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Shot on location in Chicago, Next Of Kin is about a culture clash between two groups that are known for longstanding vendettas. They would be the Sicilian Mafia and the hillbillies of the Appalachians.

Patrick Swayze is one of three brothers of whom the youngest, Bill Paxton, is killed after organized crime takes over a trucking firm he was a driver for. They killed the wrong guy because in addition to being Paxton's brother, Swayze is also a Chicago police detective.

Of course Swayze has to operate within the parameters of the law. That's not the case for the oldest brother Lian Neeson. He comes to Chicago just looking for them that did the deed.

Andreas Katsulas is the Mafia crime family head and he's got an idiot son played by Ben Stiller whom he turns over to enforcer Adam Baldwin to learn the business. Stiller goes right to the top of the criminal food chain with Baldwin when he and Baldwin kill Paxton. But Baldwin is a survivor and he'll do whatever it takes to survive.

The showdown between hillbillies and Mafioso takes place with a cemetery at night serving as the OK Corral. It's quite a battle and justice is served if not the law.

Next Of Kin is your routine action film, but it does have one thing going for it that I have to praise. The hillbillies are real people here, they're not the Clampetts of Beverly Hills nor the mouth breathers from Deliverance. I'm glad that the producers avoided stereotyping them which would have been easy. Swayze is a good action hero and his leading lady is Helen Hunt who as Mrs. Swayze in the film is not given all that much to do.

Fans of the late Patrick Swayze will be very happy with Next Of Kin.

My review was written in October 1989 after a screening in Manhattan's Chelsea neighborhood.

John Irvin's atmospheric direction lifts the Patrick Swayze cop vehicle "Next of Kin" from routine programmer to sleeper status. Unfortunately, Warners' no-press-screenings play is indicative of this intriguing B+ picture getting the heave-ho in the marketplace.

Pic is of historical interest as the final film to go into production (August 1988) at Lorimar, while theindie was being swallowed by Warner Communications.

Interesting wrinkle in Michaei Jenning's screenplay (based on a script by Jenning and pic's associate producer, Jeb Stuart) is a mixing and matching of two ethnic strains of the vendetta: backwoods Appalachian version and revenge Sicilian-style.

These plot threads ar4e set in motion when Bill Paxton, a Kentucky boy from the hills now working in Chicago, is ruthlessly murdered by mafia enforcer Adam Baldwin as part of a strong-arm move in the vending machines racket. Paxton's older brother, Patrick Swayze, is a Chicago cop determined to find the killer.

Interfering with Swayze's efforts is the old-fashioned "eye for an eye" vengeance demanded by eldest brother Liam Neson. Picture climaxes with an elaborate war ina Chicago cemetery between Baldwin's mafioso and Neesons Kentucky kin, matching automatic weaponry with primitive (but reliable crossbows, hatchets, snakes and knives. Treachery on the Cosa Nostra side brings out a parallel "next of kin" subplot that concludes the film effectively.

Director Irvin's technical skill and Steven Poster's muted-color photgraphy bring out th4e flavor of both Kentucky and Chicago locations, with consistent tongue-in-cheek eleents (and ouright comic relief by the delightful Michael J. Pollard) balancing the film noir mood.

Swayze is solid as the mixed-motives hero, and inspired casting teams him with Irish thesp Neeson, most convincing as a tghrowback whose fish-ou-of-water misadventures in Chicago are a treat. Cast against type, Baldwin, the hulking youngster, familiar from "My Bodyguard", builds a fascinating portrait of evil lurking behind the innocent face. Supporting cast is convincing and physicaly perfect.

Patrick Swayze stars in an action revenge thriller in the same year that he also made Road House, the following year he made Ghost, these were two years after he had made a sensual splash with Dirty Dancing. Thus it's safe to say that Patrick did not pigeon hole himself. Next of Kin holds no great hidden gem rewards, but it's a rock solid thriller boasting a splendid cast list featuring Liam Neeson, Helen Hunt, Bill Paxton, Adam Baldwin, Andreas Katsulas, Ben Stiller (in a serious role), Michael J. Pollard, Ted Levine and Paul Greco.

Plot finds Swayze as a Chicago cop who after the murder his younger brother desperately tries to uphold the law while one of his brothers from the "sticks" would rather enact all out revenge on the mobsters that killed the younger sibling. Suffice to say things go pear shaped and blood, loyalty and life altering decisions do follow.

The trajectory is simple , honest cop tries to do the right thing by the law in spite of the hurt in his heart, hillbilly brother (Neeson getting the best role in the film) would rather deliver some "deliverance" type justice - all while the rest of the "Gates" family clan await the call to come wading down from the hills to aid the retribution flow. The action scenes are well enough staged by director John Irvin, there's a whole bunch of fun in the characterisations - even if they are standard 101 scripted - while if you can get past Swayze's ponytail you will find a very restrained and cool performance.

Hardly a must see, but definitely no stinker and worth your time as a time filler, if only to see such a fresh faced young cast of well knowns turning tricks before bigger things awaited. 6/10

This film is a very average 80's action/thriller. There really isn't a lot of action until the end, but I can't imagine it being categorized as anything else because the plot was so transparent and shallow that it couldn't be considered a drama or anything. This one has it all: Cheesy lines, the aforementioned bad plot, horrid and forced acting and really bad special effects.

The movie's upside, which most people already pointed out, is the cast. What were these people thinking when they agreed to be in this stinker? There's tons of big names in this film from when they were very young. Ben Stiller as a mobster, Liam Neeson as a 'hillbilly', Helen Hunt as the girlfriend...Adam Baldwin, Bill Paxton, and obviously Patrick Swayze. Speaking of Swayze, it's movies like this that really stopped his career from going from 15 minutes of fame to possibly 15 or more YEARS of fame.

Bad accents, forced acting, out of place casting and everything else mentioned above made this movie a below average film even for its time. Unless you're a Swayze nut, stay away from this movie.

"Next of Kin" is pretty much the standard vigilante movie. Only the actors were changed to protect Charles Bronson in "Death Wish" (1974) and Sylvester Stallone in "First Blood" (1982) from this overplayed formula movie.

Truman Gates' (Patrick Swayze) brother has a brand-new truck and is selling wholesale cigarettes. He should be shot for that. Oh, he was. Evidently, against the advice of his partner, the brother decided to protect the cigarettes from hijackers with his life. On the other hand, little Joey Rosselini (Adam Baldwin) is showing off and cannot back down from the challenge.

Now Truman must identify the person whom his brother insulted and incarcerate him. You guessed it; the rest of the kin which includes Blair (Liam Neeson) thought you were supposed to "incinerate" him. So, the fun begins. Bang! Bang! Shoot-um up.