A Loucura de Sarah

I thought the movie was very good. Thrilling. It had me literaly on the edge of my seat. But the ending was rather confusing. When it was over I said "Right, so they end it." I think they should have made a sequel.

I love Sela Ward, so I watched this movie when it aired on TV last night, and at first it seemed like a campy thriller. It quickly turns into a "Lifetime Original Movie." I thought Sela's acting was terrible, which surprised me. Morgan Fairchild is pretty enough but can't hold a candle to Sela, and the man playing the husband (who I didn't recognize from anything before or since 1989) doesn't help the movie at all. I think it would have been saved by better writing in the latter half and better direction. It starts promisingly and goes downhill fast. It's dated, boring, predictable and the ending itself made me wish I hadn't even wasted two hours. Save yourself and skip this one.. It's too late for me.

I like Morgan Fairchild and Selea Ward but this is a terrible film. The film brings nothing new to the table - it's your basic thing: Rich woman, her husband and his lover - the husband and lover wants to drive her to suicide and take "all that money" (as they say). Nothing new - YAWN!

1/10

Directed by Jerry London and adapted to teleplay by Thomas Baum from the novel, The Crossing, written by Jim Flanagan. It stars Sela Ward, Michael Woods, Roscoe Born, Morgan Fairchild and Polly Bergen.

After a troubled childhood that saw her father die and her mother go mad to the point of suicide, Sarah Hardy (Ward) blossoms into a beautiful woman and marries a handsome man. In spite of her close friends concerns, Sarah and her husband decide to move back to the family home of her childhood, The Pines. It's not long before strange occurrences begin to unnerve Sarah at The Pines. Is her mother not really dead, is it a ghost, or outside influences with ulterior motives?

I genuinely feel bad pouring some scorn on this TV movie, because I so wanted to like it, to grasp a bit of freshness in what has become known as the Gaslight sub-genre of horror. Sadly it's just not very good. It's awash with soap opera operatics, some very poor acting, a confused tonal flow (am I mystery, horror, a message thriller?), an out of place porn movie jazz like musical score, and an ending that beggars belief. The mansion design is great, and there's some nice night time photography during the outer grounds sequences, but it's a difficult film to recommend to those after a good old fashioned mansion based spooker. 5/10

Well, what starts out as a suicide story, which is tragic, and possibly the best part of the movie even though it was a bit sad for me, the rest wasn't all that scary nor interesting, I mean it lacked a lot of frightening scenes and was a bit dated, though the scenes of the dead mother was a little scary, especially the phone call which reminded me of Psycho, but still, the rest of the film was not exciting at all, and the ending itself was empty, it wasn't shocking at all, maybe a bit surprising, but not in a good way, it makes you just pause then say a simple "okaaay", that's it, it's done, zip, nada, nothing, the acting okay, and the lead actress was good. Overall not very good at all.