AVALIAÇÃO DA IMDb
7,1/10
14 mil
SUA AVALIAÇÃO
Um policial propenso à violência descobre que seu colega trafica drogas.Um policial propenso à violência descobre que seu colega trafica drogas.Um policial propenso à violência descobre que seu colega trafica drogas.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Takeshi Kitano
- Azuma
- (as Beat Takeshi)
Sei Hiraizumi
- Iwaki
- (as Shigeru Hiraizumi)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I find it very difficult to rate a movie like this, as most of its interest is in who made it and how it points to his much superior later movies like Hana-bi. The script here is obviously just a standard actioner - the usual elements we've all seen a million times are there, the hard man cop with his innocent rookie partner, his one weakness (in this case, his sister), his 'no nonsense get things done attitude'. But this being Kitano, its full of mysterious, compelling scenes that in themselves often don't often make sense. The ending was never really in doubt, but the fascination of Takeshi movies is how he gets there. There really is nobody out there making movies quite like him now - such weird blends of Japanese sensibility, American action tropes and European art movie editing and camera-work. It shouldn't work, but somehow it does. Violent Cop is nowhere near his best work so I wouldn't recommend it to anyone curious about watching it, but its certainly worth a view for those who have seen his later movies and want to explore his strange vision of the world.
It's nearly impossible not to watch 'Violent Cop' without thinking of Kitano's masterpiece 'Hana-bi' ('Fireworks'). As the latter is a brilliant achievement and one of the most outstanding movies of recent years, Japanese or otherwise, 'Violent Cop' must obviously be slightly disappointing in comparison. Many of Kitano's subsequent themes and style are evident in slightly embryonic form here, only not quite as successfully handled. A lot of that has to do I'd guess with Kitano having no involvement with the sometimes pedestrian script. Even so, that's not to say that 'Violent Cop' is a bad movie, far from it! It may not be Kitano's best work, but personally I enjoyed this one much more than his recent attempt at a Hollywood crossover 'Brother'. Kitano is one of the most charismatic actors currently working and every time he's on screen he is mesmerizing. He plays a tough cop with unconventional methods who finds himself caught between loyalty and duty when he discovers that one of his fellow cops is in cahoots with some local drug pushers. When his beloved sister is kidnapped, doped up and raped by members of this gang it's inevitable that he will seek his revenge. The title of the movie gives a very clear message of how he plays the game! This is probably a great place to start for newcomers to Kitano, especially those who are anticipating some kind of Woo/Lam Hong Kong action-fest. Kitano's yakuza movies are very different in approach, slower, more thoughtful and with much greater depth. I'm not a fan of Hong Kong cop movies as to me they are all style and very little substance. This is certainly not the case with 'Violent Cop' or Kitano's subsequent movies in a similar vein. It may take some a little time to grow accustomed to their style and approach, but once you have I'm sure you'll be hooked like I am. If you enjoyed this movie run immediately to your local video/DVD outlet and rent 'Hana-bi'. You will be amazed!
Yes, it´s true: all the real great movies of the 1990s seem to be produced in the land of the rising sun! This dark cop thriller is no exclusion, because "Violent Cop" is suspense-packed, dramatic, sinister - and the actors don´t say a word too much! The dark poetry often reminded me on the films of Paul Schrader or Abel Ferrera as well as the visual brilliance and the excellent cinematography this Japanese gem contains! And, of course, main actor Takeshi Kitano is the new God of Eastern cinema! Masterpieces like "Brother" or "Hana Bi" blew my mind, and his performance of the emotional broken cop is powerful and amazing! A highly recommended film!!!
A shallow description would refer to this as a Japanese version of Dirty Harry. And it does bear some resemblance to that film, but while Dirty Harry broke the rules in order to get a criminal at any cost, Kitano's character Azuma seems to seek vengeance due not only to his lust for revenge but because he's psychotic. There's a sense that Azuma won't rest until he gets his man not out of duty but out of madness. Kitano gives what might be his best performance in this film; he is absolutely riveting. And the film itself is beautifully shot, and the score is especially good. But the best part of this is perhaps the end - the film ends on a perfectly cynical note that couldn't be topped. Seek this out.
