AVALIAÇÃO DA IMDb
5,9/10
4,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn France in 1649, the services of the Four Musketeers are needed again, and they run into some old foes from twenty years before.In France in 1649, the services of the Four Musketeers are needed again, and they run into some old foes from twenty years before.In France in 1649, the services of the Four Musketeers are needed again, and they run into some old foes from twenty years before.
- Direção
- Roteiristas
- Artistas
Eusebio Lázaro
- Duke of Beaufort
- (as Eusebio Lazaro)
Jean-Pierre Cassel
- Cyrano de Bergerac
- (as Jean Pierre Cassel)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Richard Lester attempts to recreate the magic of his '70s "Musketeer" films, and for the most part he succeeds, but "The Return of the Musketeers" is a bit too episodic at times and occasionally feels rushed, particularly at the end. It's fun to see the foursome back together again, though, and Jean-Pierre Cassel (who played Louis XIII in the earlier films) has a nice turn as a delusional Cyrano de Bergerac. Too bad this turned out to be Lester's last film (not counting the Paul McCartney concert film "Get Back").
It's nice to see many of the original cast members back for this third "Musketeers" movie, even though 15 years has elapsed since the second film. Usually such a long hiatus would have resulted in changes of personnel and style, but here we have a refreshing example of that NOT being the case. They even have the same director (Richard Lester), which helps to explain why the old mix of slapstick, political intrigue, sex and action is still so effective. Before I actually saw The Return Of The Musketeers, I was foolish enough to listen to all the negative critical buzz surrounding the film. As a result I came to it already prejudiced, expecting it to be a tired, listless, unworthy end to the trilogy (as many reviewers had suggested). Not so.... this is a most enjoyable instalment, and those who say otherwise are, frankly, wrong!
The musketeers as we remember them have long since gone their separate ways. D'Artagnan (perenially youthful Michael York) is the only one still employed as a musketeer, but he now works for the King - and rather less money! He is galvanised back into action when entrusted by the Cardinal Mazzarin (Phillipe Noiret) to deal with the rise of Beaufort supporters in the wake of Cromwell's rise to power in England. However, he soon has more to worry about than a mere rebellion when it becomes apparent that a name from the past has returned to exact revenge on each of the musketeers. That name is Justine de Winter, daughter of Milady de Winter (the female villain that Faye Dunaway played in the earlier films, who was eventually captured and beheaded by the musketeers). With Justine out for revenge, D'Artagnan has to track down his old friends - some of whom are Beaufort supporters and therefore the very people he should be fighting against - and together they ride again into various adventures and dangers.
There are certainly some problems with The Return Of The Musketeers, but none of them undermine the film as much as its detractors would have us believe. Firstly, Kim Cattrall plays Justine in too contemporary a style and this jars with the film's period trappings. Secondly, Richard Chamberlain's character, the musketeer Aramis, is not in the story much and the scripters have tried to compensate for his absence by introducing the character of Raoul, son of Athos. Alas, Raoul is both unnecessary to the story (he was mentioned in the book, but not used whatsoever as a key figure) and rather poorly played by C. Thomas Howell - another actor too contemporary for the surroundings. Apart from that, this is a most enjoyable movie with plenty of exciting sequences and good humour. In particular, there are several action sequences which are given a lovely element of slapstick (check out the wonderfully funny opening sequence, for example). The plot is quite complex and hard to keep up with - as, indeed, it was in the two earlier instalments - but the lively pacing and frequent bursts of action keep the audience engrossed. Many reviewers have already commented that this was Roy Kinnear's last film (he died following a horse-riding accident on the set), so I won't add too much to what has already been said. I will, however, say that Kinnear's performance in the film is comedy at its finest and this whole film is a lovely tribute to a lovely man and his considerable comic talents.
The musketeers as we remember them have long since gone their separate ways. D'Artagnan (perenially youthful Michael York) is the only one still employed as a musketeer, but he now works for the King - and rather less money! He is galvanised back into action when entrusted by the Cardinal Mazzarin (Phillipe Noiret) to deal with the rise of Beaufort supporters in the wake of Cromwell's rise to power in England. However, he soon has more to worry about than a mere rebellion when it becomes apparent that a name from the past has returned to exact revenge on each of the musketeers. That name is Justine de Winter, daughter of Milady de Winter (the female villain that Faye Dunaway played in the earlier films, who was eventually captured and beheaded by the musketeers). With Justine out for revenge, D'Artagnan has to track down his old friends - some of whom are Beaufort supporters and therefore the very people he should be fighting against - and together they ride again into various adventures and dangers.
