A Fera do Rock

This movie defines what Jerry Lee Lewis is all about:An enigma in all sense of the word. Dennis Quaid gives his finest performance,in this reviewer's humble opinion,as the Killer himself. The hair,the clothes,the accent are strike an uncanny resemblance. Winnona Ryder is absolutely marvelous as Myra. This movie depicts Lewis's life from his first hit,"Crazy Arms",to the scandal that almost shot his career down the toliet quicker than Elvis could eat a cheeseburger. What really makes this movie go is the soundtrack,including new performances by the Killer. It has humor,tons of drama,and some really revealing glimpses into the man,the myth,the legend that is Jerry Lee Lewis. I give this movie a 9 out of 10. It is with great sadness that I report that this movie is out of print and I pray to God that it will be re-released at the time of this writing. Get it if you can, because,WOOOOOOOOOOO,this movie's got the bull by the horns!!!!!!!

Being a fan of Jerry Lee Lewis since he began rockin' way back in the 1950s, this movie is a bit of a disappointment overall. The "bad" outweighs the "good" in here, story-wise.

GOOD - The music - naturally! There is some great music in here, featuring Dennis Quaid as the entertaining rockabilly-rock-country singer who surely will go down as the one of the great entertainers of his generation. Quaid lip-syncs the songs, but that okay. They sound better with Lewis doing the singing. The movie is colorful, entertaining and fast-moving. Wynona Ryder looks really cute, too.

BAD - There is a little bit too much emphasis on Lewis' brother, Jimmy Swaggart (Alec Baldwin) and, of course, they make him look like some fanatical religious preacher. Hey, I'm not a "charismatic" follower but there was an obvious bias in here and it wasn't necessary. Also, the writers actually made Lewis look a sympathetic victim for the criticism he got marrying his 13-year-old cousin! Only in the film-making world do we see poor morals given the thumbs-up. Sorry, Jerry Lee, but marrying your 13-year-old cousin warrants a bit of criticism! I later discovered this movie was based on a book by that the same "girl," so it's no wonder it makes that relationship look "legitimate."

The ending was not appropriate, either. Most of the characters in this film were exaggerated to the degree that they all look cartoonish. This movie could have been so much better with a more objective look at Jerry Lee's life and people in it.

Personally I disagree with the other user's comments as I saw this movie on TV a while ago and really enjoyed it. What makes it so interesting is the fact that someone would actually go ahead and marry their cousin who was only 13 years old.

This movie is pretty accurate and the acting and music is great.

Dennis Quaid's portrayal of the Killer is definitely one to watch.

His accent and facial expressions are priceless and Winona Ryder's Myra is sweet and believable. This movie offers a great insight into the personal life, music and career of J.L.L. A really enjoyable film I would highly recommend :-D

From some of the reviews here, I get the feeling many viewers of this film have never seen a Jerry Lee Lewis performance, much less have ever seen him offstage. Well, I can tell you, Dennis Quaid has the man down to pitch perfect. But it isn't just a great impersonation. Beneath every nuance and gesture is the frenzied heart and mind that probably would never have been able to function outside of the venue of rock and roll. Jerry Lee was the white man's Little Richard. He had rock and roll in his blood and he was BORN outrageous! He also made Elvis Presley look like a wind-up doll. `Great Balls of Fire' captures the essence of Jerry Lee's music, especially in the ‘musical' scene with the kids outside the high school. Rock and Roll breaks the rules, so why not have a film that breaks the rules by throwing in a musical number that obviously has no backup band? Those who have seen the high school rock and roll movies like `High School Confidential' and `Rock Rock Rock' will appreciate this spirited ode to them. Winona Ryder does a pretty good job for Winona Ryder, and it's fun to see John Doe (of the L.A. punk band `X') playing the somewhat stymied father of little Myra Gale. This film is not a biopic, it's a rock and roll movie, which is what the King of rock and roll (as far as I'm concerned) deserves. Is he a bad, bad man for marrying his thirteen-year-old cousin? Is it anyone's business? The marriage lasted longer then most marriages these days do. Even if it hadn't, I think people can be capable of respecting the artist and his music even if that artist's lifestyle offends them. That's this film's point of view, so no doubt, there will be viewers who will take offense. But to set the record straight, the whole world did not turn their back on Jerry Lee when the news got out about his marriage to his cousin. There were thousands of fans who actually embraced him more BECAUSE their parents and authorities hated him. And then there were just the fans (like myself) who will always love his music and audacious energy at the piano, and have decided to leave judgment of his personal life to whatever entity is in charge of such things.

Dennis Quaid struts around like a rooster in "Great Balls of Fire," a 1989 biopic about Jerry Lee Lewis, one of the great entertainers.

Discovered by Sam Phillips, the man who discovered Elvis and Johnny Cash, Lewis came up the ranks quickly and was poised to become the King of Rock 'n' Roll when Elvis went into the Army.

But the scandal that broke when it was revealed he was married to his 13-year-old cousin Myra (Winona Ryder) and was in fact a bigamist - which today would be shrugged off - just about ruined his career. Soon he was prone to violence on and off stage and imbibing in alcohol.

I have always loved Jerry Lee Lewis' music, but the only thing I knew about him was that he married his cousin - so that will show you where all the publicity was focused. I had no idea that Jimmy Swaggert (played here by Alec Baldwin) was also his cousin.

I was struck by the qualities he had in common with Elvis - they both were highly-charged performers with so much energy a stage couldn't hold them, both completely original, natural talents inspired by music they heard in their communities, and both were discovered by Sam Phillips.

What each one was most of all was just like one of the kids that he sang to, who could pulsate, dance and let their hormones run wild with the music. Lewis remains today an electrifying performer with an unmistakable sound. His high gear "Great Balls of Fire," "Breathless," "High School Confidential," and of course, "Whole Lotta Shaking' Going' On" are unmatched.

Now, how accurate was this film? Jerry Lee himself claims he never acted the way Dennis Quaid portrayed him in his life, though others say Quaid was right on. It's a little like Scottish people hearing a Scottish burr on an actor and saying, we don't talk like that when they do.

I will quibble with the depiction of Sam Phillips as a snake oil salesman who, according to this script, "lost Elvis." Phillips didn't lose Elvis - his record company was too small to promote Elvis as he needed to be promoted, and Phillips badly needed the money Elvis' contract would bring.

Elvis, Vernon and Gladys Presley thought they had it good - no one dreamed Elvis could accomplish what he did - so Sam Phillips could have kept Elvis with Sun for a longer period of time, but rather than stifling Presley's career, he let him go.

Quaid does an excellent job as a thrilling performer who perhaps isn't the most likable person off stage - in fact, might be a little sleazy - and Ryder captures the teenage silliness beautifully. Baldwin doesn't get to do much but proselytize.

The most interesting thing about "Great Balls of Fire" is its relevance today. Rock 'n' Roll was perceived as the way to complete degradation for teenagers and the performers were servants of the devil. Rap music is viewed the same way today.

With rock 'n' roll, the road to degradation was a sexual one - swinging those hips and getting all charged up could only mean trouble. Today, with rap, it's the message of violence against women and attitudes towards them, the use of violence and foul language.

In between, we had the schools ruling that no one could have a Beatles haircut. Maybe someday it will occur to somebody that many things can destroy a generation - war and drugs being two - but music doesn't seem to be one of them.