Álibi para um Suspeito

Former cop Joe Paris (Burt Reynolds) was suspended for pushing his partner through a window after he shot an unarmed suspect. When criminal Jake Farley is founded murdered, Joe is arrested after finding evidence at his apartment. He's bloody, hungover, and can't remember the night before. Jennifer Hudson (Theresa Russell) is his eager new public defender who spent five years in the Peace Corps. James Nicks (Ned Beatty) is the prosecutor. Deborah Quinn (Kay Lenz) claims to be with Joe that night. She had contracted Farley to kill her powerful husband but changed her mind. He refused to pay her back but Joe somehow got the money for her. Jenny wants her to be Joe's alibi but Joe objects.

Michael Crichton as an IP generator is beyond reproach but as a director, he is average at best. This does not raise his average. The narrative flow is lacking. Burt Reynolds is cold which is good for his possible guilt. His innocence is not really in doubt but twists are expected in this type of movies. Russell overacts in a couple of scenes. The pairing is not that appealing. None of the characters are rooting interest material. This is a forgettable thriller.

RETRO REWIND: Physical Evidence (1989)

"A slow-burn thriller soaked in shadows, smirks, and suspicion."

Physical Evidence flips that image on its head. Here, Reynolds trades in the smirk for a scowl and gives us a performance that's weary, wounded, and wonderfully understated.

Directed by Michael Crichton (before his Jurassic days), the film plunges us into a moody, Boston-set crime story where justice is murky, and truth hides in the shadows. Reynolds plays Joe Paris, a disgraced ex-cop accused of murder, worn down by the world and dangerously close to giving up. Enter Theresa Russell as Jenny Hudson, a sharp, no-nonsense public defender who's as skeptical as she is savvy. What unfolds is a taut, character-driven mystery that refuses to play by Hollywood's louder rules.

Russells acting is wooden to start and can be jarring but seems she seems to get into the flow mid-way.

There's no flashy courtroom grandstanding here-just quiet tension, doubt. The relationship between Paris and Hudson is refreshingly raw: professional, combative, and grounded in real stakes. No shoehorned romance. Just two people fighting a system that doesn't care whether they like each other or not.

Visually, Physical Evidence is drenched in noir stylings. Rain lashes against dim streetlights. Office windows blur with cigarette smoke. Everything feels like it's two shades darker than it should be-which is exactly right. Boston becomes a character in its own right: cold, corrupt, and cagey.

So Why Dig It Up Now?

Because this is the kind of thriller they just don't make anymore. It's a film built on mood, performance, and slow-drip suspense. Reynolds shows us what he's capable of when he sheds the polish and leans into the grit. Russell matches him beat for beat, and Crichton reminds us that before he unleashed dinosaurs, he knew how to build real-world tension just fine.

A forgotten legal noir that trades flash for substance and gives us a Reynolds we didn't know we needed. Moody, mature, and surprisingly memorable.

Michael Crichton directed this flighty, flimsy cop-show starring Burt Reynolds as an officer framed for murder. Crichton, who did not pen the script, seems a curious choice to helm such second-rate material, but he makes something enjoyable out of it--even though one is inclined to scoff at the plotting and outrageous incidents in place of laughing (I did both). Laid-back Burt is positively enervated, yet he actually does the picture a favor by playing it so low-keyed (Crichton's general handling is outré enough). Completely outlandish, though it contains some surprising bits of humor and an odd little nasty streak which is intriguing. It's a guilty pleasure, with Crichton chortling in the background. ** from ****

