An American actor based in London, is stuck playing the sidekick to a successful British comic. He meets an attractive nurse at the local hospital and starts to date her, also landing the lead role in a musical version of The Elephant Man.
Tim Barlow
- Mr. Morrow
- (as Timothy Barlow)
Avaliações em destaque
Wow -- talk about polarization. I watched this 15 year old movie for the first time this past weekend and I thought it was terrific, gentle fun. Then I looked at the comments and found that it was tied with "Citizen Kane" with some viewers, but with "Plan 9 from Outer Space" with the rest. What is there in this little film that should polarize everyone so?
Rowan Atkinson behaving like a creep? Emma Thompson's 15-years-ago tush? Jeff Goldblum doing a pretty nice job as a vague almost-actor? I think I will join the polarization here and state that I choose not to go to a party with those "one star" people. I'll bet they just discuss poetry and stuff.
How did I like this movie? Let me count the ways? 1. Funniest damned sex scene I can recall. 2. Landlady-Carmen and friends -- what do you people mean, unnecessary character? 3. "Elephant!" Is that show coming soon to a theatre near me? 4. Weak ending -- who cares?
Rowan Atkinson behaving like a creep? Emma Thompson's 15-years-ago tush? Jeff Goldblum doing a pretty nice job as a vague almost-actor? I think I will join the polarization here and state that I choose not to go to a party with those "one star" people. I'll bet they just discuss poetry and stuff.
How did I like this movie? Let me count the ways? 1. Funniest damned sex scene I can recall. 2. Landlady-Carmen and friends -- what do you people mean, unnecessary character? 3. "Elephant!" Is that show coming soon to a theatre near me? 4. Weak ending -- who cares?
10rhombus
The Tall Guy is one of my all-time favorites. One's taste in comedies is a highly personal thing, and not everyone will find this movie to their taste, but if you like the inimitable flavor of British humor (as I do) and enjoy Jeff Goldblum and Emma Thompson, you will probably find this movie to be extremely rewarding -- that is, hilarious and, perhaps, a bit touching.
It's got its flaws, of course. There are plenty of spots where nothing really happens, the music is pretty uneven, and a few gags fall flat. There are one or two key plot points that are a little hard to follow (especially the scene with Emma Thompson on the television). And surprisingly, the last quarter or so turns a bit grim, and comes a bit close to losing sight of the whimsicality which is so much of this movie's charm.
But I'll gladly put up with all that for what this movie has to offer. It's incredibly hard to make a good comedy, and all too many comedies nowadays are either too tame, or too scatological...too cruel, or too meek...too earnest, or too smug in their irony. The Tall Guy proves that there is ground between these extremes, and what fertile ground it is! I don't know if one could make this movie in America; the entire film is permeated with a uniquely British sensibility that makes it irresistible. And in the midst of all this, Jeff Goldblum is absolutely spot-on as the bemused American; his facial expressions and reaction shots in this movie are priceless. It's a pity that so many of his recent roles have been in action movies; at his best, Goldblum is a fantastic comic actor, and this movie depends completely on his charm, wit, and expressiveness.
One of the centerpieces of the movie, by the way, is a musical based on "The Elephant Man". It's a tour-de-force of parody, brilliantly satirizing the tastelessnesses and mediocrities of modern musicals; indeed, I wish we could get to see even more of it.
I recently revisited The Tall Guy for the third time, watching it side-by-side with There's Something About Mary, and I can't begin to tell you how much the latter movie suffered by comparison. They have a few traits in common -- both movies revolve around the pursuit of a beautiful woman by a misanthropic-but-oddly-handsome male Jewish lead, both have a strong sexual element to their humor, and both feature a prominent handicapped character (a blind man in the Tall Guy, a man on crutches in Mary) whose misadventures are played for laughs. But where There's Something About Mary is coarse, mean, and obvious, The Tall Guy is witty, absurd, and completely good-natured -- and in my opinion, far superior.
I suspect there are a fair number of people who won't "get" The Tall Guy, and that's a shame. But if it sounds like it's on your wavelength, rent it if you can find it. It's an incredibly sweet and funny movie that is well worth the watching.
It's got its flaws, of course. There are plenty of spots where nothing really happens, the music is pretty uneven, and a few gags fall flat. There are one or two key plot points that are a little hard to follow (especially the scene with Emma Thompson on the television). And surprisingly, the last quarter or so turns a bit grim, and comes a bit close to losing sight of the whimsicality which is so much of this movie's charm.
But I'll gladly put up with all that for what this movie has to offer. It's incredibly hard to make a good comedy, and all too many comedies nowadays are either too tame, or too scatological...too cruel, or too meek...too earnest, or too smug in their irony. The Tall Guy proves that there is ground between these extremes, and what fertile ground it is! I don't know if one could make this movie in America; the entire film is permeated with a uniquely British sensibility that makes it irresistible. And in the midst of all this, Jeff Goldblum is absolutely spot-on as the bemused American; his facial expressions and reaction shots in this movie are priceless. It's a pity that so many of his recent roles have been in action movies; at his best, Goldblum is a fantastic comic actor, and this movie depends completely on his charm, wit, and expressiveness.
One of the centerpieces of the movie, by the way, is a musical based on "The Elephant Man". It's a tour-de-force of parody, brilliantly satirizing the tastelessnesses and mediocrities of modern musicals; indeed, I wish we could get to see even more of it.