This is Takeshi Kitano's directorial debut, and damn, it's a good way to open a directing career. Violent Cop is a film about, well... look at the title. While it may not be 100% in the style that Kitano's later films are, you can see many aspects of his later films were started.
Kitano plays a cop who goes above and beyond when it comes to the kind of wild things that Dirty Harry did. He's an even looser cannon than Harry, and that's saying something. Kitano plays the role well, doing his usual stoic face act. He comes across as quite scary and threatening. All the other side characters do a good job too.
Visually it does a lot of the things that Kitano is known for. Long shots, close ups, interesting editing, etc. You can see the foundation of Kitano's later films within this one. Now since this was his first attempt at directing, it can occasionally feel a bit slow. When I was about half way through, it felt like I had been watching for longer. Also the plot can be a bit confusing at times. Scenes occur that sometimes feel like they didn't have a lot to do with the main plot, or characters appear that you aren't exactly sure if you have seen briefly before or not. Kitano's later films tighten up the plot for sure, so I understand that this one is a little bit more rough since it's his first directing gig.
Over all, it's an interesting tale of a loose cannon cop. If you're a fan of Kitano and haven't seen it, check it out. Also watch it if you are in the mood for an unique Japanese film or a movie that shows that late 80's/early 90's vibe, because this movie certainly has that.
Kitano plays a cop who goes above and beyond when it comes to the kind of wild things that Dirty Harry did. He's an even looser cannon than Harry, and that's saying something. Kitano plays the role well, doing his usual stoic face act. He comes across as quite scary and threatening. All the other side characters do a good job too.
Visually it does a lot of the things that Kitano is known for. Long shots, close ups, interesting editing, etc. You can see the foundation of Kitano's later films within this one. Now since this was his first attempt at directing, it can occasionally feel a bit slow. When I was about half way through, it felt like I had been watching for longer. Also the plot can be a bit confusing at times. Scenes occur that sometimes feel like they didn't have a lot to do with the main plot, or characters appear that you aren't exactly sure if you have seen briefly before or not. Kitano's later films tighten up the plot for sure, so I understand that this one is a little bit more rough since it's his first directing gig.
Over all, it's an interesting tale of a loose cannon cop. If you're a fan of Kitano and haven't seen it, check it out. Also watch it if you are in the mood for an unique Japanese film or a movie that shows that late 80's/early 90's vibe, because this movie certainly has that.
Você sabia?
- CuriosidadesTakeshi Kitano insisted on long takes. Close-ups easily lasted 10 seconds, medium shots went on for 20 seconds and the shot where Azuma (Kitano) walks onto the bridge and into the frame lasted 57 seconds.
- Erros de gravaçãoBoom mic visible from behind a car at 49:28 as Iwaki approaches Azuma.
- Citações
Azuma: Turn yourself in tomorrow.
Delinquent Kid: I didn't do anything!
Azuma: You didn't do anything?
[Rams kid's head into the wall.]
Azuma: Well, then I didn't do anything either!
- Cenas durante ou pós-créditosThere are no opening credits beyond the title.
- Versões alternativasWhen the film was released in Swedish cinemas in 1992, it was censored with a little more than one minute for violence, the cuts were made in the following scenes:
- The policeman getting assaulted before he gets his head crushed by a baseball bat.
- The scene where Azuma assaults Hazishume on the toilet, and the finger cutting sequence.
- The following cuts are when Azuma assaults the killer in the locker room and a bloody execution scene at the end.
- ConexõesFeatured in Sete Psicopatas e um Shih Tzu (2012)
- Trilhas sonorasGnossienne No.1
(1890)
Main theme is an electronic variation of the above title by Erik Satie
Arranged by Daisaku Kume
Performed by Daisaku Kume
Produced by Kazuyoshi Okuyama
Courtesy by Vap Inc.
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- How long is Violent Cop?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.960
- Tempo de duração1 hora 43 minutos
- Cor
- Proporção
- 1.85 : 1
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By what name was Policial Violento (1989) officially released in Canada in French?
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