Mate-me Outra Vez

What a sexy woman Joanne Whalley is. I can see why Kilmer grabbed her & married her. In this she's the antecedent of the Linda Fiorentino character in Last Seduction, another wondrously sexy wench. John Dahl has a unique & powerful knack for choosing strong actresses & bringing out the universal vixen in them.

The plot's nothing terribly original but it plays its familiar theme with some nice changes & variations. It has that classic quality that the best "noir" films had: it moves right along & keeps you in the center of the action.

One thing I find curious is that no one (to my knowledge) has ever linked the Michael Madsen throat-cutting scene in this film with the Michael Madsen ear-cutting scene in Reservoir Dogs. Give credit where it's due!

Unlike the title, once turned out to be just right. I should have stopped at one viewing, which I really liked. For some reason, a second look five years later wasn't nearly the fun. All of sudden, the characters just were too hard-edged with a sadistic killer and lead female that were not fun to watch. Maybe I'm just mellowing and these type of low-lifes just don't appeal to me anymore, at least when comprise two- thirds of the main characters.

So, if you like nasty characters with a big mean streak in them, ones that have no ethics whatsoever and are proud of it, then'll you like this modern-day film noir very much. Val Kilmer, Joanne Whalley-Kilmer and Michael Madsen are not three people you want as friends, particularly the last two.

The story has a few twists - big twists - near the end, although I suppose if you thought about it long enough you'd discover some credibility problems with it. Nonetheless, you have to give this film decent points for one thing: it entertains you for the full 95 minutes.

Even to this day, it's regrettable that the film noir tradition had to die out at the end of the fifties; but all is not quite lost, as since the release of Chinatown in 1974, there has been a steady stream of 'neo-noir' thrillers being released, and while generally not as good as their ancestral counterparts; they usually make for decent films. Kill Me Again is one such thriller; that, while suffering from a number of problems, does a good job in reminding us film fans of the classics from the forties and fifties by creating a good noir atmosphere, which is fused with a typical noir plot line. The film that it takes the most influence from definitely seems to be Billy Wilder's classic "Double Indemnity", as it follows themes of a man being dragged into a plot by a woman and death for profit. The plot follows a woman who escapes her jealous boyfriend after the pair steals over eight hundred grand from some mobsters. He isn't too pleased about her taking his cash, however, and despite her efforts of hiding by hiring a private detective to fake her death; jealous boyfriend remains on her tail.

The film starts off well - the plot is set up nicely, and hints at a thrilling ride to come. The middle, too, is well done and remains thrilling while taking in the familiar noir elements. It's the ending that really, really lets the film down, however. The ending is probably the most important part for any film - as it is this that is going to stay in the audience's mind after the credits role; but the filmmakers here haven't realised that. The twist is one the most clear cut cases of having a twist in the film just for the sake of having one. It makes absolutely no sense given what has gone before, and this is matched by the abrupt ending that follows straight after. And then, just so it gets a little bit worse; we get 'treated' to a sappy final conclusion. To it's credit, the cast does well; with Val Kilmer taking the starring role. I'm not a massive fan of this guy, but he usually performs well, and he looks the part here. He is joined by his then-wife, Joanne Whalley and the always excellent Michael Madsen tops off the central trio. It's always great to see Madsen in films, and the role here is an obvious prelude to his career making performance in Reservoir Dogs. Overall, this isn't an essential film - but it's good up until the ending, and I enjoyed it so it gets a thumbs up on the whole.

A 1989 version of a 1940's like Film Noir crime/suspense movie set in the wide open spaces of the Navada and Arizona desert and American Indian Reservations.

Ripping off the mob of $850,000.00 outside of Winnemucca NV. as well as killing one of it's top honchos the two desperado's Vince and his girlfriend Fay, Michael Madsen & Joanne Whailey,take off for parts unknown to wait out the storm of the mob and state police all points search for them. Stopping off at a rest stop Vince is smashed in the head by Fay, as he was answering natures call, who took off with his car and the mob's cash for Reno.

The move "Kill Me Again" then switches to this local Reno Private Investagter Jack Andrews, Val Kilmer, who gets his right pinkie broken by two goons for being late on his loan of $10,000.00 that the mob advanced him. Jack is told by the mobsters that if he doesn't have the money by Wendsday they themselves will donate it to him for his funeral. Not knowing what to do and with no way to come up with the cash Jack get's his prayers answered when the next day. Fay walks into his shabby and smashed-up office with a proposition that may very well save his life.

Fay is willing to pay Jack $10,000.00 to forge documents to make it look like she's officially dead so her boyfriend Vince won't find her. But their's one small thing that the two didn't figure on. The $10,000.00 that Fay's to pay Jack for his services belongs to the Navada Maranot Mob who Fay and Vince riped off. Added to all that the Mob that got ripped off by Fay & Vince is who the loan sharks, who are about to do Jack in, work for!

Val Kilmer even though he has the leading role as Robert Andrews is very unconvincing as the hard boiled and down and out PI. Kilmer is far too pretty and good looking to play the part that a Humphrey Bogart and Robert Mitchum portrayed in the 1940's and 50's. Michael Madsen is near perfect as the psychopathic and sadistic Vince Miller who chillingly toys with his victims, like a cat playing with a mouse, before he brutally does them it.

Joanne Whailey is also near perfect as the femme fatal who manipulates those who fall under her spell, like Vince & Jack, and uses them for her own selfish and greedy needs. The ending of "Kill Me Again" is so predictable that it hits you with a strong dose of deja vu; you more then expected something like that to happen. With those in the film, Jack Vince & Fay, reminding you of many like wise type characters you've seen in film noir movies over the years.

Two crooks (Joanne Whalley-Kilmer and Michael Madsen) kill a man and steal a briefcase full of money. Then Whalley-Kilmer knocks Madsen out and runs off to Las Vegas with all of it. When there she hires a private investigator (Val Kilmer) to fake her death to get Madsen off her trail. Naturally everything goes wrong.

Laid back film noir. It's well done with an intricate plot and plenty of double crosses. It's beautifully shot too. Still I wasn't too crazy about it. The movie is just TOO laid back. Everything unfolds in such a quiet easy-going way that it lacks the tension that a really good noir gives you. It's not the fault of the cast. Kilmer is good and his then wife Whalley-Kilmer is excellent but the direction and editing is done in such a leisurely fashion that it mutes their acting. Even the violence is done in a casual laid-back way! It's not a total disaster and is worth catching but I couldn't stop thinking of how really good this could have been. A 7.