Spirits of the Air: Gremlins of the Clouds

Filmmaker Alex Proyas is probably best known for movies like The Crow, Dark City, and I Robot. I think Spirts of the Air, Gremlins of the Clouds was his debut feature, and if you can get past the clunky title, there's a fair bit to like here.

It's sort of a post-apocalyptic story set in the Australian outback, centring on a mysterious stranger who starts living in a remote house with a brother and sister and alters their lives in various ways, but the plot's pretty loose overall, and not too important.

It's a really beautiful looking and sounding movie. So many shots are very bold and visually striking, and many look as though they could be album covers (in a good way of course). I thought the musical score was excellent too.

Less can be said about the acting and some of the dialogue. I guess it's okay for a smaller movie like this, but they definitely pale in comparison to the look and sound of the film.

It might've been better as a short film, as it does feel pretty slow and drawn out at points. Also, it peaks in the opening credits, where the music and visuals take centre stage, but it remains a pretty good watch throughout thanks to the well-realised vision.

Proyas was already a very confident director even this early in his career, and this film works pretty well despite its flaws.

It would be really hard for me to recommend this movie, as the story is thin, the three characters unlovable, and if you are not into 1980s New Age electronic music, then you definitively WILL throw something at the screen before an hour is up. There is hope though. If you love art, and particularly Australian desert landscapes, and in particular the almost uncanny use of colour, texture and design from that landscape, then Spirits of the Air may best be described as 90 minutes of a really excellently vivid (and original) slow moving art show (with a very tiny apocalypse theme), yet with a 1989 play trying to narrate. Almost any frame from this movie would make a good poster, even now, let alone back in the loud old days of 1989. It's worth a 7 for being brave and technically brilliant, but I'd really think twice about making it a gift for a new friend.

Set against the beautiful Australian landscapes in the outback, "Spirits of the Air, Gremlins of the Clouds" is certainly not a film that is fun science-fiction in the classic sense, which is not really surprising given the arthouse tone. Arguably a bit slow by western standards, this strange debut film sneaks under the wire when compared to Alex Proyas's Dark City (1998) and The Crow (1994). The story is simple, but compelling to watch. The scenery is just stunning and the songs that were chosen accentuated the drama and were so good. The score is as quiet and wonderful as the life itself while as intriguing as its characters. The Mad Max comparisons are obviously rife because of it's Australian desert setting. Nevertheless, thanks to the great pictures and acoustics as well as the wonderful acting, this unconventional film is definitely worth seeing for the fans of Richard Lester, Konstantin Lopushanskiy and Piotr Szulkin.

It's like concept art of a post-apocalyptic wasteland graphic novel come to life. One of the most unique films I've seen, visually stunning with some incredible performances which I found captivating. I wouldn't call it a crowd pleaser but it is engaging, beautiful and unique with amazing artistic direction - including costuming. I'm not great at writing reviews but I felt this film deserves a lot more attention not only in the Australian film world but the arthouse and dystopian circles as well.

I gave it a 7/10 because it is obviously low budget and the plot is somewhat thin but if I was rating for enjoyment alone it would be 10/10.

This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.

All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.

This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.

Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

(By the way, to the @$#%ing mongrel who stole my Japanese import copy of the soundtrack on CD may you be locked in a room with Betty for a very long time)