There are certainly some problems with The Return Of The Musketeers, but none of them undermine the film as much as its detractors would have us believe. Firstly, Kim Cattrall plays Justine in too contemporary a style and this jars with the film's period trappings. Secondly, Richard Chamberlain's character, the musketeer Aramis, is not in the story much and the scripters have tried to compensate for his absence by introducing the character of Raoul, son of Athos. Alas, Raoul is both unnecessary to the story (he was mentioned in the book, but not used whatsoever as a key figure) and rather poorly played by C. Thomas Howell - another actor too contemporary for the surroundings. Apart from that, this is a most enjoyable movie with plenty of exciting sequences and good humour. In particular, there are several action sequences which are given a lovely element of slapstick (check out the wonderfully funny opening sequence, for example). The plot is quite complex and hard to keep up with - as, indeed, it was in the two earlier instalments - but the lively pacing and frequent bursts of action keep the audience engrossed. Many reviewers have already commented that this was Roy Kinnear's last film (he died following a horse-riding accident on the set), so I won't add too much to what has already been said. I will, however, say that Kinnear's performance in the film is comedy at its finest and this whole film is a lovely tribute to a lovely man and his considerable comic talents.
The third installment in the Lester saga ,the fourth ("Le Vicomte De BRagelonne" feat. the iron mask) was never filmed ,because this one was not very commercially successful.
Roughly based on "Vingt Ans Après" ,"the return" was made sixteen years later ,with the same actors (Faye Dunaway ,Raquel Welch and Charlton Heston are not present ,their characters being all dead).Also Louis the Thirteenth is dead,Jean-Pierre Cassel who played his role,returns as Cyrano De Bergerac who comes at the most awkward moment.
The historical background is thin,although dealing with "La Fronde" ,a noble rebellion,and Mazarin's struggle to maintain the absolute monarchy ;and in spite of the musketeers,he was successful ,for the Sun King's reign only began with his death in 1661 ,when he was already 23.
Unlike in the book,it's a daughter (Justine De Winter) and not a son who wants to avenge her mother Milady.It's first surprising but becomes repetitive in the long run.It lacks some imagination:why not an affair with Raoul for instance?
The first movie of the saga remains the most successful:in this one,time has taken its toll,and what could have been another magnificent "Robin and Marion" ,a journey through the past tinged with nostalgia ,remains here a moderately entertaining swashbuckler.
Roughly based on "Vingt Ans Après" ,"the return" was made sixteen years later ,with the same actors (Faye Dunaway ,Raquel Welch and Charlton Heston are not present ,their characters being all dead).Also Louis the Thirteenth is dead,Jean-Pierre Cassel who played his role,returns as Cyrano De Bergerac who comes at the most awkward moment.
The historical background is thin,although dealing with "La Fronde" ,a noble rebellion,and Mazarin's struggle to maintain the absolute monarchy ;and in spite of the musketeers,he was successful ,for the Sun King's reign only began with his death in 1661 ,when he was already 23.
Unlike in the book,it's a daughter (Justine De Winter) and not a son who wants to avenge her mother Milady.It's first surprising but becomes repetitive in the long run.It lacks some imagination:why not an affair with Raoul for instance?
The first movie of the saga remains the most successful:in this one,time has taken its toll,and what could have been another magnificent "Robin and Marion" ,a journey through the past tinged with nostalgia ,remains here a moderately entertaining swashbuckler.
Lester's musketeer films were some of the first films I ever saw in the movie theatre, and I was entranced. Disappointingly I also saw "The Fifth Musketeer" with a different set of actors, and a different production team. Fast forward ten to fifteen years after that, and I'm channel surfing one evening when I come across some kind of period piece that happens to looks like a musketeer film on WTBS.
And it is. Complete with Michael York and gang to reprise their roles.
Huh? Wha-? "Return of the Musketeers"? How is it that I never heard of this movie? Particularly when it came out a few years before airing on Ted Turner's Superstation?
Unfortunately I only caught the final twenty minutes or so, but I knew WTBS would reair it at some point, or it'd be available on VHS somewhere. Right?
Nope.
Just like the book upon which the film was based I had to wait twenty years to get a DVD of this film, and from where? France. Fitting, if somewhat ironic given the production team. As part of a three film set I had to repurchase the original 1970's films, but at least I finally have the full set of Richard Lester's renaissance tales.