I recently revisited The Tall Guy for the third time, watching it side-by-side with There's Something About Mary, and I can't begin to tell you how much the latter movie suffered by comparison. They have a few traits in common -- both movies revolve around the pursuit of a beautiful woman by a misanthropic-but-oddly-handsome male Jewish lead, both have a strong sexual element to their humor, and both feature a prominent handicapped character (a blind man in the Tall Guy, a man on crutches in Mary) whose misadventures are played for laughs. But where There's Something About Mary is coarse, mean, and obvious, The Tall Guy is witty, absurd, and completely good-natured -- and in my opinion, far superior.
I suspect there are a fair number of people who won't "get" The Tall Guy, and that's a shame. But if it sounds like it's on your wavelength, rent it if you can find it. It's an incredibly sweet and funny movie that is well worth the watching.
Jeff Goldblum plays a gawky, downtrodden American actor living in England who plays straight man to an obnoxious, unpleasant comedian. Rowan Atkinson is the obnoxious, unpleasant comedian who torments Jeff. Emma Thompson is a pretty, deadpan nurse who gives Jeff's life hope and meaning when he falls in love with her and vice versa. After parting ways with Atkinson, Jeff lands the lead role in "Elephant!", a musical version of "The Elephant Man", in which he plays, of course, the Elephant Man. Jeff's eternal happiness is nearly thwarted by a cute co-star who threatens his romance with Emma Thompson. Will Jeff come out on top? Of course he does. This isn't "The Fly" after all.
Too long but still very funny, with Jeff well cast as the title character. Atkinson is a great antagonist and Emma Thompson has her moments of inspired deadpan humor. And of course, the actual "Elephant" sequences are a riot.
"Vengeance shall BE MINE!" Jeff as Dexter King, AKA: The Tall Guy.
Too long but still very funny, with Jeff well cast as the title character. Atkinson is a great antagonist and Emma Thompson has her moments of inspired deadpan humor. And of course, the actual "Elephant" sequences are a riot.
"Vengeance shall BE MINE!" Jeff as Dexter King, AKA: The Tall Guy.
Dexter King (Jeff Goldblum) is the oddball sidekick to domineering comedian Ron Anderson (Rowan Atkinson) in a long running two-men play. His landlady Carmen is a sex maniac. He has a bout of hay fever and falls for nurse Kate (Emma Thompson).
Jeff Goldblum is very broad in this shy awkward oddball character. It doesn't really work. I don't buy him and he's not necessarily funny. It's super quirky but it's also head-scratching. The flashbacks are hit and miss. Goldblum has a slightly off sense of humor. It doesn't really work here. Emma Thompson is lovely as usual. This is a quirky movie that isn't that funny.
Jeff Goldblum is very broad in this shy awkward oddball character. It doesn't really work. I don't buy him and he's not necessarily funny. It's super quirky but it's also head-scratching. The flashbacks are hit and miss. Goldblum has a slightly off sense of humor. It doesn't really work here. Emma Thompson is lovely as usual. This is a quirky movie that isn't that funny.
Take an obligatory American - Jeff Goldblum - a gorgeous nurse (Emma Thompson), a script by Richard Curtis, long before going on to pen Four Weddings and a Notting Hill; get Mel Smith to direct and rubber-faced Rowan Atkinson to play the villain of the piece. The result is The Tall Guy, probably the greatest comedy of 1989.
I remember going to see it twice at the time and laughing all the way through it, amazed that British comedies could be this good.
It has a huge amount going for it with intelligence, cracking lines and some highly stylised photography by Adrian Biddle.
Curtis' semi-autobiographical script is based on his own days as a fall guy for Atkinson and the result is well worth a look.
I remember going to see it twice at the time and laughing all the way through it, amazed that British comedies could be this good.
It has a huge amount going for it with intelligence, cracking lines and some highly stylised photography by Adrian Biddle.
Curtis' semi-autobiographical script is based on his own days as a fall guy for Atkinson and the result is well worth a look.
Você sabia?
- CuriosidadesJeff Goldblum was only free because of an actors strike in the U.S.
- Erros de gravaçãoIn a shower scene late in the movie the camera moves to a high vantage point, showing the shorts that Dexter is wearing.
- Cenas durante ou pós-créditosMichael Fitzgerald's full credit in the movie is "Man with vacuum cleaner tube up his bottom."
- Versões alternativasThe American video release contains dubbed replacements of much British slang.
- Trilhas sonorasIt Must Be Love
Written by Labi Siffre
MAM Music Publishing/Chrysalis Music Ltd.
Performed by Madness
By Courtesy of Virgin Records Ltd. and Geffen Records
(by arrangement with Warner Special Products)
from the Album "Complete Madness"
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- How long is The Tall Guy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Questão de Tamanho
- Locações de filme
- Theatre Royal Drury Lane, Catherine Street, Covent Garden, Westminster, Greater London, Inglaterra, Reino Unido('Elephant - The Musical' theatre: exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 510.712
- Fim de semana de estreia nos EUA e Canadá
- US$ 91.131
- 23 de set. de 1990
- Faturamento bruto mundial
- US$ 510.712
- Tempo de duração1 hora 32 minutos
- Mixagem de som
- Proporção
- 1.66 : 1
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