Sonhos de Horror

A group of paranormal investigators venture into an abandoned house in an area with the perfect history for their needs. After setting up their equipment, the otherworldly madness begins... sort of.

Cheap and absurd, NIGHTWISH saves all of it's real "surprises" for the big finish. The first hour or so is pretty bland, with little in the way of action or suspense. In the end, it's mostly nonsensical malarkey, held together by a heavy, gooey layer of cheeeze.

Still, the last few minutes are suitably icky / entertaining, and it's always fun to witness the musclebound Robert Tessier lumbering around!

Also, Brian Thompson is hilarious as the eternally-disgruntled, Dean!...

This is a unique one. I really enjoyed the twisted ending even though most

other reviewers did not. Alisha Das is the highlight of this movie, along with the two villains. I'm surprised no one mentioned the awesome bondage scene

where all the students, including Alisha, are handcuffed for a long time. One of the best scenes of its type. There are a lot of twists and turns and , yes, it is a low budget flick, but even after seeing this movie a number of times I'm not exactly sure what the director had in mind EXACTLY as to what happened in the end. I've seen much worse. Give it a try.

"Nightwish" is an interesting mishmash of a movie. Part supernatural horror, part sci-fi / horror, and part backwoods horror, all assembled into a muddled but interesting whole. Written & directed by Bruce R. Cook, it's nothing if not amusing, and this viewer thinks that it does succeed in creating atmosphere and a sense of weirdness. It's highly likely that Cook intended to smooth over any gaps / flaws in his narrative with that standard "it's all supposed to take on the tones of a nightmare" approach. All in all, it's a respectable, fun, but not great attempt to play in the sandbox created by Wes Craven a few years previous.

The parapsychology students of a reckless professor (actor / film director Jack Starrett, whom you'll know as Gabby in "Blazing Saddles" and the vicious Deputy Galt in "First Blood") head for the California wilderness. There they intend to explore / exploit the spook house value of a residence with a history. As the story plays out, the character of Kim (Alisha Das, "Firepower") thinks that she has everything figured out. But will she, or ANYBODY, survive to tell the tale?

Aided by a shuddery score by Mark Ryder & Phil Davies, as well as the guaranteed-to-gross-you-out gore effects by the KNB guys, "Nightwish" is pretty entertaining for the 80s horror-loving crowd. The cast - Elizabeth Kaitan ("Silent Night, Deadly Night Part 2"), Clayton Rohner ("I, Madman"), Artur Cybulski ("The Hunt for Red October"), Brian Thompson ("Cobra"), Robert Tessier ("The Longest Yard"), Tom Dugan ("Hellraiser: Bloodline") - is entertaining to watch, although Starrett's ill health is apparent. He would die a year after filming, but before the movie saw a release.

Cook begins right away with unreality, with his Dutch angles adding to the dreamlike quality of the opening sequence. He takes us on a pretty strange trip; while the movie isn't altogether successful, it at least stands out in a decade full of slashers.

Seven out of 10.

That was totally screwed-up!? What this junky cheaply made b-grade production covers ranges from the premise looking into subconscious dreams, paranormal activity and Extra-Terrestrial involvement. Oh man everything (done in a very uncertain tone) but the kitchen sink in chucked into this one! The concept is original and strange, but it never truly comes together leaving the continuity being a complete jumble of unrealized ideas and far-fetched twists. It's illogically questionable, but maybe it's supposed to be so due to the bewilderingly tricksy context and one of those twisted endings. Love or hate it. But I found it rather effective.

How to give an outline of the story without revealing too much. Tough one. But here goes. A couple of grad students along with their professor head to an abandoned cabin to record and study some paranormal/otherworldly disturbances that plague the area. Not too long the indescribable occurrences begin to take its toll on the group.

It's silly, wild and campy (just look at those gooey, rubbery make-up FX and colourful optical special effects). Even then a dread-like atmosphere smothers proceedings and the growing paranoia is exceptionally pitched, as it's so hard to tell what's real or just hallucinations due to the genuine nature. As each others fears are conjured up. Trying to unsettle and overcome their senses. Amongst the sequences are some gruesomely icky deaths and titillatingly erotic inclusions.

Writer/director Bruce R. Cook erratically puts it together with some professional tinge and inserts few unusual imagery and experimental lighting composition, but at times it did drag. All talk (mainly uncanny babbling), little headway up until the last half-hour. The elastic script has some witty pitch black humour abound, but also random scientific theories. The off-kilter score is vibrantly rich and served up is a credible theme song of the same title.

There's a curious cast on hand. Straight performances between quirky ones. Jack Starret is deliciously malevolent and glassy (like out of some sort of mad scientist) as the professor with a hidden agenda. The beautifully magnetic leads Alisha Das and Elizabeth Kaitan are soundly good. Robert Tessier is enjoyable, but it's a testosterone imposing Brain Thompson ("the highway is mine!") that's a complete blast.

A fascinatingly nightmarish head trip in to the weird, which doesn't pull out any stops.

A strange and unnerving film, Nightwish moves among horror movie conventions the way The Player moves among genres. Never quite comprehensible, the movie follows its own associative logic while pretending to become, at various times, an alien invasion film, a mad scientist film, a ghost story, a beast-from--beyond-perhaps-it's-Satan-himself movie, and uncountable others. The acting is quirkily good, the writing witty, and the off-balance nature of the scenes allow the film to move between eeriness, gross-out horror, humor and an even odder element of eroticism--the latter supplied mostly by the lovely Alisha Das, whose character at times seems to treat the proceedings like an especially elaborate session of unnatural foreplay.