But, to the film. I like it. It's not quite as extraordinary as the first two films, but it does manage to recapture some of the atmosphere set by the previous two films. We see the decadence of the privileged aristocracy, but we don't quite see the visual juxtaposition of what was filth ridden Europe at that point in history.
I have to admit that the film feels somewhat cobbled together, but I enjoyed it all the same. As you probably already know comedic actor Roy Kinnear's life was tragically cut short working on this production, and the film is appropriately dedicated to him.
I guess the one thing that really stands out in this film is the fact that it's a relatively low budget affair. When the first musketeer films were shot the film makers had the advantage of shooting under Franco's Spain, making the production a cheap affair for en epic scale production. I guess when democracy spreads the wealth it also spreads the demand for wealth, making things more expensive, therefore reducing the scale of the action and truncating any large battle scenes. You can tell that in spite of this being an expensive production that the money just wasn't there to do proper Richard Lester justice for this third installment of the musketeer movies.
All in all I enjoyed it. As I say the production values aren't quite there. Noticeably the one real critique that I had with the second film "The Four Musketeers" was the fact that Michael Legrand's adventurous score was absent. So it is with this film. Which is a shame, because an adventurous film needs an adventurous score. Oh well.
Like I say, it's not the best film in the series, but I'm glad to finally have it in my collection, albeit on Region 2 DVD. Give it a chance if you're new. If you remember the 70's musketeer films, then give this one a spin for a small bit of remembrance.
And it is. Complete with Michael York and gang to reprise their roles.
Huh? Wha-? "Return of the Musketeers"? How is it that I never heard of this movie? Particularly when it came out a few years before airing on Ted Turner's Superstation?
Unfortunately I only caught the final twenty minutes or so, but I knew WTBS would reair it at some point, or it'd be available on VHS somewhere. Right?
Nope.
Just like the book upon which the film was based I had to wait twenty years to get a DVD of this film, and from where? France. Fitting, if somewhat ironic given the production team. As part of a three film set I had to repurchase the original 1970's films, but at least I finally have the full set of Richard Lester's renaissance tales.
But, to the film. I like it. It's not quite as extraordinary as the first two films, but it does manage to recapture some of the atmosphere set by the previous two films. We see the decadence of the privileged aristocracy, but we don't quite see the visual juxtaposition of what was filth ridden Europe at that point in history.
I have to admit that the film feels somewhat cobbled together, but I enjoyed it all the same. As you probably already know comedic actor Roy Kinnear's life was tragically cut short working on this production, and the film is appropriately dedicated to him.
I guess the one thing that really stands out in this film is the fact that it's a relatively low budget affair. When the first musketeer films were shot the film makers had the advantage of shooting under Franco's Spain, making the production a cheap affair for en epic scale production. I guess when democracy spreads the wealth it also spreads the demand for wealth, making things more expensive, therefore reducing the scale of the action and truncating any large battle scenes. You can tell that in spite of this being an expensive production that the money just wasn't there to do proper Richard Lester justice for this third installment of the musketeer movies.
All in all I enjoyed it. As I say the production values aren't quite there. Noticeably the one real critique that I had with the second film "The Four Musketeers" was the fact that Michael Legrand's adventurous score was absent. So it is with this film. Which is a shame, because an adventurous film needs an adventurous score. Oh well.
Like I say, it's not the best film in the series, but I'm glad to finally have it in my collection, albeit on Region 2 DVD. Give it a chance if you're new. If you remember the 70's musketeer films, then give this one a spin for a small bit of remembrance.
The Return of the Muketeers marks the reunion of the cast of the best adaptation of Dumas' novel. Here, they take up the story of the sequel, The Twenty Years After. Unfortunately, it would mark the untimely end of the life and wonderful career of actor Roy Kinnear. Ironically, the tragedy is in keeping with the darker tone of the novel.
Spoliers-D'Artagnan is still a lieutenant in the King's Musketeers, his companions having retired to estates and abbeys. D'Artagnan finds himself tasked by Cardinal Mazarin to undermine the rebellion of Beufort and the Frondists. He also finds himself the target of Milady's legacy; her evil daughter.
The film starts out a bit slow, seemingly having trouble finding its footing. It picks up when the other Musketeers enter the picture and as the film progresses. Unfortunately, the tragic accident suffered by Roy Kinnear casts a palor over the ending.
The original cast is as good now as in the original films. Philippe Noiret was a fine addition as Mazarin. Jean-Pierre Cassel returns, this time as Cyrano De Bergerac. Kim Cattrall is a mixed bag; she has some good moments, but her overall performance is lacking. C. Thomas Howell is completely forgettable as Athos' son, Raoul.