A lot before " Payback ", with Mel Gibson, the cinema already showed violent and shocking stories in which the " hero " was, without a doubt, more evil than the bad guys! in those films it was impossible that the people who were watching it become indifferent to the intrigue, and therefore, these films won in the originality inquiry , exactly for showing the " heroes " without artifices, closer to the reality. In 1989, Michael Crichton directed an explosive and tense thriller, and he chose the star Burt Reynolds to interpret the main character... Perhaps Crichton didn't know, but the heavy, powerful and lowering presence of Reynolds helped to transform " Physical Evidence " in one of the best (and more violent) films of the gender, better than " Payback " or any other...with a hate and frustration glance , a cynic and bitter smile and his black and big mustache, Reynolds built one of the most complex and lowering characters of Hollywood's history. Joe Paris (Reynolds) is a hard cop, alcoholic and violent. A man who hates the world and the people in it.He doesn't get to control his temper and he is a true clock-bomb, an unexpected man who is capable to kill somebody at any second. When the body of a well-known boss of the crime is found with his throat cut, Paris becomes, in the eyes of the police, the main suspect, after all the criminal was an old enemy of Joe. Jenny, a public defender, decides to help him, she trusts this mysterious man and she tries to, at every cost, prove his innocence, and she finishes falling in love for him. Managing Michael Crichton builds an excellent film, with a good rhythm, always maintaining the exact dose of suspense and tension.As he had already shown in his other films, Crichton demonstrates that he knows how to ally a good plot with a cast at the same height and value. The scene in which Paris literally destroys some men who insult him is really frightening. He even threads a man's head through the window of the car. Paris is not, without a doubt, the good and nice cop that Bruce Willis interpret, on the contrary, Paris is a killing machine, a man who finds himself strange and full of rage! unlike the characters that Bruce Willis interprets, Joe Paris is revengeful, unfriendly, explosive and intolerant, that is to say, he is not afraid of anything: the death, in the vision of Paris, is a marked encounter for which he waits a long time. Paris is not afraid of death, he knows he has no limits, and he'll kill anyone who trespasses it. " Physical Evidence " is a dark and dramatic thriller. It seems the crime-drama films of the seventies. The movie explores the corrupt policemen's cruel and degrading routine: the prostitutes, the homosexuals, the criminals. In this film, the cops smell cocaine and they kill without pity. The streets are filmed as stages of betrayal and tragedies. In the middle of this treacherous sets "Physical Evidence " intrigue is developed. This is not a film for sensitive people. Reynolds, after his fascinating return in the masterpiece " Boogie Nights ", signed a contract with the television net TNT, owner of the best and largest studio for films made for television, and he offered to his fans of the whole world the same character type again. In " Hard Time ", Reynolds interprets a violent, dangerous and explosive policeman, but perhaps Joe Paris has been his most frightening and mysterious character, a man consumed by the drugs and the hate... Fascinating and violent, this film is a true masterpiece of the gender! watch it! Burt Reynolds once again gives an interpretation show and he demonstrates the reason why he is one of the most consecrated actors of Hollywood! and in this film he has the chance of exploring all his charisma, all his charm and talent. Unlike similar films, like " Die Hard ", a shot in " Physical Evidence " is more violent and shocking than each one of those films together, exactly because Reynolds' film explores the reality! in the films, when a thief is wounded, he falls down on the ground and he dies at once. In " Physical Evidence ", you are wounded, you fall and you die well slowly as it is in fact! intrigue, romance and action, all this is shown in this sad and dark film!it is sad the fact that the Academy didn't recognize the effort and the beauty of this work, and it is also sadder for this film not to have been seen a lot. But you have to discover this work! rent " Physical Evidence " and get ready to root for the bad guy! (and this time the bad guy isn't Mel Gibson - He is Burt Reynolds, the man who makes all the difference!)...

Physical Evidence (1989)

*** (out of 4)

Joe Paris (Burt Reynolds) is a disgraced detective who is picked up on a murder charge. Clear evidence is in his room that he committed the murder but he was so drunk that he can't remember a thing. Public defender Jenny Hudson (Theresa Russell) fights to get the case thinking she can save the man but before long her life is in danger as there's much more going on than she originally thought.

If you're looking for a hard-hitting courtroom drama then I'd highly recommend INHERIT THE WIND. If you're looking for an "A" quality Reynolds film then I'd recommend DELIVERANCE. If you're looking for any of those things or any sort of art then you're not going to find it here but at the same time as long as you don't take the film too seriously you could get some mild entertainment out of this. There's no question that by this time Reynolds wasn't a "A" list star anymore and this is the perfect example of a "B" movie.

I call this a "B" movie because the material isn't very strong. I mean, everything pretty much falls into place without too much logic and the ending seems more like something from Scooby-Doo more than anything else. The entire murder rap has countless bad guys brought into it and any of them could have been guilty so this too works against any sort of logic. I'd even argue that by the film presenting Reynolds as being innocent, it takes away possible drama because it would have played out better if the viewer didn't know if he was guilty or not.

With that said, I still found myself enjoying PHYSICAL EVIDENCE thanks in large part to the cast. I wouldn't say Reynolds gives a great performance here but he's at least entertaining and this fits well with the "aftermath" of some of the rough cops he played earlier in his career. He's certainly believable in the role and I thought it was a good fit for him. Russell is good in her role as the woman trying to get him off, although the screenplay doesn't do much with her character and the forced attempted love story is trash. Ned Beatty is always good and he adds some nice entertainment value as does Kay Lenz, Kenneth Welsh and Tom O'Brien. Married With Children... fans will enjoy seeing Ted McGinley here, although his character is yet another weak one.

As you can tell, there's a lot of negative things about this picture but it still kept me entertained throughout. I think it's best that you turn your brain off and just watch this on a boring day whenever you just want some light entertainment. This certainly isn't a masterpiece or a very good picture but if you're a fan of Reynolds then you should enjoy it.