O Homem do Terno Marrom

Uneven Agatha Christie adaptation with great locales, a swift adventure pace, and an odd assortment of acting styles from an equally odd assortment of then popular TV stars. Ken Howard ("The White Shadow") does a Humphrey Bogart spoof, Tony Randall ("The Odd Couple") does comedy skit impersonations, Rue McClanahan ("Golden Girls") plays her familiar Blanche character, Edward Woodward ("The Equalizer") is doing light theater, and Stephanie Zimbalist ("Remington Steele") at times looks like Pinocchio with wooden legs trying to balance on her two feet. I can't tell if the film was badly miscast (Tony Randall's role should really been done with an unknown unrecognizable actor), badly scripted, or just bad direction choices. My guess, a little of each. Imagine the director telling each of his actors that they were in a different type of film (spoof, mystery, adventure, drama, comedy, etc...) and you get an idea of what happens on screen. Still, the pace, humor, and locales actually make this one of the most enjoyable Christie inspired efforts and one you won't likely be nodding off to. Maybe there is a method to the madness afterall, or at least a purpose. I taped this film during it's original broadcast in 1989 and still watch it from time to time as a guilty pleasure. Go figure.

Being a fan of Agatha Christie, I searched for this rare TV movie for quite some time. All of the VHS copies I found were in PAL and as I live in America, I was unable to view them. When I located a DVD copy of this film I pounced on it and wasn't horribly disappointed. Anne Beddingford has purposely put herself on the wrong plane and ends up in Cairo. She encounters an accident when a man runs in front of a taxi to get away from someone. All that she has as a clue now is a small bit of paper and a glimpse of the "man in the brown suit" who has been linked to a beautiful night club singer's murder. The plot thickens and Anne finds herself in a sea of suspects and, later, on the killer's hit list. While the plot line has been changed quite a bit, this film still has the undeniable touch of Christie to it. Many of the characters are a bit phony (the heroine Anne) and others were almost unbearably BAD (Tony Randolff), but they are overshadowed by Rue McClannahan, whom I thought stole the show. The plot is far more exciting than other Christie books. There are a couple killings, a couple attempted killings, a love story, and a kidnapping sequence. I enjoyed the film, it had a campy edge to it which made it kinda fun.

This is definitely nostalgic and reminiscent of those great unreal late 70s mystery-dramas, but this is IN NO WAY related to the Christie's book. The book is set in the early 1920s and deals with an orphan who spends her last few dollars to travel by ship to South Africa after witnessing an accident in the tube station and finding a scrap of paper (referencing the ship) on his body. This '89 version could have held its own as a made for TV piece and need not try to take credit as any sort of adaptation of the novel - because it definitely isn't. There are some great moments in this one though - the crossdresser is great but Zimbalist is FAR too precocious and the plot is ridiculous (it's filled with unreal 70s style nonsense - getting on the wrong plane by accident and ending up in Egypt for one, among others.) But all in all, it's cute if you like that early 80s made-for-TV mystery. And, incidentally, UK TV plays it periodically so even if you didn't tape it off American TV in 1989, you could still catch it from time to time in England.

Not all Agatha Christie movies are written true to form of her books. Of course, what movie is really? This is a charming adventure with a young woman tired of her humdrum life looking for more excitement. She soon finds it with a romance and a mystery. The gorgeous leading man and the cute leading lady (Stephanie Zimbalist) make for a cute couple. Had me guessing things until the very end the first time I saw this, and I have a taped copy (wish I had the original now). Interesting not to have the typical Miss Marple or Hercules Poirot characters and yet lends one to wanting to read the book. Tony Randall was quite funny with his different characters. I believe this is well-worth the viewing.

The Man in the Brown Suit is the last of some 1980s TV movies made as US/UK co-productions for CBS TV. Changing the location to Cairo (the film was actually shot in Madrid and Cadiz) does the story no harm. Ken Westbury's beautiful photography of cascading waterfalls and other lush scenery is certainly an asset, and Alan Shayne's high production values make the film worth watching. The script is fairly well-written by Carla Jean Wagner.

Once again, second-tier American TV actors associated with current or recently past CBS productions, are included (as well as Tony Randall). Stephanie Zimbalist is a little too cutesy at times, while Rue McClanahan thinks this film is another episode of The Golden Girls. Ken Howard is bland and mediocre at the best of times.

On the other hand the aforementioned actors' British counterparts show them what acting is all about. Best in the cast is Edward Woodward, a great talent who gives a splendid performance. Woodward had just finished a five-year run on CBS as Robert McCall in "The Equalizer," and that may have had something to do with him being in this film (lucky for us!!!). Simon Dutton, who was starring as Simon Templar in TV films of "The Saint" at this time (1988-89) is quite good as "the man in the brown suit." And Nickolas Grace is also quite effective as secretary Guy Underhill.

Warner Brothers' TV policy was to cast actors who were identifiable to TV audiences in the U.S, which does not mean they chose people of great talent or suitability to the roles. They should have taken a lesson from the BBC, Thames TV, London Weekend TV and ITV, all of whom flawlessly cast their productions with actors reflecting the character of their parts, capturing the wonderful flavour of Agatha Christie's writing.