Part of the problem with this film is that Mazarin never seems as formidable as Richelieu and Cattrall is a poor caricature of Faye Dunaway. The scheming nature of Aramis is nicely illustrated by Richard Chamberlain, and Frank Finlay provides a wonderful turn as Porthos. Oliver Reed was sliding quickly into the depths of his career at this point, but he has many fine moments.
One wonders if the film would have been better without the tragedy that befell it? Certainly, it affected the actors' performances. Still, the script was a bit lacking and budgetary restraints did hurt as well. It would have been interesting to see the group tackle the final Musketeer installment, The Man in the Iron Mask. They certainly could have improved upon the Randall Wallace version. All-in-all, the film is fine entertainment for a quiet evening or a rainy weekend.
One note of trivia: Philippe Noiret would later play D'Artagnan in Bertrand Tavernier's Revenge of the Musketeers.
Spoliers-D'Artagnan is still a lieutenant in the King's Musketeers, his companions having retired to estates and abbeys. D'Artagnan finds himself tasked by Cardinal Mazarin to undermine the rebellion of Beufort and the Frondists. He also finds himself the target of Milady's legacy; her evil daughter.
The film starts out a bit slow, seemingly having trouble finding its footing. It picks up when the other Musketeers enter the picture and as the film progresses. Unfortunately, the tragic accident suffered by Roy Kinnear casts a palor over the ending.
The original cast is as good now as in the original films. Philippe Noiret was a fine addition as Mazarin. Jean-Pierre Cassel returns, this time as Cyrano De Bergerac. Kim Cattrall is a mixed bag; she has some good moments, but her overall performance is lacking. C. Thomas Howell is completely forgettable as Athos' son, Raoul.
Part of the problem with this film is that Mazarin never seems as formidable as Richelieu and Cattrall is a poor caricature of Faye Dunaway. The scheming nature of Aramis is nicely illustrated by Richard Chamberlain, and Frank Finlay provides a wonderful turn as Porthos. Oliver Reed was sliding quickly into the depths of his career at this point, but he has many fine moments.
One wonders if the film would have been better without the tragedy that befell it? Certainly, it affected the actors' performances. Still, the script was a bit lacking and budgetary restraints did hurt as well. It would have been interesting to see the group tackle the final Musketeer installment, The Man in the Iron Mask. They certainly could have improved upon the Randall Wallace version. All-in-all, the film is fine entertainment for a quiet evening or a rainy weekend.
One note of trivia: Philippe Noiret would later play D'Artagnan in Bertrand Tavernier's Revenge of the Musketeers.
Você sabia?
- CuriosidadesOn September 19, 1988, during filming in Toledo, Spain, Roy Kinnear fell from his horse, sustaining a broken pelvis. He died from a heart attack the next day at a Madrid hospital. Before the accident happened, Kinnear had constantly protested against riding the horse, because he had no experience in it. He also requested a stunt double, as he also had serious safety concerns. But since they didn't have a stunt double for his part, he was forced to ride the horse, which then led to the accident shortly afterwards. Kinnear's widow, subsequently sued the producers for negligence and wrongful death, winning significant damages and compensation.
- Erros de gravaçãoCromwell is portrayed as leader of the Parliamentarian ('Roundhead') Army and de facto ruler after Charles I's execution. In 1649, however, he was still only second-in-command of the Army (he would not become commander-in-chief until well over a year later, following Sir Thomas Fairfax's resignation). William Lenthall, as Speaker of the House of Commons, was the nearest thing the new English Republic had to a Head of State until Oliver Cromwell took up the reigns of power as Lord Protector in 1653.
- Citações
Cardinal Mazarin: The people of England will permit anything - except cruelty to horses and a rise in the price of beer.
- Versões alternativasThe (2009) French DVD edition differs from the earlier UK VHS (and cinema) version. Both Philip Noiret and Jean Pierre Cassel had their voices re-dubbed in the VHS version, but here - on the English language option - their own voices are heard in English. Also several scenes are cut including the scene where D'Artangan gets his assignment from Mazarin to look up his old friends The Three Musketeers and the later scene where King Charles I is playing golf while being arrested by Oliver Cromwell's forces (likewise Michael York's narration of these scenes have been omitted).
- ConexõesFollowed by La Femme Musketeer (2004)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is The Return of the Musketeers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- The Return of the Musketeers
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was A Volta dos Mosqueteiros (1989) officially released in India in English?
Responda